Considering that one of the most interesting aspects of Napoleon is his legacy and that one of the most mentioned facts about him is that the amount of books written about him is only surpassed by Jesus, it would be a rather laughable endeavor to attempt to write a singular post on his "character" in War and Peace, at least as he exists outside of the novel. So instead, this post will focus on how Napoleon is portrayed in the novel, and more specifically, how his portrayed in chapters he actually appears in. At some point, I may make a post about how he is discussed by other characters or how Tolstoy talks about him in expository chapters, but for now, we'll focus on the seventeen chapters he actually appears in, which certainly seems like a low number considering how he looms over the novel at large. All quotes in this post are from the Mandelker translation.
Chapter 61: After being mentioned in nearly half the chapters leading up to his first appearance, we are introduced to Napoleon seeing the Russians, able to distinguish cavalry from foot soldiers, from the village of Schlappanitz. He is in a blue cloak "which he had worn on his Italian campaign", sitting on a small grey horse in front of his marshals. "Not a single muscle of his face--which in those days was still thin--moved." Not only do we get the picture of his determination and focus, but we get a hint of what is to come and an important theme in his character arc, which is the simultaneous decline of his abilities and physical state. He also understands the military situation better than his opponents, "he saw clearly that the allies believed him to be far away in front of them." It was the anniversary of his coronation and he is in a happy, confident mood that is like "a boy happily in love". He orders the action to begin at Austerlitz and his initial portrayal, rather than the monster the Russians make him out to be, is rather positive and forceful.
Chapter 66: Napoleon is now looking at the killed and wounded, calling the dead Russians "fine men". He sees Andrei, believing him to be dead, and calls it a "fine death." This magnanimity and graciousness, not to get ahead of ourselves, is heavily contrasted later. However, Andrei realizes that his previous hero "seemed to him such a small insignificant creature compared with what was passing now between himself and that lofty infinite sky with the clouds flying over it." So while Napoleon's victory at Austerlitz is impressive and he is a force and a developed character, he means nothing compared to the world itself, and this is an important contextualization and shrinking of his character, as well as powerful foreshadowing, as Napoleon is brought down in the novel by forces bigger than him and beyond his control. Napoleon has Andrei carried to the hospital and tells the young Russian officers that they served honourably and that "you will go far!", but when he goes to Andrei, the latter thinks "of the insignificance of greatness, the unimportance of life which no one could understand, and the still greater unimportance of death, the meaning of which no one alive could understand or explain." Napoleon's "face shone with self-satisfaction and pleasure" after assigning his doctor to help Andrei. The relationship between Napoleon and doctors prove to be interesting in the latter campaign and his belief that he has done something worth being happy over is something we've already seen twice and we will continue to see (and in Tolstoy's moral thinking, self-satisfaction over what one does is usually a negative moral attribute and plays in to one of the greatest of the Tolstoyan sins, one that applies to Napoleon as well, over confidence and hubris).
Chapter 103: This is Tilsit. Nikolai Rostov recognizes Napoleon. "It could be no one else". He is wearing "a small hat a blue uniform...and the St Andrew ribbon over his shoulder." Nikolai "could not help noticing" that Napoleon doesn't sit well in his horse and has "an unpleasant and artificial smile." We haven't seen Napoleon for a while in the novel and when we do, we already see a change in him. Part of this is because the artifice has been removed. He is not the incomprehensible monster the St Petersburg court casts him as, but he stands small in the context of the entirety of existence.
Napoleon "was quite at ease with the Tsar, as if such relations with an Emperor were an everyday matter to him." This is the insult to Russian patriotism and classism in general, which has Napoleon as the upstart and usurper that considers himself equal to the hereditary kings and queens (in Nikolai's own development, this is important because he has viewed the Tsar as his hero and god that he would like to die for). Napoleon is described as "undersized...looking up straight into Alexander's eyes." He gives a medal by taking off the glove of his hand and throwing it on the ground. "It was as if Napoleon knew that it was only necessary for his hand to deign to touch that soldier's beast for the soldier to be fr ever happy". This has Napoleon as more grand, more theatrical, and thus, more ridiculous. He leaves for the narrative for an extended period of time and comes back changed even more emphatically.
Chapter 166: Napoleon leaves Dresden and punishes and rewards those who deserve it. "his historian tells us, tenderly embraced the Empress Marie Louise--who regarded him as her husband though he had left another wife in Paris". Considering Tolstoy's two most famous characters outside of this novel are a vain judge and an adulteress that kills herself, these emphases are not accidental and serve to set up how his character will be portrayed throughout.
He changes into a Polish uniform and goes to the Niemen to cross into Russia. He watches his soldiers work for him and has a small horse brought to him and "the shouting which accompanied him everywhere disturbed him and distracted his mind from the military cares that had occupied him from the time he joined the army." I really like this detail because it gives us an insight into the fall of Napoleon we see into the novel, as he can't sit still and contemplate the sky or have a moment of silence. He gets a telescope and a map and talks to those around him without looking up. When the Uhlans drown, they "distracted his attention. For him it was no new conviction that his presence in any part of the world, from Africa to the steppes of Muscovy alike, was enough to dumbfound people and impel them to insane self-oblivion." The whole chapter is written from the standpoint of ridiculous comedy, but Napoleon stands as someone who takes himself so seriously and sees himself as so important that colors the way Tolstoy wants us to view his character.
"That evening, between issuing one order that the forged Russian paper money prepared for use in Russia should be delivered as quickly as possible and another that a Saxon on who a letter containing information about the orders to the French army had been found should be shot, Napoleon also gave instructions that the Polish colonel who had needlessly plunged into the river should be enrolled in the Legion d'honneur of which Napoleon was himself the head." The juxtaposition of Napoleon's dishonesty and his attempt to judge and give honor is the point and, like the opera scene in the novel, how Tolstoy dresses down his character.
Chapter 170: Napoleon enters into where Balashov is waiting with "firm and resolute" steps. He is wearing "a blue uniform...so long that it covered his rotund stomach...breeches tightly fitting the fat thighs of his short legs...His short hair....plump white neck...smelt of eau-de-cologne. His full face, rather young-looking, with its prominent chin....". The physical change, hinted at earlier, is dramatic and though fatness is not a negativity in the novel (Pierre and Kutuzov are both fat, though Pierre loses weight in what proves to be his character defining moment, Natasha gains weight when she changes into the domestic life), it shows that Napoleon has, at the very least, has changed and aged.
He has a "stately appearance one sees in men of forty who live in comfort." The focus of this chapter, however, is the way he carries himself and treats Balashov: "only what took place within his own mind interested him. Nothing outside himself had any significance for him because everything in the world it seemed to him, depended entirely on his will." He complains that he did not want war, which seems to be an obvious falsehood. His false smiles play a big role again: "You are flurried--compose yourself!" Napoleon seemed to say, as with a scarcely perceptible smile." What starts to appear now that will follow his character throughout the rest of the novel is his frown: "as if fearing to give vent to his feelings, he frowned and nodded slightly"
Napoleon's left calf quivers and this coincides with his voice rising with his "small, white, plump, hand". He quickly transforms, "evidently no longer trying to show the advantages of peace and discuss its possibility, but only to prove his own rectitude and power". The chapter we spend the most time with Napoleon and let him talk and act the most has him high energy and almost crazed:
"He evidently wanted to do all the talking himself and continued to talk with the sort of eloquence and unrestrained irritability to which spoilt people are so prone."
He repeats himself several times and "greedily" sniffs from his gold snuff-box, taking everything personally, believing that Alexander could have surrounded himself with Napoleon, but instead chose his emigree commanders. He is "hardly able to keep pace in words with the rush of thoughts that incessantly sprang up proving how right and strong he was (in his perception the two were one and the same)." We've seen all subtleties and positive aspects of Napoleon thrown out the window and he appears to be an entirely different character than he was when he first appeared in the novel and I think this is both intentional and unintentional, with Tolstoy wanting to show the difference, but as he does at times, losing his consistency over the grand scale of the novel and the various sources he culled from.
Napoleon never lets Balashov talk, "grinned maliciously and again raised his snuff-box". Tolstoy has him play up his insecurity and uses this to define who he is and highlight his inauthenticity: "Napoleon was in that state of irritability in which a man has to talk, talk, and talk, merely to convince himself that he is in the right." He becomes "perturbed by the fact that he had uttered this obvious falsehood."
Meanwhile, "his fat shoulders" twitch. Napoleon believes he has convinced Balashov and this is what leads us to the next chapter, which Balashov gets a couple of jabs at Napoleon.
Chapter 171: This is the dinner he has with his marshals and the visiting Balashov. Just like earlier, he is in good spirits after a ride. He asks Balashov many questions about Moscow, fixating on the churches and how that represents "the backwardness of a people". Tolstoy's relationship with the church in the novel is certainly complicated and he rejects the narrative of pious Russians versus godless Frenchmen because he spends so much time critiquing the Russian nobility, but this blanket statement Napoleon has is very important.
Napoleon later is "in that well-known after-dinner mood which, more than any reasoned cause, makes a man contented with himself and disposed to consider everyone a friend." He again brings up that Alexander surrounds himself with Napoleon's enemies. He considers "War is my profession", cementing the idea that he was seeking a war, not avoiding it. He pulls the ear of Balashov "gently, smiling with his lips only."
Chapter 194: Napoleon, looking for a battle, orders an advance to Moscow, but this is the scene with Lavrushka, with Tolstoy blatantly contradicting Thiers throughout the entire chapter, having Lavrushka realize he is with Napoleon, but pretends not to be because Napoleon has nothing to offer him, similar to Prince Andrei's reaction to seeing him. When Napoleon reveals himself, he pretends to be surprised.
Chapter 213: We are on the eve of Borodino and we get probably the strangest scene of Napoleon. He is finishing his toilette "snorting and grunting". He has a "plump hairy chest" with valets sprinkling cologne on him. He frowns when someone comes in and dresses and comes out too quick for his surprise, then pretends he doesn't see it. When he is told of the battle at Salamanca, he is not surprised with how it went with him not there. He pulls De Beausset's ear and is pleased to hear an untruth from him. He gets his gold snuff-box again and brings it to his nose. He gets his portrait of his son, calls him the king of Rome and has everyone to leave, "leaving the great man to himself and his emotion." It is a scene that could be solemn, but again Tolstoy injects comedy into everything to highlight the absurdity of the situation and to contrast the seriousness of Napoleon.
He brings the portrait out for the soldiers to see and gives a proclamation to his soldiers that they will be able to say they were in the great battle before Moscow. He has his portrait put away, saying it is too young for him to see the battle.
Chapter 214: Napoleon rides and surveys his army, in which historians call him a genius for doing so. He gives off an air of profundity, giving out his dispositions, which Tolstoy calls "obscure and confused if one allows oneself to regard the arrangements without religious awe of his genius...Not one of these was, or could be, carried out." The chapter ends with Napoleon being too far away to know the course of the battle or be able to do anything about it.
Chapter 216: Napoleon says "The chessmen are set up, the game will begin tomorrow!"
He gets punch, talks about Paris and the court, tells jokes, and is compared to "a famous, self-confident surgeon who knows his job does when turning up his sleeves and putting on his apron while a patient is being strapped to the operating-table." The self-confidence is a setup for Tolstoy, and his, for once, unseriousness proves to not only be a mistake, but massively inappropriate to the weight Borodino is given in the novel, as well as the massive loss of life that happened there. However, Tolstoy gives him the first human-like moment in quite a while in the rest of the chapter in a way to set up a calm before the storm. He is unable to sleep and his cold (talked about in detail elsewhere) is getting worse, causing him to blow his nose loudly. He talks with Rapp, which ends with him frowning and he rants against doctors, claiming that the body is a machine for living. He tells Rapp that military art is "being stronger than the enemy at a given moment." He sees the next day as having to deal with Kutuzov. He asks a soldier whether he has had his rice and rides up as the battle begins.
Chapter 220: Napoleon is trying to see what is going on in the battle, but can't. All the reports he are getting are false and can't be representative. None of his orders can be carried out, something that is highlighted in many of the chapters that discuss Napoleon.
Chapter 221: Napoleon, still drinking punch, gets angry when asked if he can spare reinforcements and that "I don't yet see my chessboard clearly." He tells Belliard that "In the heat of a battle it is easy to make a mistake." When he does give reinforcements, he needlessly changes which reinforcements to send. Tolstoy compares this to how a doctor "hinders by his medicines--a role he so justly understood and condemned." I only really appreciated the doctor sections in writing this article, but the chessboard and doctor mentions are paid off rather strongly in a novel that don't always pay off analogies or pays them off and then beats them to death by repetition.
Napoleon then has the de Beausset scene where Beausset wants to eat and thinks they have won the battle, a great portrayal of an evidently real scene. He "was experiencing a feeling of depression like that of an ever-lucky gambler who after recklessly flinging money about and always winning, suddenly, just when he has calculated all the chances of the game, finds that the more he considers his play the more surely he loses." Napoleon realizes that things are not the same as they were. He considers the unsuccessful campaign, "it was like a dream in which a man fancies that a cutthroat is coming to attack him, and raises his arm to strike that cutthroat a terrible blow which he knows should annihilate him, but then feels that his arm drops powerless and limp like a rag, and the horrors of unavoidable destruction seizes him in his helplessness." He rides throughout the horror of the battle and realizes that it seemed "unnecessary and horrible." He refuses to send his guard because he doesn't want it destroyed "eight hundred leagues from France."
Chapter 225: While looking at the "terrible spectacle of the battlefield" at Borodino, Napoleon's "sallow face swollen and heavy, his eyes dim, his nose red, and his voice hoarse involuntarily listening with downcast eyes to the sounds of firing." Borodino completely breaks him and changes his motivation: "At that moment he did not desire Moscow, or victory, or glory (what need had he of more glory?). The one thing he wished for was rest, tranquillity, and freedom."
He yells that the Russians want more and that the French should let them have it, a complete contrast to how he saw his enemies early in the novel. As the novel wears on, Napoleon's powerlessness over the course of history and the world around him: "he fell back into that artificial realm of imaginary greatness, and again--as a horse walking a treadmill thinks it is doing something for itself--he submissively fulfilled the cruel, sad, gloomy, and inhuman role predestined for him."
Tolstoy quotes what he wrote about the Russian war from St. Helena and then writes "Napoleon, predestined by Providence for the gloomy role of executioner of the peoples, assured himself that the aim of his actions had been the peoples' welfare, and that he could control the fate of millions and by the employment of power confer benefactions...He imagined that the war with Russia came about by his will, and the horrors that occurred did not stagger his soul." The contradiction of Napoleon for Tolstoy is that he claims responsibility for events that no person should want to claim responsibility for.
Chapter 245: A very different than when last we saw him Napoleon sees Moscow and is filled "with the rather envious and uneasy curiosity men feel when they see an alien form of life that has no knowledge of them."
He wonders what Alexander is thinking, even thinking the war is a personal struggle between the two, and how "strange and majestic" the moment is. He decides that he will spare Moscow, even though he can tear it apart. He calls for the boyars to be brought to him, even though they no longer exist. He learns that Moscow is empty and he is in a terrible position of appearing to be ridiculed.
Chapter 246: Napoleon calls Moscow being empty "incredible" and stays outside the city.
Chapter 285: Napoleon in Moscow tries to set up a government and makes an announcement to the city. He does "all in his power", which is implied, and even explicit in other chapters, to not be very much, and tries to stop the chaos. The next chapter shows all this is for nothing.
Chapter 294: With Kutuzov unable to keep his troops back or the Cossacks plundering, Napoleon rides out to inspect his line and nearly gets captured, only escaping because the Cossacks are too busy going after loot. Napoleon, "with his forty-year-old stomach", understands that he has to leave on the Smolensk road, with "the forces which influenced the whole army" acting on him. While he is mentioned in twenty-four more chapters and Tolstoy is obviously not done making his point, he does not appear in the book again and, strangely, his leaving of the army is not even dramatized, but only discussed.
In the novel, Napoleon's basic character arc is that he starts as a strong, powerful military commander with respect for his enemies, and then transforms into a confident equal of Alexander before becoming a rather ridiculous comedic character that is extremely full of himself. He is broken by Borodino before becoming bold again as he approaches Moscow, only to be instantly ridiculed and having no power over the events around him, finally leaving the novel weak and realizing he has no choice. The decline of his power is captured in the novel, as Austerlitz is his crowning achievement, while the retreat from Moscow is what kicks off a series of low moments for Napoleon that ends with his exiles and death.
As a character, overconfidence is what defines Napoleon, as does ridiculous ceremony and a sense of importance that is undercut by his failure to control events and the reality of him being a tool rather than a master of tools. This is one of the central theses of the book; a singular man is not the director of events, but the meaning of events is basically incomprehensible to us, especially when we are in them. He, at times, appears as a cartoon character and is even the butt of a joke on more than one occasion, but there is a bit of an understanding of why he is who he is, with Tolstoy understanding how the circumstances around him can not allow him to be anyone other than who he is. He is the villain of Russia, and the Russians blame him, but, at least in the chapters he appears, he isn't represented as a cardboard villain, but as a man who wildly misinterprets the events he is participating in, similar to how Pierre, Rostopchin, and Nikolai Bolkonsky misinterpret the events they are in or surrounded by.
Wednesday, March 20, 2019
Tuesday, March 19, 2019
Thoughts on the 2016 BBC Version of War and Peace: Episode 7
We start with Pierre waking up late for the battle, and then the theme music as Pierre walks into the battlefield and sees the battle, with a scale point of view shot. The strongest parts of the episode, besides the ending, are these point of view shots or shots that follow Pierre very closely, helping us understand his experiences. The battle, which is built up at the end of the last episode, is maybe a little underplayed, and the show definitely decides to focus on the small, "down in the dirt" aspect of the battle, and contains almost no large view moments of the battle.
Pierre has a discussion with Kutuzov about how he wants to get in the thick of it, with the lingering shot of Kutuzov seeming to convey some sort of approval. This really replaces his following of Bennigsen and the adjutant. He is then in the middle of the battle and has a conversation with a soldier about how they are scared, that could perhaps come off as a little cliche.
Andrei's regiment continues to get blown apart as they march forward (rather than standing pointlessly), with him saying "Nothing to do but endure." Pierre helps with some cannon and volunteers to get more charges. Handheld cam is used as he runs with a soldier through a trench and to a cart, and there is a great spinning camera shot when the cart gets hit by a cannon and throws him on the ground. The whole thing is not quite cinematic, but really effective television work. There is quite a bit of blood and violence and we see the man absolutely torn in half as Pierre crouches over him. This violence I think is really important to really drive home the point of the war scenes should make, and is surprising for a television show. Meanwhile, we hear constant screaming and Pierre comes back to say that the ammunition boxes were blown up. His encounter with the Frenchman is played awkwardly and quickly (see his more macho violent scene later) and we move to Napoleon turning down reinforcements in a scene that really emphasizes how I don't like the way they played Napoleon in the show. The acting of his character, and this is likely more the direction than the acting, may be the weakest in the show, and is certainly the weakest in the episode. A cynical person might think that this is why there isn't a huge focus on him in the show. With the scenes we get with the other characters, I want to see him even less and more Lily James. However, much of this is probably because of how hard it is to portray Napoleon, especially how he is portrayed in the novel, and the weight and high expectations playing his character comes from.
We get the dog that is laughed at right before the spinning bomb lands. We get increasingly closeup shots of Andrei and we again do not get inner monologuing, which may have the effect of making his indecision even more baffling. We cut immediately to the hospital. The cutting up of Anatole's leg is is extremely gory and his face is so bloody it is hard to tell who he is without knowing beforehand, so the show gives him a little dialogue. Much like the 2007 show, there is a moment where Bolkonsky and Anatole hold hands, but it is played much better here. We get some chanting as we cut to an exhausted Pierre, a close up more than any kind of scale gore shots, a technique that is used more effectively later, as we'll see. We then cut into Kutuzov and his generals with him arguing that they should retreat and abandon Moscow (which makes his motivation at the end of the last episode nonsensical. As you'll see, this scene is basically repeated later, and though there is definitely repeated scenes in the novel and the points around Kutuzov are drilled home almost to a sickening degree, Kutuzov, like Napoleon, seems to get in the way in this adaptation and the just half to quarter-way attempt to have the grand national narrative in the story seems a little superfluous instead of the way the narrative of the novel interconnects it). We cut immediately into rioting and start to follow Petya as he runs back into the Rostovs (we see the pigs again). He tells everyone they have to leave, but Ilya argues that everything is okay and they don't need to leave. This takes us to the packing and accepting soldiers scene, followed by a Natasha and Sonya scene, with them both believing they will die as maids, with Nikolai abandoning her and what has happened to Natasha. Natasha speaks about Pierre and then to take the prisoners with them, with Ilya and his wife having their discussion of it, Natasha standing up for herself and what she believes is right (Ilya doesn't waver the way he does in the novel and the countess doesn't have her change of heart). The countess seems to be even more negative, somehow, here. A lot of this may have to do with the decision to have her as an almost absent character in the first two episodes.
Napoleon stands outside of Moscow and proclaims that he comes in peace and will bring them happiness. We really don't get his despair after Borodino, going for a more simplified version of his character development. There is a bit of emphasis on the chaos while the Rostovs leave Moscow. Pierre tells Natasha explicitly that he has to kill Napoleon (we don't get any of the Antichrist stuff here, so I think we are to assume that his war experiences color his thoughts here, which works with a more modern interpretation that will be tempted to insert PTSD in a novel that doesn't really deal with the issue or show the characters emotionally broken from their experiences).
Pierre finds a man in his house singing in French and that the French army has commandeered his house. This is Ramball, whom I am rather surprised exists in this version, who drinks with Pierre and tells him that Napoleon is in the city. Ramball gets to talk about women and tells the story of the Polish wife and that he is a romantic. Pierre tells him about his experience with love and how whom he really loves can never belong to him.
The Rostovs arrive at Mytishchi and discover that Prince Andrei is with them. They then watch Moscow burn in the distance, with Ilya getting the reaction that Tolstoy gives the lower-class people with Rostov in the book (a change that is sensible, as those characters are only introduced for that purpose).
Pierre has a moment where it is clear he is contemplating killing the sleeping Ramball and then we get some unfortunate CGI fire as Pierre walks through and encounters the woman (who is being confronted by French soldiers) with the little girl in the fire. We get the handheld shots like in the battle as he runs to save the child. Pierre tackles and punches French soldiers and says that he will fight them all before they grab him and take his knife. He screams rather painfully as they drag him away. This is followed by a quiet scene of Natasha and Sonya. Sonya tells her that Andrei is with them. Andrei and Natasha have their moment, and they ask each other for forgiveness before we switch to Nikolai, who arrives at Marya's and tells her that her brother is alive.
The countess gets a scene where she begs for the family to move on, while a broken (the dialogue, evidently not considering his acting to be enough, has her say explicitly that he is broken) Ilya can't make a decision, putting it on her. Ilya continues to watch the fires of Moscow in a state of confusion as military drums take us to the prisoners with Pierre. We watch, mostly over his shoulder, as they escort men to an already bloody wall and posts as the soldiers begin to shoot them. The distance here is created by not showing a lot of the violence, instead focusing mainly on Pierre and having the soldiers speak in untranslated French. We then get the rare voiceover with a nature montage of Andrei talking to Natasha, which turns into a scene of him telling her that he is happy and that he saw Anatole at the hospital, explicitly saying that he loves him and that he can't help being the way he is.
Rather than a prayer, Nikolai tries to write Sonya before the obvious Lavrushka stand in appears and gives him the letter from Sonya. Nikolai says, "Oh thank you God" out loud. We then get shots of a tear-filled Sonya outside, with shots of flowers, as the rest of the brief letter is read out loud.
We get another general meeting and Kutuzov preaches time and patience versus the aggressive Bennigsen. Kutuzov is a little more aggressive at shutting down the meeting, but appropriately looks tired.
Napoleon has a scene where he wonders why he did not get a battle, and says in almost tearful rage that he is disappointed. The setting looks a little strange, as he is clearly supposed to be in his headquarters in the Kremlin, but I think the backgrounds are CGI'd in and it appears a little cramped. There is a lot of focus on his breathing as well, which I can't really understand.
Ilya at this point appears to be suffering from dementia and has problems understanding what is going on. He even tries to get Marya to have tea rather than going to see Andrei. There is a nice long shot that avoids going to the immediate close up (and doesn't even follow initially) as Marya, Nikolushka, and Natasha walk into Andrei's room.
After their scene together, we get a last rites scene that is overpowered by piano music and shot with closeups to the different characters that I think does a good job to represent their differing sadnesses that is brought out in the book. We get a little montage of Andrei, with a couple nice double exposure shots and some nice music flourishes accompanying the piano. The actresses play the death scene very well and Natasha comments that he is already cold and the episode ends with a shot of his face and her asking "Where is he now?"
Pierre has a discussion with Kutuzov about how he wants to get in the thick of it, with the lingering shot of Kutuzov seeming to convey some sort of approval. This really replaces his following of Bennigsen and the adjutant. He is then in the middle of the battle and has a conversation with a soldier about how they are scared, that could perhaps come off as a little cliche.
Andrei's regiment continues to get blown apart as they march forward (rather than standing pointlessly), with him saying "Nothing to do but endure." Pierre helps with some cannon and volunteers to get more charges. Handheld cam is used as he runs with a soldier through a trench and to a cart, and there is a great spinning camera shot when the cart gets hit by a cannon and throws him on the ground. The whole thing is not quite cinematic, but really effective television work. There is quite a bit of blood and violence and we see the man absolutely torn in half as Pierre crouches over him. This violence I think is really important to really drive home the point of the war scenes should make, and is surprising for a television show. Meanwhile, we hear constant screaming and Pierre comes back to say that the ammunition boxes were blown up. His encounter with the Frenchman is played awkwardly and quickly (see his more macho violent scene later) and we move to Napoleon turning down reinforcements in a scene that really emphasizes how I don't like the way they played Napoleon in the show. The acting of his character, and this is likely more the direction than the acting, may be the weakest in the show, and is certainly the weakest in the episode. A cynical person might think that this is why there isn't a huge focus on him in the show. With the scenes we get with the other characters, I want to see him even less and more Lily James. However, much of this is probably because of how hard it is to portray Napoleon, especially how he is portrayed in the novel, and the weight and high expectations playing his character comes from.
We get the dog that is laughed at right before the spinning bomb lands. We get increasingly closeup shots of Andrei and we again do not get inner monologuing, which may have the effect of making his indecision even more baffling. We cut immediately to the hospital. The cutting up of Anatole's leg is is extremely gory and his face is so bloody it is hard to tell who he is without knowing beforehand, so the show gives him a little dialogue. Much like the 2007 show, there is a moment where Bolkonsky and Anatole hold hands, but it is played much better here. We get some chanting as we cut to an exhausted Pierre, a close up more than any kind of scale gore shots, a technique that is used more effectively later, as we'll see. We then cut into Kutuzov and his generals with him arguing that they should retreat and abandon Moscow (which makes his motivation at the end of the last episode nonsensical. As you'll see, this scene is basically repeated later, and though there is definitely repeated scenes in the novel and the points around Kutuzov are drilled home almost to a sickening degree, Kutuzov, like Napoleon, seems to get in the way in this adaptation and the just half to quarter-way attempt to have the grand national narrative in the story seems a little superfluous instead of the way the narrative of the novel interconnects it). We cut immediately into rioting and start to follow Petya as he runs back into the Rostovs (we see the pigs again). He tells everyone they have to leave, but Ilya argues that everything is okay and they don't need to leave. This takes us to the packing and accepting soldiers scene, followed by a Natasha and Sonya scene, with them both believing they will die as maids, with Nikolai abandoning her and what has happened to Natasha. Natasha speaks about Pierre and then to take the prisoners with them, with Ilya and his wife having their discussion of it, Natasha standing up for herself and what she believes is right (Ilya doesn't waver the way he does in the novel and the countess doesn't have her change of heart). The countess seems to be even more negative, somehow, here. A lot of this may have to do with the decision to have her as an almost absent character in the first two episodes.
Napoleon stands outside of Moscow and proclaims that he comes in peace and will bring them happiness. We really don't get his despair after Borodino, going for a more simplified version of his character development. There is a bit of emphasis on the chaos while the Rostovs leave Moscow. Pierre tells Natasha explicitly that he has to kill Napoleon (we don't get any of the Antichrist stuff here, so I think we are to assume that his war experiences color his thoughts here, which works with a more modern interpretation that will be tempted to insert PTSD in a novel that doesn't really deal with the issue or show the characters emotionally broken from their experiences).
Pierre finds a man in his house singing in French and that the French army has commandeered his house. This is Ramball, whom I am rather surprised exists in this version, who drinks with Pierre and tells him that Napoleon is in the city. Ramball gets to talk about women and tells the story of the Polish wife and that he is a romantic. Pierre tells him about his experience with love and how whom he really loves can never belong to him.
The Rostovs arrive at Mytishchi and discover that Prince Andrei is with them. They then watch Moscow burn in the distance, with Ilya getting the reaction that Tolstoy gives the lower-class people with Rostov in the book (a change that is sensible, as those characters are only introduced for that purpose).
Pierre has a moment where it is clear he is contemplating killing the sleeping Ramball and then we get some unfortunate CGI fire as Pierre walks through and encounters the woman (who is being confronted by French soldiers) with the little girl in the fire. We get the handheld shots like in the battle as he runs to save the child. Pierre tackles and punches French soldiers and says that he will fight them all before they grab him and take his knife. He screams rather painfully as they drag him away. This is followed by a quiet scene of Natasha and Sonya. Sonya tells her that Andrei is with them. Andrei and Natasha have their moment, and they ask each other for forgiveness before we switch to Nikolai, who arrives at Marya's and tells her that her brother is alive.
The countess gets a scene where she begs for the family to move on, while a broken (the dialogue, evidently not considering his acting to be enough, has her say explicitly that he is broken) Ilya can't make a decision, putting it on her. Ilya continues to watch the fires of Moscow in a state of confusion as military drums take us to the prisoners with Pierre. We watch, mostly over his shoulder, as they escort men to an already bloody wall and posts as the soldiers begin to shoot them. The distance here is created by not showing a lot of the violence, instead focusing mainly on Pierre and having the soldiers speak in untranslated French. We then get the rare voiceover with a nature montage of Andrei talking to Natasha, which turns into a scene of him telling her that he is happy and that he saw Anatole at the hospital, explicitly saying that he loves him and that he can't help being the way he is.
Rather than a prayer, Nikolai tries to write Sonya before the obvious Lavrushka stand in appears and gives him the letter from Sonya. Nikolai says, "Oh thank you God" out loud. We then get shots of a tear-filled Sonya outside, with shots of flowers, as the rest of the brief letter is read out loud.
We get another general meeting and Kutuzov preaches time and patience versus the aggressive Bennigsen. Kutuzov is a little more aggressive at shutting down the meeting, but appropriately looks tired.
Napoleon has a scene where he wonders why he did not get a battle, and says in almost tearful rage that he is disappointed. The setting looks a little strange, as he is clearly supposed to be in his headquarters in the Kremlin, but I think the backgrounds are CGI'd in and it appears a little cramped. There is a lot of focus on his breathing as well, which I can't really understand.
Ilya at this point appears to be suffering from dementia and has problems understanding what is going on. He even tries to get Marya to have tea rather than going to see Andrei. There is a nice long shot that avoids going to the immediate close up (and doesn't even follow initially) as Marya, Nikolushka, and Natasha walk into Andrei's room.
After their scene together, we get a last rites scene that is overpowered by piano music and shot with closeups to the different characters that I think does a good job to represent their differing sadnesses that is brought out in the book. We get a little montage of Andrei, with a couple nice double exposure shots and some nice music flourishes accompanying the piano. The actresses play the death scene very well and Natasha comments that he is already cold and the episode ends with a shot of his face and her asking "Where is he now?"
Monday, March 18, 2019
Thoughts on the 2016 BBC Version of War and Peace: Episode 6
After opening on a disconsolate Natasha and dollying out slowly away from her, we get a scene of Metivier (the subtitles name him and we never see his face nor get the scene of Nikolai Bolkonsky kicking him out, which would have happened in the last episode, if filmed) applying leeches to her. Unlike the book, which mainly focuses on the "poisonous" medicine, the modern focus is of course on the absurdity of the leeches. However, without getting the suicide attempt, this sickness has less of an effect, with only a short conversation between her parents showing her "spiritual" sickness. We go into her religious moments with a brief scene of her praying before we go to the War section, which opens with Napoleon crossing the border in the summer of 1812. The scale shots are really quite nice; I assume the soldiers are CGI in the overhead shots, but it gives off a large and powerful. Alexander appoints Boris to give Napoleon the message that no French soldier is to be on Russian soil (this is done in a room with a throne and no other decoration and we don't get the comical party scene). The music escalates as it transitions to Boris waiting in a tent, which is then transitioned into a slight wait before Napoleon comes in. Napoleon is much less ridiculous here, but not quite intimidating (whether that is intent or just the actor is unclear). There is a big deal made out of his ear pull. Rostov breaks the news of the French crossing the Nieman and we get introduced to the older Petya, who immediately wants to join the army (there is a comical scene where he is playing with a sword in the background, which comes off as trying to hard or being too much on the nose). Ilya decides it is best for him to join where he can just look the part. Andrei enters, confronts Bourienne and tells Marya (they do call her Masha) and says he will join the army. There is a conversation Nikolai Bolkonsky has, flirting with Bourienne, about trying to teach Marya algebra and geometry, how ladies are not meant to have higher education, and the people of God that Marya talks to (we never see them, so this there reference).
Andrei then censures his father over Bourienne and Nikolai Bolkonsky kicks him out, refuses to see him, and blames Marya. Marya and Andrei see each other off and Andrei makes his claim that forgiveness is a woman's virtue and that he wants to challenge Anatole. Natasha appears to be healed and her and Pierre have a conversation about her singing and how Pierre has done nothing with his life. His attempt to say that he loves Natasha but fails is played a little awkward and Dano's acting is not strong here, especially considering how it compares with his scene partner Lily James. He tells her straight out he thinks it is better not to see her so often. A confused Nikolai Bolkonsky sends Tikhon to the Governor of Smolensk and Marya realizes that the French are already there. We get a nice little scene of him realizing that he is mistaken and that he is losing his grip on things, but again, the series does not let him get ridiculous. Tikhon plays the Apatuitch role and walks the wrong way through the retreat and sees the already burning city (one suspects those scenes would have been expensive to film, so instead we get a person living outside the town burning a little shack). After angrily yelling at everyone and forcing Tikhon to put on his dress uniform, Nikolai Bolkonsky starts to ride his horse off and then falls off. Again, drama takes precedence over comedy in this scene. Andrei, after telling his soldiers he knows a place they can bathe, has a vision of innocent girls picking fruits while wandering alone. He goes to Bald Hills, realizes it is locked and that they are gone and we get a really nice wide shot that shows just how gigantic the place is. Despite, the first time we have seen Nikolai Rostov in what seems like forever, Nikolai, with the retreating soldiers, telling her that it would be better for her to go to Moscow rather than Bogucharovo, she goes there, prays and has a moment with her dying father. She tells Tikhon out loud that she prayed for her death but that he loved her. We get some arthouse-style shots of her outside weeping, with interesting editing and only the sound of wind (I'm really glad they didn't go with music there). After Bourienne makes a plea for them to stay for the French, Marya takes a strong stand and is told Dron and the peasants are waiting outside. She pleas with them to leave with her to Moscow, but they think the French will set them free. She is strong against them and appeals to authority. In these scenes she is very forceful and Nikolai does not really confront the peasants, instead the show cutting from them meeting to them leaving.
We go from there to Pavlovna and Vassily cynically discussing how rule would be under Napoleon. Bilibin tells Pavlovna straight out that Helene is "in a delicate condition and the child is not Bezukhov's". Helene, with her lover, claims that Pierre never consummated the marriage and that she wants to marry her lover. This brief couple of minutes are the only times we see any of these characters in the episode. Pierre plays a game of patience and discusses going to the war with Catiche and decides it is time to find out about war. Nikolai Rostov updates his family on his being in the reserves and his episode with Marya Bolkonsky, and there is a move-in to Sonya (who I don't think says a word in the episode) before she leaves the room. Nikolai has the conversation about the match with Princess Bolkonsky, but it is interrupted by cutting to Marya being called on by him.
Andrei goes back and sees a Kutuzov that seems even older than previously in the show, one of the few to have seemed to have aged other than Petya. His conversation is less emotional here and more anti-Napoleonic. He even claims, in a complete about face from the book, that he can't let the French get to Moscow and that he will stop them at Borodino. Pierre here is not leading a regiment, but getting bewildered looks, claims he is just seeing what is going on. He sees Kutuzov and some soldiers kneeling as the icons pass, gets off his horse and removes his hat. Dolokhov comes and begs for forgiveness and kisses him before running off before Pierre can say anything. Pierre finds Andrei, who wants him to go while he has a chance. Andrei is very brusk and then it cuts to them at night discussing the battle and how, again, Pierre should leave. Pierre speaks about Natasha, but Andrei reminds him that he promised to never speak of it. He talks about the girls picking the plums and tells the story of the old man in the forest that Natasha told him and the animal of Kuragin. He cuts off the conversation and says that it is time for sleep. Napoleon gives his bulletin, which is delivered, at least in part, by an officer with a pretty bad French accent. This is the end of the episode, with the actual Battle of Borodino, much like the book, being something that happens after a cliffhanger (and in the book, expository chapters about its meaning and the plans both sides had for it).
Andrei then censures his father over Bourienne and Nikolai Bolkonsky kicks him out, refuses to see him, and blames Marya. Marya and Andrei see each other off and Andrei makes his claim that forgiveness is a woman's virtue and that he wants to challenge Anatole. Natasha appears to be healed and her and Pierre have a conversation about her singing and how Pierre has done nothing with his life. His attempt to say that he loves Natasha but fails is played a little awkward and Dano's acting is not strong here, especially considering how it compares with his scene partner Lily James. He tells her straight out he thinks it is better not to see her so often. A confused Nikolai Bolkonsky sends Tikhon to the Governor of Smolensk and Marya realizes that the French are already there. We get a nice little scene of him realizing that he is mistaken and that he is losing his grip on things, but again, the series does not let him get ridiculous. Tikhon plays the Apatuitch role and walks the wrong way through the retreat and sees the already burning city (one suspects those scenes would have been expensive to film, so instead we get a person living outside the town burning a little shack). After angrily yelling at everyone and forcing Tikhon to put on his dress uniform, Nikolai Bolkonsky starts to ride his horse off and then falls off. Again, drama takes precedence over comedy in this scene. Andrei, after telling his soldiers he knows a place they can bathe, has a vision of innocent girls picking fruits while wandering alone. He goes to Bald Hills, realizes it is locked and that they are gone and we get a really nice wide shot that shows just how gigantic the place is. Despite, the first time we have seen Nikolai Rostov in what seems like forever, Nikolai, with the retreating soldiers, telling her that it would be better for her to go to Moscow rather than Bogucharovo, she goes there, prays and has a moment with her dying father. She tells Tikhon out loud that she prayed for her death but that he loved her. We get some arthouse-style shots of her outside weeping, with interesting editing and only the sound of wind (I'm really glad they didn't go with music there). After Bourienne makes a plea for them to stay for the French, Marya takes a strong stand and is told Dron and the peasants are waiting outside. She pleas with them to leave with her to Moscow, but they think the French will set them free. She is strong against them and appeals to authority. In these scenes she is very forceful and Nikolai does not really confront the peasants, instead the show cutting from them meeting to them leaving.
We go from there to Pavlovna and Vassily cynically discussing how rule would be under Napoleon. Bilibin tells Pavlovna straight out that Helene is "in a delicate condition and the child is not Bezukhov's". Helene, with her lover, claims that Pierre never consummated the marriage and that she wants to marry her lover. This brief couple of minutes are the only times we see any of these characters in the episode. Pierre plays a game of patience and discusses going to the war with Catiche and decides it is time to find out about war. Nikolai Rostov updates his family on his being in the reserves and his episode with Marya Bolkonsky, and there is a move-in to Sonya (who I don't think says a word in the episode) before she leaves the room. Nikolai has the conversation about the match with Princess Bolkonsky, but it is interrupted by cutting to Marya being called on by him.
Andrei goes back and sees a Kutuzov that seems even older than previously in the show, one of the few to have seemed to have aged other than Petya. His conversation is less emotional here and more anti-Napoleonic. He even claims, in a complete about face from the book, that he can't let the French get to Moscow and that he will stop them at Borodino. Pierre here is not leading a regiment, but getting bewildered looks, claims he is just seeing what is going on. He sees Kutuzov and some soldiers kneeling as the icons pass, gets off his horse and removes his hat. Dolokhov comes and begs for forgiveness and kisses him before running off before Pierre can say anything. Pierre finds Andrei, who wants him to go while he has a chance. Andrei is very brusk and then it cuts to them at night discussing the battle and how, again, Pierre should leave. Pierre speaks about Natasha, but Andrei reminds him that he promised to never speak of it. He talks about the girls picking the plums and tells the story of the old man in the forest that Natasha told him and the animal of Kuragin. He cuts off the conversation and says that it is time for sleep. Napoleon gives his bulletin, which is delivered, at least in part, by an officer with a pretty bad French accent. This is the end of the episode, with the actual Battle of Borodino, much like the book, being something that happens after a cliffhanger (and in the book, expository chapters about its meaning and the plans both sides had for it).
Sunday, March 17, 2019
Thoughts on the 2016 BBC Version of War and Peace: Episode 5
We start the episode with Andrei not coming back, sending a letter to Natasha that he has to stay while his wound heals, with the Rostov parents comforting a crying Natasha. The two Andrei letters serve somewhat as a bookends for the episode, especially since the entire episodes hinges on the Andrei/Natasha plot line, without any "War" distractions.
We get perhaps the most negative portrayal of Nikolai Bolkonsky yet, with him yelling at his daughter and then playing up to Bourienne, with Marya's confrontation of her happening here. This is followed by Boris and his mother going to a party thrown by Nikolai and his introducing himself to her and that conversation. Rostopchin is introduced, but does nothing, even less than at this point in the novel, and we get the dinner conversation of Nikolai Bolkonsky arguing that they should focus on securing their border and not meddle in French affairs, which leads into Pierre and Marya talking about Boris and then Natasha. I like the way Paul Dano plays that scene.
Boris and his mother have a conversation about Marya and how she is "mentally deficient". Boris is the one who talks about the tragic life and Julie rather than Pierre, which allows Dano to play it a little more sincere. We then get the cynical scene of the Boris and Julie. I don't think Julie has been introduced, and I think it is a strange choice to have this scene here and that the focus on Boris is so prevalent. The Julie is rather sincere and unhappy and she only has a couple more scenes in the book, so it will be interesting to see what they do with not only her character, but Boris as well, since he drops off as the novel revs up to its climax.
The following scene is handheld for some reason, the conversation about Boris and Julie, with Natasha and the Rostovs learning the news. It is thrown away by Natasha pretty easily, but the scene sets up the Rostov meeting at the Bolkonskys. Ilya explicitly says that he is frightened by Nikolai Bolkonsky. He gets a lot of time on the screen in this episode and we start to really see how they build his character in the show.
The following scene, which is a conversation between Natasha and Sonya, with Ilya coming in and saying everyone loves Natasha, has a lingering shot on Sonya. Her whole purpose in the episode is really to just listen to Natasha, but she gets a moment later on by saying she knows what it is like to be torn apart by love, and since she is the one that has to stop Natasha, there is a significance to this shot that we feel later on.
They overhear Nikolai Bolkonsky saying he doesn't want to see them. Bourienne appears very chipper and false, while Marya is extremely awkward and silent. Before Ilya leaves, Nikolai Bolkonsky comes in his pajamas and speaks very loudly and claims he didn't know anything, giving the scene a very different tone than it has in the book, as Marya is much kinder, and the embarrassment is much less based on gender and more about Nikolai's obvious contempt for the Rostovs (he is less strange and hard to understand than he is in the book), and Marya trying to speak to Natasha before she leaves is played very weirdly. Natasha seems a little like the aggressor here, but the next scene is of her crying to Sonya about how the family treated her and how cold Marya was, but again, it doesn't seem that Marya played it that way.
The next scene is Boris wanting to be a Freemason and Helene supporting him against a skeptical Pierre. Pierre drinks alone as Bazdeev gives him narration about whether he is doing the right thing and if he is content with himself, this is interspliced with Boris being initiated, as well as a shot of him sleeping with Helene. Boris's false freemasonry is really only mentioned in passing in the book and continues the theme of the beefing up of Boris's character in the show.
Natasha's mom, sick but present, is the one that encourages Natasha to go to the opera. Again, there is a focus on Boris in a couple of shots. We get the reintroduction of Dolokhov and Anatole, as well as Bilibin and Helene. During the opera, which is basically played in the background and without any real satire, Helene and Natasha have a conversation (their first I believe in this adaptation) about being friends and "trying things on together". Anatole comes in the box and has a conversation with her as well and invites her to a party the following day. The opera fades out and we get score music to show us how serious it is. Anatole speaks French, there is an emphasis on Natasha's breath and has some serious close ups of her.
The next real scene is the invitation by Helene to the Mademoiselle Georges (I'm surprised that this reference, as well as the Duport one, is retained) party. During the Georges recital (it seems more like a spoken French poem than a song), there is a long tracking shot into Natasha's face as Anatole attempts to hold her hand. Natasha at first rejects Anatole and then Helene brings him in a closet with her, and in this adaptation, there is a focus on the "wooing" and its creepy/forceful vibes, and the two kiss and Anatole says they have to be together and tries to force her to say yes.
The conversation between Anatole and Dolokhov about his previous marriage is a little forced and contains the information about Pierre knowing about the marriage as well. I like the acting and (I think this plays a lot into it) the dialogue of Sonya better than Natasha in the scene where the two confront each other over Anatole. This is immediately followed by, with no transition, putting the two scenes together, Marya coming, in which Natasha tells her she is rejecting Andrei.
Anatole actually enters the house before realizing he is betrayed and confronted and the episode plays out much more like an action scene, with a follow shot in a hall like Anatole is about to enter a boxing ring. Here, Countess Rostova plays the role of Marya Dmitrievna Akhrosimova in the novel. The mention of Pierre cuts to Pierre finding Anatole and threatening to kill him. Dano doesn't, most likely because of his lack of size, play the intimidation of the character quite the way it needs to be, making the lingering on the frightened Anatole much less believable. Pierre's revealing to Natasha about Anatole's wife in Poland is much more forceful here than accidental and awkward like it is in the novel. He only really softens when Natasha breaks down and cries.
Andrei comes back happy and the show plays up the dramatic irony of his situation and allows Marya to prepare to break the news to him (we cut away before it happens). Notably, the show skips the suicide attempt and the episode ends with Pierre telling Natasha that if he was a free man he would go down on his knees at this moment (he is sort of his knees in the shot).
We get perhaps the most negative portrayal of Nikolai Bolkonsky yet, with him yelling at his daughter and then playing up to Bourienne, with Marya's confrontation of her happening here. This is followed by Boris and his mother going to a party thrown by Nikolai and his introducing himself to her and that conversation. Rostopchin is introduced, but does nothing, even less than at this point in the novel, and we get the dinner conversation of Nikolai Bolkonsky arguing that they should focus on securing their border and not meddle in French affairs, which leads into Pierre and Marya talking about Boris and then Natasha. I like the way Paul Dano plays that scene.
Boris and his mother have a conversation about Marya and how she is "mentally deficient". Boris is the one who talks about the tragic life and Julie rather than Pierre, which allows Dano to play it a little more sincere. We then get the cynical scene of the Boris and Julie. I don't think Julie has been introduced, and I think it is a strange choice to have this scene here and that the focus on Boris is so prevalent. The Julie is rather sincere and unhappy and she only has a couple more scenes in the book, so it will be interesting to see what they do with not only her character, but Boris as well, since he drops off as the novel revs up to its climax.
The following scene is handheld for some reason, the conversation about Boris and Julie, with Natasha and the Rostovs learning the news. It is thrown away by Natasha pretty easily, but the scene sets up the Rostov meeting at the Bolkonskys. Ilya explicitly says that he is frightened by Nikolai Bolkonsky. He gets a lot of time on the screen in this episode and we start to really see how they build his character in the show.
The following scene, which is a conversation between Natasha and Sonya, with Ilya coming in and saying everyone loves Natasha, has a lingering shot on Sonya. Her whole purpose in the episode is really to just listen to Natasha, but she gets a moment later on by saying she knows what it is like to be torn apart by love, and since she is the one that has to stop Natasha, there is a significance to this shot that we feel later on.
They overhear Nikolai Bolkonsky saying he doesn't want to see them. Bourienne appears very chipper and false, while Marya is extremely awkward and silent. Before Ilya leaves, Nikolai Bolkonsky comes in his pajamas and speaks very loudly and claims he didn't know anything, giving the scene a very different tone than it has in the book, as Marya is much kinder, and the embarrassment is much less based on gender and more about Nikolai's obvious contempt for the Rostovs (he is less strange and hard to understand than he is in the book), and Marya trying to speak to Natasha before she leaves is played very weirdly. Natasha seems a little like the aggressor here, but the next scene is of her crying to Sonya about how the family treated her and how cold Marya was, but again, it doesn't seem that Marya played it that way.
The next scene is Boris wanting to be a Freemason and Helene supporting him against a skeptical Pierre. Pierre drinks alone as Bazdeev gives him narration about whether he is doing the right thing and if he is content with himself, this is interspliced with Boris being initiated, as well as a shot of him sleeping with Helene. Boris's false freemasonry is really only mentioned in passing in the book and continues the theme of the beefing up of Boris's character in the show.
Natasha's mom, sick but present, is the one that encourages Natasha to go to the opera. Again, there is a focus on Boris in a couple of shots. We get the reintroduction of Dolokhov and Anatole, as well as Bilibin and Helene. During the opera, which is basically played in the background and without any real satire, Helene and Natasha have a conversation (their first I believe in this adaptation) about being friends and "trying things on together". Anatole comes in the box and has a conversation with her as well and invites her to a party the following day. The opera fades out and we get score music to show us how serious it is. Anatole speaks French, there is an emphasis on Natasha's breath and has some serious close ups of her.
The next real scene is the invitation by Helene to the Mademoiselle Georges (I'm surprised that this reference, as well as the Duport one, is retained) party. During the Georges recital (it seems more like a spoken French poem than a song), there is a long tracking shot into Natasha's face as Anatole attempts to hold her hand. Natasha at first rejects Anatole and then Helene brings him in a closet with her, and in this adaptation, there is a focus on the "wooing" and its creepy/forceful vibes, and the two kiss and Anatole says they have to be together and tries to force her to say yes.
The conversation between Anatole and Dolokhov about his previous marriage is a little forced and contains the information about Pierre knowing about the marriage as well. I like the acting and (I think this plays a lot into it) the dialogue of Sonya better than Natasha in the scene where the two confront each other over Anatole. This is immediately followed by, with no transition, putting the two scenes together, Marya coming, in which Natasha tells her she is rejecting Andrei.
Anatole actually enters the house before realizing he is betrayed and confronted and the episode plays out much more like an action scene, with a follow shot in a hall like Anatole is about to enter a boxing ring. Here, Countess Rostova plays the role of Marya Dmitrievna Akhrosimova in the novel. The mention of Pierre cuts to Pierre finding Anatole and threatening to kill him. Dano doesn't, most likely because of his lack of size, play the intimidation of the character quite the way it needs to be, making the lingering on the frightened Anatole much less believable. Pierre's revealing to Natasha about Anatole's wife in Poland is much more forceful here than accidental and awkward like it is in the novel. He only really softens when Natasha breaks down and cries.
Andrei comes back happy and the show plays up the dramatic irony of his situation and allows Marya to prepare to break the news to him (we cut away before it happens). Notably, the show skips the suicide attempt and the episode ends with Pierre telling Natasha that if he was a free man he would go down on his knees at this moment (he is sort of his knees in the shot).
Saturday, March 16, 2019
Three Notable Characters Who Appear in Just One Chapter
One of the aspects of War and Peace that I find most interesting and that I have spent time and effort on this blog is the plethora of characters in the novel. The novel contains many characters that are well-developed or span many chapters of the novel, but it also contains many characters that have small arcs or are in just one section of the novel. There are also several characters who appear in a singular chapter of the novel, never to appear again. In this post, I wanted to look at three interesting characters that appear in just one chapter, thus not deserving of a post in themselves, but still worth commenting on.
Lieutenant Telyanin: Chapter 30. Mentioned: Chapters 31, 34, 46, and 98.
Telyanin is different from the other two on this list because he looms over a thread of the plot and in the Bromfield translation actually appears later in the book at Nikolai Bolkonsky's funeral. In the final version of the novel, his character appears for the final time by being the one that gets Denisov in trouble as the latter stole food and goods for his men, serving as the punctuation on the treacherous nature of Telyanin's character. However, the principal episode involving Telyanin, the only chapter he actually appears in, which serves as the first mention of his character as well, is Book 1 Part 2 Chapter 4. He is described as "small" and "For some reason...had been transferred from the guards just before the regiment had marched off" (quotes here are from the Briggs translation). Whether this is because "no one liked him" or because (even though"He had behaved well enough") there had been a dishonest incident before is unclear. Nikolai Rostov in particular dislikes him strongly, at least partly because has has sold him a horse that appears to be injured or at least have a limp. Perhaps most importantly in the way his character is set up by Tolstoy, Telyanin doesn't look people in the eye, instead looking all around him, a classic sign of dishonesty. The characters even step out of the room and discuss how much they dislike him while Telyanin sits and rubs his hands together. Telyanin teaches Rostov how to shoe a horse, though this seems to be an excuse in order to distract him to take his money, which is the biggest part of Telyanin's "arc" in how it demonstrates Nikolai's character as righteous in principle, though not concerned about the money itself. When Nikolai confronts Telyanin, he is, probably meaningfully, eating sausage, the German food, and drinking wine, which Tolstoy would progressively thumb his nose at. He initially talks about how he is planning on spending the money, but when confronted, his "words sounded pathetic, almost desperate, a plea for forgiveness." He is terrified and and his cries "were pitiful". He gives an excuse of an old father and that he is young and doesn't want to be ruined. Telyanin is somewhat the anti-Boris, in that he gets caught being immoral (Boris doesn't get caught, though he doesn't seem to stoop to petty stealing, which, as a class and honor thing, has a whole different meaning) and when he does, he breaks down and becomes pathetic, which Boris never does because he never reveals his inner self.
Marya Nikolayevna: Chapter 259. Mentioned: Chapter 260
In one of the starker scenes of the book, Book 3 Part 3 Chapter 33 has Pierre walking around a burning Moscow, looking for Napoleon, who he believes is the Anti-Christ, in order to kill him. As he does this, he sees a "skinny woman, no youngster, with long, protruding upper teeth, wearing a black cloak and cap." With her family in tow, she throws herself at Pierre and begs him to help her get her youngest daughter, who is caught in a fire. As her husband tries to console her, she screams at him and calls him a "monster" and "villain". Her whole disposition changes when Pierre agrees to help, but when she is angry, her "long teeth stuck out even more." This is the only time we see her in the novel, as she is not there when Pierre comes back with the child. Clearly, the character serves to further the plot and helps Pierre not only completely change his focus and goal, but plays into the narrative thread that leads to Pierre being captured by the French, as this moment of helping others leads to him intervening in another episode. Her defining characteristics as they exist in themselves are her teeth, which is something mentioned in a few characters (a lot of emphasis is put on Nikolai Bolkonsky's missing tooth), and the way she screams at the people around her, only to change to kind when begging Pierre.
Bagovut: Chapter 282
Unlike the previous two characters, Bagovut is a real life character. When searching for him on the internet, you will have the most likely have success by searching "Karl Fedorovich Baggovut". He gained his fame in 1794 fighting Poles, then participated in Friedland, which is discussed in War and Peace, and then was successful in the war against Sweden, which is really only mentioned by Napoleon in his discussion with Balashov. Just as in the novel, he was killed by one of the first French shots in the battle of Tarutino. Emperor Alexander wrote after his death that he was a "brave" and "useful" commander. In the novel, he only appears at the end of Book 4 Part 2 Chapter 6. Before we are introduced to him, we are told that the Cossacks can't stop plundering rather than accomplishing the goal of defeating the French and that the Russian command is in complete disarray. We are introduced to Bagovut's corps before we are introduced to him, with Toll chasing after him to tell him that his troops should be elsewhere (a running theme throughout the novel, with soldiers never quite being where they are supposed to be). Bagovut is introduced as a "phlegmatic military man of the old school" ("a fighting old soldier of placid temperament" in Maude, which is, surprisingly, a more readable translation here) and frustrated by all the "chaos and contradictory orders". Unlike Bagration and Kutuzov, who in chaos thrive by allowing the chaos to happen without trying to control, Bagovut plays into a mostly forgotten but comedic scene: "the valiant Bagovut was too worked up to wonder whether or not his sortie with a single division was likely to do any good at this point in the action." Again, playing him as the anti-Kutuzov, who values "patience and time" beyond anything, Bagovut charges straight into the battle and dies, "serving no purpose." This is where Tolstoy's satirical interpretation of Russian history has real staying power. This is a general that the tsar calls valuable, but the most famous depiction of the Napoleonic invasion, especially from the Russian side, has him in just one scene, where he instantly dies because he is unable to restrain himself. While on a small scale, this is how "historical fiction" and most specifically Tolstoy's writings, can take a person that is considered "heroic" and completely take them down. This is something that Tolstoy continually does throughout the novel, taking down characters like Napoleon, Rostopchin, Murat, Arakcheev, and the Emperor of Austria. Bagovut serves a small example of this, a Russian hero depicted as behaving in an irrational way that holds him up to ridicule.
Lieutenant Telyanin: Chapter 30. Mentioned: Chapters 31, 34, 46, and 98.
Telyanin is different from the other two on this list because he looms over a thread of the plot and in the Bromfield translation actually appears later in the book at Nikolai Bolkonsky's funeral. In the final version of the novel, his character appears for the final time by being the one that gets Denisov in trouble as the latter stole food and goods for his men, serving as the punctuation on the treacherous nature of Telyanin's character. However, the principal episode involving Telyanin, the only chapter he actually appears in, which serves as the first mention of his character as well, is Book 1 Part 2 Chapter 4. He is described as "small" and "For some reason...had been transferred from the guards just before the regiment had marched off" (quotes here are from the Briggs translation). Whether this is because "no one liked him" or because (even though"He had behaved well enough") there had been a dishonest incident before is unclear. Nikolai Rostov in particular dislikes him strongly, at least partly because has has sold him a horse that appears to be injured or at least have a limp. Perhaps most importantly in the way his character is set up by Tolstoy, Telyanin doesn't look people in the eye, instead looking all around him, a classic sign of dishonesty. The characters even step out of the room and discuss how much they dislike him while Telyanin sits and rubs his hands together. Telyanin teaches Rostov how to shoe a horse, though this seems to be an excuse in order to distract him to take his money, which is the biggest part of Telyanin's "arc" in how it demonstrates Nikolai's character as righteous in principle, though not concerned about the money itself. When Nikolai confronts Telyanin, he is, probably meaningfully, eating sausage, the German food, and drinking wine, which Tolstoy would progressively thumb his nose at. He initially talks about how he is planning on spending the money, but when confronted, his "words sounded pathetic, almost desperate, a plea for forgiveness." He is terrified and and his cries "were pitiful". He gives an excuse of an old father and that he is young and doesn't want to be ruined. Telyanin is somewhat the anti-Boris, in that he gets caught being immoral (Boris doesn't get caught, though he doesn't seem to stoop to petty stealing, which, as a class and honor thing, has a whole different meaning) and when he does, he breaks down and becomes pathetic, which Boris never does because he never reveals his inner self.
Marya Nikolayevna: Chapter 259. Mentioned: Chapter 260
In one of the starker scenes of the book, Book 3 Part 3 Chapter 33 has Pierre walking around a burning Moscow, looking for Napoleon, who he believes is the Anti-Christ, in order to kill him. As he does this, he sees a "skinny woman, no youngster, with long, protruding upper teeth, wearing a black cloak and cap." With her family in tow, she throws herself at Pierre and begs him to help her get her youngest daughter, who is caught in a fire. As her husband tries to console her, she screams at him and calls him a "monster" and "villain". Her whole disposition changes when Pierre agrees to help, but when she is angry, her "long teeth stuck out even more." This is the only time we see her in the novel, as she is not there when Pierre comes back with the child. Clearly, the character serves to further the plot and helps Pierre not only completely change his focus and goal, but plays into the narrative thread that leads to Pierre being captured by the French, as this moment of helping others leads to him intervening in another episode. Her defining characteristics as they exist in themselves are her teeth, which is something mentioned in a few characters (a lot of emphasis is put on Nikolai Bolkonsky's missing tooth), and the way she screams at the people around her, only to change to kind when begging Pierre.
Bagovut: Chapter 282
Unlike the previous two characters, Bagovut is a real life character. When searching for him on the internet, you will have the most likely have success by searching "Karl Fedorovich Baggovut". He gained his fame in 1794 fighting Poles, then participated in Friedland, which is discussed in War and Peace, and then was successful in the war against Sweden, which is really only mentioned by Napoleon in his discussion with Balashov. Just as in the novel, he was killed by one of the first French shots in the battle of Tarutino. Emperor Alexander wrote after his death that he was a "brave" and "useful" commander. In the novel, he only appears at the end of Book 4 Part 2 Chapter 6. Before we are introduced to him, we are told that the Cossacks can't stop plundering rather than accomplishing the goal of defeating the French and that the Russian command is in complete disarray. We are introduced to Bagovut's corps before we are introduced to him, with Toll chasing after him to tell him that his troops should be elsewhere (a running theme throughout the novel, with soldiers never quite being where they are supposed to be). Bagovut is introduced as a "phlegmatic military man of the old school" ("a fighting old soldier of placid temperament" in Maude, which is, surprisingly, a more readable translation here) and frustrated by all the "chaos and contradictory orders". Unlike Bagration and Kutuzov, who in chaos thrive by allowing the chaos to happen without trying to control, Bagovut plays into a mostly forgotten but comedic scene: "the valiant Bagovut was too worked up to wonder whether or not his sortie with a single division was likely to do any good at this point in the action." Again, playing him as the anti-Kutuzov, who values "patience and time" beyond anything, Bagovut charges straight into the battle and dies, "serving no purpose." This is where Tolstoy's satirical interpretation of Russian history has real staying power. This is a general that the tsar calls valuable, but the most famous depiction of the Napoleonic invasion, especially from the Russian side, has him in just one scene, where he instantly dies because he is unable to restrain himself. While on a small scale, this is how "historical fiction" and most specifically Tolstoy's writings, can take a person that is considered "heroic" and completely take them down. This is something that Tolstoy continually does throughout the novel, taking down characters like Napoleon, Rostopchin, Murat, Arakcheev, and the Emperor of Austria. Bagovut serves a small example of this, a Russian hero depicted as behaving in an irrational way that holds him up to ridicule.
Friday, March 15, 2019
Chapters 33-36 of Resurrection: Nekhlyudov's Non-Participation
Chapter 33: We go back to Nekhlyudov who receives the letter he wanted, which frees him from the wife he was having an affair with. This plot line is not only reminiscent of the Sonya freeing Nikolai plot towards the end of War and Peace, but it is also treated in such a rushed and dismissive way that the plot line plays out the same way, with the character being important only until the moment they are inconvenient to the plot and the character's development. Here, the character hasn't even appeared in the novel but serves as a backdrop to Nekhlyudov's character development so far, showing his immorality and uncertainty earlier in the novel and at this point showing his certainty and resolve through his break with her. He resolves to go to the prison and marry Katusha and gives up his apartments, decides to give the peasants their land, and is no longer disgusted by the people around him. Just as Pierre, in his strongest moments (contrary to his weakest moments, when he is fundamentally paralyzed by uncertainty) is absolutely certain about what he needs to do and does not have to overthink his decisions, Nekhlyudov's moral development is highlighted by his ability to make decisions and stick to them. This really allows us to think about how Tolstoy sees the relationship between moral development and certainty/resolve. Immoral people in Tolstoy's fiction often act mechanically (the famous early analogy in War and Peace of Vasily being like an actor in an old play is rather indicative) and motivated by forces they aren't even aware of, acting without reflection, but purely on instinct, like an animal. People with what we might call "moral potential" act in ways that are uncertain, cloudy, or don't act at all. The line between impulsive action (such as Nekhlyudov's rape and Natasha's relationship with Anatole) and seemingly thoughtless moral/political/household action (such as Andrei being able to put together his affairs and make decisions in ways that Pierre will only be able to at the end of the novel) is the instinctive impulsive nature of immoral action, similar to how an animal might act. The interplay between passivity and aggressiveness plays a key role, as aggressiveness is almost always wrong (see Napoleon) and patience and acceptance of circumstances is almost always correct (see Kutuzov and Bagration), but being forced into decisions (such as Pierre's marriage to Helene) or finding yourself in debates about what one should do (see the endless debates of military strategy in War and Peace) shows a moral weakness. Moral action is somewhat of a non-action, in that it is selfless, does not "gain", and is not done on instinct/impulse, but neither is it done by "rationality" or by debate. This somewhat frustrating framing colors his political and religious arguments as well, as instinct nor rationality serve as the guide.
Nekhlyudov also has a sister named Natasha, which is of course interesting, but may not mean anything. The more important idea is the focus at the end of the chapter on Nekhlyudov's newfound attitude.
Nekhlyudov also has a sister named Natasha, which is of course interesting, but may not mean anything. The more important idea is the focus at the end of the chapter on Nekhlyudov's newfound attitude.
"when he pictured himself seeing her and telling her everything, confessing his guilt to her, telling her he would do everything in his power to atone for it by marrying her, an extraordinary feeling of elation seized him, and tears came into his eyes."
I think there are two ways to look at this: the first being the most obvious and what we've discussed before with his discussion with the advocate; Nekhlyudov hasn't actually done anything yet to help Maslova, and yet he feels a change inside of him, which seems like an extremely cynical disposition to have. The alternative is to view the change and his attitude as authentic and the motivation of his actions from here on out being without an ulterior motive.
I think there are two ways to look at this: the first being the most obvious and what we've discussed before with his discussion with the advocate; Nekhlyudov hasn't actually done anything yet to help Maslova, and yet he feels a change inside of him, which seems like an extremely cynical disposition to have. The alternative is to view the change and his attitude as authentic and the motivation of his actions from here on out being without an ulterior motive.
Chapter 34: Nekhlyudov goes back to the courtroom to try to speak to Maslova. He sees the characters he served on the jury with and has a much more positive reaction to them, which further demonstrates the way his character has changed. He is supposed to be part of a trial that includes a young man that used a now deceased locksmith to commit a robbery. Part of the seemingly unnecessarily complicated setup here is to show that the main culprit of the crime is already dead and the trial itself is rather pointless in a search for justice if justice could be found in the courtroom. The policeman used as a witness is described as "in spite of the fact that he had been drilled into stupidity and had become a mere machine he was clearly sorry for the lad and reluctant to testify about his arrest." Just like Maslova's courtroom scene, Tolstoy here makes the defendant the victim of a system that people are reticent to prop up.
The accused confesses and is described as a trapped animal and Tolstoy puts emphasis on the soldiers ("gendarmes") with their swords surrounding him, as if he is dangerous. We get this character's backstory and Nekhlyudov inner monologues: "but aren't we dangerous?...I am a rake, a fornicator, a liar...It's quite obvious that this lad is no extraordinary villain...he became what he is simply because he found himself in circumstances which create such people. And so it seems obvious that if we don't want lads like this we must try to wipe out the conditions that produce such unfortunate individuals...knowing quite well that a thousand others remain at liberty, and shut him up in prison, in conditions of complete idleness or work of the most unhealthy, senseless kind, in company with fellow beings like himself, debilitated and confused by life, and then deport him at public expense...we actually encourage the institutions which produce them....we encourage and regulate them."....Nekhlyudov went on thinking to himself as he looked round the huge court-room...not only here but throughout Russia, who received salaries for performing this farce that nobody needed."
I put that entire quote in there because I think it is extremely important in understanding the thematic material of not only the book itself, but all of Tolstoy's (especially later) political thought in general. With the traditional Christian understanding, based primarily on an apocryphal story tacked onto the Gospel of John, that the one without sin has to be the one that casts the first stone (or more probably, the "judge not" passage from the Sermon on the Mount), a system of judgment and class is inherently based on hypocrisy. Nekhlyudov has come to realize his own sins and his own failings as a person through his reintroduction to Maslova and his previous crimes, and through this, he realizes it is inappropriate for him to stand in a position where he judges other people and sentences them for their crimes. Nekhlyudov also understands the traditional liberal/leftist critique of the court system beyond Tolstoy's religious critique, that criminality is not caused by people that are exceptionally bad, but by the circumstances that people find themselves surrounded in. This, of course, is fundamentally intertwined with Tolstoy's beliefs about history and free will. If people are entirely free and responsible for their actions, like the Existentialists and conservatives claim, then the court system makes perfect sense, but if, like Tolstoy claims, people are products of their environment and their free will is limited by the choices they have available to them and the way their personalities are shaped, then the entire court system is a sham that has no basis in reality. And this is the central political and social thrust of the novel. Not only is the system immoral and misguided, but it is ineffective, since there are thousands, millions, and perhaps billions, of people that are in the same circumstances and the court system does not change these circumstances, wasting the money of the government and in turn, the taxpayer.
I put that entire quote in there because I think it is extremely important in understanding the thematic material of not only the book itself, but all of Tolstoy's (especially later) political thought in general. With the traditional Christian understanding, based primarily on an apocryphal story tacked onto the Gospel of John, that the one without sin has to be the one that casts the first stone (or more probably, the "judge not" passage from the Sermon on the Mount), a system of judgment and class is inherently based on hypocrisy. Nekhlyudov has come to realize his own sins and his own failings as a person through his reintroduction to Maslova and his previous crimes, and through this, he realizes it is inappropriate for him to stand in a position where he judges other people and sentences them for their crimes. Nekhlyudov also understands the traditional liberal/leftist critique of the court system beyond Tolstoy's religious critique, that criminality is not caused by people that are exceptionally bad, but by the circumstances that people find themselves surrounded in. This, of course, is fundamentally intertwined with Tolstoy's beliefs about history and free will. If people are entirely free and responsible for their actions, like the Existentialists and conservatives claim, then the court system makes perfect sense, but if, like Tolstoy claims, people are products of their environment and their free will is limited by the choices they have available to them and the way their personalities are shaped, then the entire court system is a sham that has no basis in reality. And this is the central political and social thrust of the novel. Not only is the system immoral and misguided, but it is ineffective, since there are thousands, millions, and perhaps billions, of people that are in the same circumstances and the court system does not change these circumstances, wasting the money of the government and in turn, the taxpayer.
Chapter 35: Nekhlyudov decides that he will not take part in the trial and tries to get permission to see Maslova. He tells this to the prosecutor, who then talks to a member of the Court and says "There's something abnormal about young people these days...He carries the day by wearing one out: talks and talks, there's no end to it." Just as in War and Peace, particularly in the Speransky scenes, the disconnect between the generations and the reformation of political structures is in the forefront, as the older generations cannot possibly imagine the political structures as being any different than it currently is. This lack of imagination is, for Tolstoy, the key barrier to why change does not happen and why humanity cannot unshackle itself from its institutions. The member of the court ends the chapter by saying "People of that kind should simply be stopped; otherwise they become real obstructionists". Nekhlyudov rejects participation, rather than throwing himself onto the gears and completely blocking the trial. There is no speech or protest that tries to bring down the court system; he does not "sit-in", nor does he make any "active" action that stops the trial. He simply does not participate and for the court system, and the political system in general, this is "obstructionism" because those systems rely on active participation. This is the non-resistance of Tolstoy defined. The system, whether it be court, military, or political, needs participation in order to function, and without it, it can no longer live and change can truly happen.
Chapter 36: Nekhlyudov continues to get shifted around from place to place and is unable to see Maslova. This administrative shuffling is a scene that has appeared quite a bit in popular media and serves to show the bureaucratic nightmare of the political system. It is also reminiscent of the Balashov plot thread in War and Peace where he attempts to talk to Napoleon. One scene has a pianist playing a song "everyone was already tired of" the entire time in a touch of background comedy. On a more serious note, the prisons that criminals like Maslova are overcrowded.
"The public prosecutor had forgotten that six months previously some political incident had been exaggerated to the utmost limits by the gendarmery, with the result, it would seem, that all the preliminary detention centres had been swamped by students, doctors, labourers, girl-students and doctors' assistants."
Exaggerated political events, like the Dreyfus Affair, the murder of Vereshchagin, or basically anything Napoleon does, serve as instructive and definitive for Tolstoy. Like the strange opera that no one understands, but pretends to and does not question, governmental action, no matter how absurd, is used to further power and sow division (it is no accident that Rostopchin's placards and speeches are so divisive and nationalistic). It also sweeps a whole generation of, again, younger people, under the rug and out of the way, ruining lives, just as the court system ruins Maslova's lives and others, and preserving the system.
Exaggerated political events, like the Dreyfus Affair, the murder of Vereshchagin, or basically anything Napoleon does, serve as instructive and definitive for Tolstoy. Like the strange opera that no one understands, but pretends to and does not question, governmental action, no matter how absurd, is used to further power and sow division (it is no accident that Rostopchin's placards and speeches are so divisive and nationalistic). It also sweeps a whole generation of, again, younger people, under the rug and out of the way, ruining lives, just as the court system ruins Maslova's lives and others, and preserving the system.
Thursday, March 14, 2019
Character Index for War and Peace in Alphabetic Order
Characters (713):
Abbe for a tutor: Mentioned: Chapter 5. (as in Dole and Bell, “abbe, his tutor” in Wiener, “abbe as tutor” in Edmonds and Garnett.)
Adele: Mentioned: Chapter 346.
Adjutant: Mentioned: Chapter 40. (Bagration’s.)
Adjutant: Chapter 19, 20, and 21.
An adjutant: Chapter 27. (no reason to believe this is one of the other adjutants previously mentioned in the book.)
An adjutant: Chapter 43. (who does all the messaging toward the end of the chapter.)
The adjutant of the regiment: Chapter 98. (no reason to think that this is any previously mentioned adjutant.)
Flugel-adjutant: Chapters 35 and 38. Mentioned: Chapter 37. (as in Dole. “aide-de-camp” in Dunnigan. “Duty adjutant” in Briggs. “Adjutant on duty” in Mandelker. Also "yesterday's adjutant.")
The other adjutant: Chapter 39. (the one with Nesvitsky)
The prince’s personal adjutant: Chapters 43 and 44. (as in Dole. “Bagration’s personal aide” in Briggs. Garnett uses the word “private” instead of “personal”. Part of Bagration’s suite.)
Regimental Adjutant: Chapter 31.
Stepan Stepanovitch Adraksin: Chapters 186 and 331. (as in Dole and Garnett. Maude and Mandelker is the same other than removing the t in “Stepanovitch”. “....Apraksin” in Wiener, Edmonds, and Briggs. “Etienne Stepanovitch Adrakcine” in Bell. If he is an Apraksin, he is most likely been previously referenced by last name.) Mentioned: Apraksin: Chapter 69. (this would assumedly be the male instead of the female Apraksin. "...Stepanych" in Wiener, Edmonds, and Maude. "...Stepanovich" in Briggs.))
Aide: Chapter 45. (whom Bogdanuitch speaks to.)
Marya Dmitrievna Akhrosimova: Chapters 16, 17, 18, 148, 149, 150, 154, 156, 157, 160, 161, 163, 164, and 233. Mentioned: Chapter 159 and 180. (as in Dole, Dunnigan, and Mandelker, “...Akhrosimov” in Wiener, “...Dmitryevna Ahrosimov” in Garnett, “Marya Dmitriyevna Akhrosimov” in Briggs, “Marie Dmitrievna Afrossimow” in Bell, “Maria Dmitrievna Ahrosimov” in Edmonds. Also “le terrible dragon” and "mistress". Her daughter and sons are referenced, though not differentiated.)
Makar Alekseyevitch: Chapters 244, 253, 254, and 255. Mentioned: Chapter 99. (Iosiph's brother. Also "the drunken man", "idiot", and "Brigand".) (“...Alexeievitch” in Bell. “...Alexeevich” in Maude and Mandelker. “...Alexeich” in Briggs. “...Alexyevitch” in Garnett. “...Alekseyevich” in Dunnigan. “...Alexeyevich” in Edmonds. “...Aleksyeevich” in Wiener.)
Countess Marya Alekseyevna: Mentioned: Chapter 347. (as in Dole and Dunnigan. "...Alexeyevna" in Briggs, Garnett, and Edmonds (though she uses "Maria").
Alenina: Mentioned: Chapter 150. (seen at the opera and noticed by Sonya, with her mother. “Miss Alenin” in Wiener. “Mme. Alenine” in Bell.)
Yakof Alpatuitch: Chapters 50, 73, 190, 191, 192, 195, 196, 200, 201, and 315. Mentioned: 189, 197, and 198. (as in Dole. “Alpatych” in Wiener, Briggs, and Maude. “Alpatitch” in Bell and Garnett. “Yakov” as a first name in Wiener, Garnett, and Edmonds. “Jakow” in Bell. “an overseer” in Dole and Maude. “superintendent” in Wiener. “Steward” in Bell, Briggs, and Garnett. Also "old fool".)
English Ambassador: Mentioned: Chapters 1 and 5.
Russian ambassador: Chapter 38.
Amelie: Mentioned: Chapter 37.
Father Amfilokhi: Mentioned: Chapter 96. (as in Dole and Wiener. “...Amphilochy” in Edmonds. “...Amphilochus” in Maude, Mandelker, and Bell.)
little Andryusha: Chapters 343 and 347. Mentioned: Chapter 349. (also "Little Andrei" in Mandelker. "Little Andrey" in Briggs.)
Aniska: Chapter 258 (a dirty, bare-legged servant girl.)
Anton: Chapter 93. (as in Dole, Briggs, Garnett, and Mandelker. “Prince Andrei’s old body servant” in Dole, Garnett, and Bell (the latter two use a hyphen). “Antoine” in Bell. “a man who looked after Prince Andrei in his boyhood.” in Mandelker. “Old servant...who had been with him since his childhood.” in Briggs.)
Countess Apraksin: Mentioned: Chapters 6, 8, 9, 16, 23, and 25. (as in Dole, Mandelker, and Maude, “Apraxiness” in Bell, “Apraxin” in Garnett. Also "Apraksine".)
Arabchik: Chapter 133. (as in Dole, Dunnigan, and Edmonds. "raven black" horse Natasha rides. "Arabtchick" in Garnett. "Arabchick" in Mandelker. Bell just calls it "a handsome arab with a lustrous black coat.")
Count Aleksei Andreyevitch Arakcheyef: Chapters 107, 167, and 324. Mentioned: Chapters 58, 108, 169, 173, 188, 192, 193, 319, 335, 347, 348, 349, and 350. (The title and first two names are “Monsieur le comte Alexis Andreievitch” in Bell. “Count Alexei Andreevich” in Mandelker. “Count Aleksei Andreyevich” in Dunnigan. “...Araktcheev” in Garnett. “...Arakcheyev” in Dunnigan and Edmonds. “Arakcheev” in Maude, Mandelker, and Wiener. “Araktcheiew” in Bell. The "minister of war" (and later, "the ex-minister of war") and also "Sila Andreyitch" in Dole, explained as "Andreyitch the Strong", "Sila Andreitch (Sila meaning Force or Violence)" in Garnett, "Sila Andreevich" in Maude with an endnote: "Sila is a relatively uncommon diminutive for Alexey; sila in Russian means force." "Sila Andreievich" in Bell with a footnote explaining Sila as strength, with Edmonds and Dunnigan only using "Strong-man Andreich" (the latter not using the hyphen). Mandelker uses "Sila Andreich" and Briggs uses "Mr. Savage." The second nickname, transliterated by Dole as "Dyadya Zadast" and translated as "Uncle Push" is "We shall get it hot from the governor" in Edmonds and "the old man is going to give it to us" in Dunnigan. "the governor'll give it to you" in Garnett and "uncle will give it to us hot" in Maude and Mandelker. "he's the boss and he can dish it out" in Briggs. "Sila Andreich" and "We'll catch it from the uncle" in Wiener.)
The Archbishop: Mentioned: Chapters 18 and 261. (as in Dole, “the Metropolitan” in Dunnigan, Maude, and Wiener, not capitalized in the latter. Later "His eminence the metropolitan".)
Architect: Mentioned: Chapter 48. (for Pierre’s Petersburg home. No reason to believe it is the same one from the Bolkonsky storyline.)
Arkharof: Mentioned: Chapters 10, 68, 77, and 156. (as in Dole, “Arkharov” in Mandelker, Wiener, and Dunnigan,“Argharow” in Bell. Given as a family name of a place where people go.)
General Armfeldt: Chapters 174 and 175. Mentioned: Chapters 170 and 173. (“a Swedish general”.)
Baron Asche: Chapter 191 (the governor was also mentioned in chapter 1 and chapter 3 of this part, also “nachalnik” and “civil governor of Smolensk” in Dole. “...Asch” in Mandelker, Bell, and Wiener.)
An attache: Chapter 43. (as in Dole. “an officer of the suite” in Mandelker, Dunnigan, and Edmonds. Part of Bagration’s suite.)
Attila: Mentioned: Chapter 359. (see chapter 165)
Auditor: Chapters 43 and 47. (“civil chinovnik serving as auditor” in Dole. “a civilian--an accountant” in Mandelker. “Civilian official--an auditor” in Edmonds, Garnett (comma and “the” instead of “an”) and Dunnigan (using a comma). “Civil servant, an auditor” in Briggs.)
Avgustin: Mentioned: Chapters 231 and 238. (as in Dole and Wiener. "Father Augustin" in Edmonds, Mandelker, and Dunnigan. Bell drops the name.)
Marya Avramovna: Mentioned: Chapter 331. (both this and the following name are dropped in Bell. "...Abramovna" in Briggs, Edmonds (who uses "Maria" for the first name), and Maude (who uses "Mary" for the first name).)
Baby: Chapter 33. (or “babe” as in Wiener.)
Prince of Baden: Mentioned: Chapter 170.
Bagovut: Chapter 282. (and his men. Bell's "Bagovouth" is an alternate reading.)
Prince Piotr Ivanovitch Bagration: Chapters 39, 41, 43, 44, 47, 57, 59, 60, 64, 69, and 192. Mentioned: Chapters 34, 40, 42, 45, 46, 54, 61, 68, 77, 170, 173, 175, 188, 191, 206, 218, 220, 222, 262, 279, and 291. (also "the general” and “your illustriousness”)
Balaga: Chapters 158 and 159.
General-Adjutant Balashof: Chapters 167, 168, 169, 170, and 171. Mentioned: Chapters 173 and 188. (“...Balashev” in Wiener and Maude. “Balachow” in Bell. Briggs also uses “Balashev” but calls him a “staff general”. Also called a “Russian general” and Murat calls him “De Bal-ma-cheve” (though Maude and Wiener do not use the second hyphen, with Bell not using hyphens at all.) Also called “Monsieur de Balachoff”, though Dunnigan doesn’t use “de”. Edmonds uses “...Balacheff.)
Bandarchuk: Chapter 45. (as in Dole, Briggs, and Wiener. “Bondarchuk” in Maude. “a hussar.” Name removed in Bell.)
Major Basof: Chapter 130. ("...Basov" in Edmonds, Maude, and Mandelker. "...Bazov" in Garnett and Dunnigan. "...Bassow" in Bell.)
Duke of Bassano: Chapter 167. (as in Dole, Wiener, and Dunnigan. “duc de Bassano” in Edmonds and Mandelker (who does not capitalize “duc” in the text but does in the footnote.))
Osip Alekseyevitch Bazdeyef: Chapters 83 and 84. Mentioned: Chapters 85, 110, 111, 113, 143, 161, 235, 244, and 253.(“...Alexeyevich Bazdeyev” in Briggs and Edmonds. “...Alexyevitch Bazdyev” in Garnett. “...Aleksyeevich Bazdyeev” in Wiener. “Iosif Alekseyevich Bazdeyev” in Dunnigan. “Iosif Alexeevich Bazdeev” in Mandelker. “Joseph Alexeevich Bazdeev” in Maude. “Ossip Alexeievitch Basdeiew” in Bell. Also “this gentleman”, “the new comer”, “stranger”, “the old man” and “traveller”. Dole offers the alternative spelling “Iosiph” along with "Osip". Dunnigan uses the same spelling from earlier and does not add any variation of "Osip" for clarification. Garnett, Wiener, and Briggs keep Osip as the first name as Maude keeps Joseph. Mandelker switches to "Iosif". Edmonds not only keeps Osip, but uses all three names instead of just the two. Bell uses "Bazdeiew". He is also "the Benefactor". Garnett also adds "the old freemason".)
Mrs. Sofya Danilovna Bazdeyeva: Mentioned: Chapter 244. (the first two names as in Dole, Dunnigan, and Garnett. and her children and messenger. Edmonds and Briggs do not use the first two names. "Sophia Danilovna" in Mandelker.)
Beauharnais: Mentioned: Chapter 290. (his corps are mentioned.)
Beaumarchais: Mentioned: Chapter 354. (as in Dole, Maude, and Bell. "Beaumarche" in Wiener.)
M. de Beausset: Chapters 213, 216, and 221. (the "Grand Chamberlain to the Emperor of the French". "...Bausset" in Briggs.)
Beduin or Bedouin: Chapters 55 and 64. Mentioned: Chapter 54. (the horse Rostof buys from Denisof)
Alexander Bekleshof: Chapter 69. (“Bekleshov” in Wiener, Briggs, and Mandelker. “Beclechow” in Bell.)
Belliard: Chapter 221. Mentioned: Chapters 38. (see “Marshal” and “Gascons” note above.)
General Benigsen: Chapters 167, 175, 208, 209, 210, 230, 279, and 281. Mentioned: Chapters 90, 91, 170, 173, 174, 188, 189, 229, 277, 280, 282, 283, 285, 293, and 324. (“Bennigsen” in Briggs, Dunnigan, and Garnett. Also “senior general” and "Count" as a title. Also "his chief of staff".)
Colonel Adolph Berg: Chapters 16, 54, 64, 114, 119, 123, 124, 191, and 242. Mentioned: Chapters 12, 56, 68, 121, and 241. ("...Adolf..." in Maude, Briggs, and Mandelker. "...Adolphe..." in Garnett. "Adolphe de Berg" in Bell. A “Lieutenant”, full name “Alphouse Karlitch”, as in Dole, “Alphonse Karlovich” in Mandelker, Dunnigan, and Edmonds, “...Karlovitch” in Bell, “Alfons Karlych” in Wiener. Also Alphonse Karluitch. Also a “mounted staff nachalnik”.)
Berg's Father: Mentioned: Chapter 16. ("papa" or "papenka".)
Bernadotte: Mentioned: Chapter 170. (the “insane” king of Sweden before him is also mentioned.)
Berthemi: Mentioned: Chapter 293. ("Barthelemy" in Dunnigan, Briggs, and Edmonds. "Bertemy" in Garnett.)
Berthier: Chapters 166, 171, 194, 221, and 311.
Bessieres: Chapter 171.
Countess Elena Vasilyevna Bezukhaya: Chapters 2, 3, 48, 49, 72, 88, 89, 112, 115, 119, 125, 150, 151, 152, 154, 155, 162, 167, 232, and 233. Mentioned: Chapters 1, 68, 69, 70, 83, 84, 87, 93, 95, 111, 113, 118, 120, 123, 143, 148, 161, 193, 209, 236, 237, 244, 255, 261, 262, 307, 326, 327, 331, and 333. (also “Lyolina”, as in Dole. “Lelya” in Maude. Also “Elena Vasilyevna” in Dole and Dunnigan. “Elena Vassilyevna” in Garnett. “Helen Vassilievna” in Bell. Also called “Lyolya” in Dole and Mandelker. Maude uses “Lelya” again. “Ellen” in Dole and Dunnigan, “Helen” in Bell. Prince Vassily's daughter. Also “Helene”, "his wife", "young woman", “former wife”, "princess", “sister”, "late wife", "Elena Vasilyevna", "tsaritsa of Petersburg", or "Queen of Petersburg". Also “Lyola” by her father.)
Count Kirill Vladimirovitch Bezukhov: Chapter 21. Mentioned: Chapters 2, 5, 8, 12, 13, 14, 15, 16, 19, 20, 22, 23, 48, 49, 88, and 332. (as in Dole and Garnett, other than “Bezukhoi” being the last name in Dole. “...Vladmirovich Bezuhov” in Edmonds with Wiener only disagreeing with her on the last name (see first mention of Bezukhov). “Cyril Vladimirovich Bezukhov” in Maude, “Kiril Vladimirovich…” in Mandelker and Dunnigan, “Cyril Vladimirovitch” in Bell. The father of Pierre, "uncle" of Anna Mikhailovna. Also "the late count".)
Count Pierre Bezukhov: Chapters 2, 3, 4, 5, 6, 7, 14, 16, 17, 18, 21, 22, 48, 49. 69, 70, 71, 72, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 110, 111, 112, 113, 118, 119, 120, 123, 124, 125, 126, 127, 143, 145, 146, 151, 153, 161, 162, 163, 164, 182, 183, 184, 186, 187, 204, 205, 207, 208, 209, 210, 211, 212, 217, 218, 219, 234, 235, 236, 237, 243, 241, 253, 254, 255, 259, 260, 269, 270, 271, 272, 273, 287, 288, 289, 290, 306, 307, 308, 309, 310, 326, 327, 329, 330, 331, 332, 333, 339, 341, 345, 346, 347, 348, 349, and 350. Mentioned: Chapters 8, 12, 13, 19, 23, 24, 53, 54, 68, 76, 77, 78, 104, 106, 114, 116, 122, 148, 150, 154, 157, 172, 181, 220, 222, 232, 233, 238, 262, 264, 334, 343, and 344. (as in Mandelker and Dunnigan, “Bezukhi” in Wiener, “Bezukhoi” in Dole, “Bezuhov” in Edmonds. Also “Petrushka” as in Dole and Wiener. “Petrouchka” by Bell, “Petya” by Mandelker and Maude. His more formal name of “Pierre Kirilovitch” as in Bell, “Pyotr Kirilovich” in Dunnigan, “...Kirillovitch” in Garnett. For some reason Bell makes a mistake in one chapter and calls him “Pierre Bolkonsky”. Also "the universal Freemason" and “his illustriousness”. Also called “father” by the old woman. Also "Petrusha", “Count Piotr Kirillovitch”, and “husband”. Also “Comte Pierre Besouhoff”, though Bell drops this name and Garnett differs by spelling it “Bezuhov”. Also “Le Russe Besuhof” and “l’Russe Besuhof” (Garnett doesn’t capitalize “Russe”). Called “Piotr Kiriluitch” by Petya. “Pyotr Kirilych” in Briggs, Mandelker, and Dunnigan. “Pierre Kirillych” in Wiener. “Pierre Kirilovitch” in Bell. “Pyotr Kirillitch” in Garnett. Also called "mon cousin", "count", "batyushka", "barin", and "Our Gentleman". Called "Count Piotr Kiriluitch" by Boris. Also used with "monsieur" at the front of his name. Also "her husband", "good father", "uncle", "the man who refuses to give his name", "my dear friend", "Monsieur Kirill", "brother-in-law", "Uncle Pierre", and No.17 of the Russian prisoners who had been taken. Also his horses, a dvomik, meaning "tavern-keeper", the "sallow, beardless little old man" who walks with him, and his "equerry" or groom that had once been a soldier.)
Agrafena Ivanovna Bielova: Chapter 137, 181, 343, 346, and 347. (""an elderly lady of quality", as in Dole. "Byelova" in Dunnigan. "Madame Byelov" in Garnett, Wiener (who uses no title), and Edmonds (the latter using "Mademoiselle"). "Belova" in Maude and Mandelker. "Madame Belov" in Briggs. "Mlle. Below" in Bell. Wiener and Briggs agree with Dole the first time we see her first two names. Bell uses “Agrippina…”. Later "Mrs. Anna Timofeyevna Byelova". "....Timofeevna" in Maude, Mandelker, and Wiener. "...Timofyevna" in Garnett. "...Timofeyevna" in Dunnigan and Edmonds.)
Bilibin: Chapters 36, 37, 38, 58, 233, and 261. Mentioned: Chapters 39, 56. 90, 91, 112, and 193.
(“Bilibine” in Bell.)
Bismarck: Mentioned: Chapters 355 and 359.
Bitsky: Chapter 121. ("Bitski" in Maude and Wiener, an alternative reading.)
Marya Bogdanovna: Chapters 74 and 75. (a midwife)
Bolkhovitinof: Chapters 291, 292, and 293. ("Bolkhovitinov" in Mandelker, Maude, and Briggs. "Bolhovitinov" in Edmonds. Also his Cossack.)
Prince Andrei Nikolayevitch Bolkonsky: Chapters 3, 4, 5, 6, 24, 25, 26, 28, 29, 35, 36, 37, 38, 39, 41, 42, 43, 44, 46, 54, 55, 56, 58, 59, 62, 63, 66, 74, 75, 90, 91, 93, 94, 95, 96, 104, 105, 106, 107, 108, 109, 118, 119, 120, 121, 122, 124, 125, 126, 127, 128, 163, 172, 173, 174, 175, 191, 192, 202, 203, 211, 212, 223, 224, 240, 243, 257, 268, 275, and 276. Mentioned: 1, 2, 7, 23, 48, 49, 51, 52, 145, 146, 148, 149, 150, 151, 152, 154, 155, 156, 157, 160, 161, 164, 176, 180, 182, 183, 184, 189, 190, 195, 196, 197, 198, 200, 201, 217, 222, 235, 237, 238, 265, 266, 267, 274, 288, 315, 317, 326, 329, 330, 331, 332, 334, 339, 344, 346, 348, and 350. (as in Dole, Dunnigan, and Mandelker. “Andrey Bolkonski” in Wiener, “Andrey Bolkonsky” in Garnett and Briggs, also referred to as “Andre”. Also referred to by being Prince Bolkonsky's son and Lisa Meien's husband. Also called “Andryusha”, as in Dole, Briggs, and Wiener, “Andrioucha” in Bell. Also Kutuzof’s “adjutant”; he’s also called “Mr. Adjutant”, "the officer", “courier”, and “Euer Hochgeboren”, which Bell translates in parenthesis as “High born Sir”. Also has a "Captain" prefix. Also "Natasha's lover", her "bridegroom", “brother”, "her husband", and “future husband”. Also “papa”, "father", “her betrothed”, “Batyushka, “Your Illustriousness”, “young barin”, “young prince”, “our prince", "regimental commander, "battalion commander", "wounded man", "the lamented prince", and "man of great distinction". See Shinshin for variations on “Nikolaitch”. Edmonds, Maude, and Briggs don’t use the second name. Also his horse, his driver, his doctor, and "a very dignified old valet.")
Princess Lisa Meinen Bolkonsky: Chapters 2, 3, 4, 5, 6, 24, 25, 26, 50, 51, 52, 73, 74, and 75. Mentioned: Chapters 1, 23, 59, 66, 68, 90, 129, 106, 122, 128, 172, and 199. (as in Dole, Lise Meynen in Wiener. Also "Princess Bolkonsky" and "the little princess", "young princess", "daughter-in-law". Also “Lizavieta Karlovna”, as in Dole. “Lisaveta Karlovna” in Dunnigan and Garnett. Edmonds just uses “Princess Lisa”. “Princess Elizabeth” in Maude and Mandelker. “Liza Karlovna” in Wiener. “Elizabeth Carlovna” in Bell. “Princess Lizaveta” in Briggs. Also "wife" to Andrei. Also “the princess, his mother”, “sister-in-law”, and, importantly, “darling” from Andrei. Bell offers an alternative reading in “My little soul.” Also “the lamented princess, his mother”.)
Princess Mariya (Princesse in Dole) Bolkonsky: Chapters 23, 24, 25, 26, 50, 51, 52, 73, 74, 75, 90, 91, 95, 96, 106, 128, 129, 144, 145, 146, 149, 163, 172, 189, 191, 195, 197, 198, 199, 200, 201, 266, 267, 274, 275, 276, 315, 316, 317, 329, 330, 331, 332, 334, 340, 341, 342, 343, 345, 347, 348, 349, and 350. Mentioned: Chapters 1, 5, 6, 49, 59, 66, 93, 147, 148, 150, 152, 153, 154, 156, 157, 190, 192, 196, 204, 205, 211, 212, 224, 238, 265, 268, 333, 344, and 346. (as in Briggs. "Bolkonskaya" in Dole, Mandelker, and Maude, Bolkonski in Wiener. “Marie” in Wiener, “Mary” in Maude, “Maria” in Edmonds, “Marya” in Dunnigan, Briggs, and Garnett. Called “Marie” in French version of her name. Prince Bolkonsky’s daughter, also "sister" for Andrei. Also “the little princess’s sister-in-law”. Also "Masha”, “Matushka”, “Marie”, and called “mother” by the old woman. Also “Bolkonsky’s daughter”, "niece", "aunt", “Mashenka”, “daughter”, “Darling”, “little daughter”, "princess-matushka", and “godmother”. Also "Dushenka--Dear heart", which were her father's last words to her. Also "his wife", "Countess Mariya", "mamenka", "mamma", "mother", and "aunt and guardian". Also their three children, some undifferentiated, their governess, and their tutor.)
Prince Nikolai Andreyevitch Bolkonsky: Chapters 23, 24, 25, 26, 50, 51, 52, 73, 74, 75, 90, 96, 126, 128, 129, 144, 145, 146, 163, 172, 189, 190, 191, and 195. Mentioned: Chapters 1, 5, 6, 29, 38, 49, 59, 66, 68, 93, 95, 104, 108, 118, 127, 130, 142, 147, 148, 149, 150, 154, 156, 192, 196, 197, 198, 199, 200, 202, 203, 204, 209, 211, 212, 265, 266 , 275, 329, and 343. (as in Dole. “...Andreyevich…” in Edmonds and Dunnigan, “...Andreevich…” in Mandelker, “Nikolay Andreivitch Bolkonsky” in Garnett, “Nikolay Bolkonsky” in Briggs, “Nikolay Andreevich Bolkonski” in Wiener, “Nicolas Andreevitch Bolkonsky” in Bell, “Nicholas Andreevich Bolkonski” in Maude. Also referred to as Mariya’s father, “The king of Prussia,", "batyushka", "prince", "old prince", "father-in-law", "illustriousness", "excellency". “Prince Andrei’s father”, in French, “le pere", and "scatterbrained father". "crazy old father" in Garnett. "crackbrained old father" in Dunnigan. "dotard father" in Mandelker. Also "Old Prince Bolkonsky", "his grandfather", “droll old father”, "commander-in-chief of the militia", "the old man", “Batyushka”, “mon pere”, “General-in-Chief”, “one of the oldest of Russian generals”, “master”, “the poor little veteran", "barin", and "Generalongshef", which Wiener calls "General-in-chief". Just "General" in Bell. Garnett uses "Nikolaevitch" for the second name. "Nikolaevich" in Mandelker and Wiener. "Nikolayevich" in Dunnigan. Edmonds, Bell, and Briggs drop it.)
Little Prince Nikolai Andreyitch Bolkonsky: Chapters 75, 90, 91, 96, 128, 144, 172, 189, 266, 274, 275, 276, 315, 330, 343, 346, 348, and 350. Mentioned: Chapters 104, 106, 122, 126, 127, 129, 192, 195, 198, 204, 212, 340, and 349. (also “six-year-old nephew.”, “little Nikolushka”, "Nikolenka", "Koko", "son", “his little son”, "yearling", “the baby prince”, “infant”, “little lad”, “grandson”, “young prince”, “little prince”, and "baby".)
The Princess Lisa Bolkonsky's doctor: Mentioned: Chapter 6.
Princess Lisa Bolkonsky's Uncle: Mentioned: Chapter 6.
Nikolai Bolkonsky’s Father: Mentioned: Chapter 26. (“father’s father”, “our grandfather”.)
Emperor Napoleon Bonaparte: Chapters 61, 66, 103, 166, 168, 170, 171, 194, 213, 214, 216, 220, 221, 225, 245, 246, 285, and 294. Mentioned: Chapters 1, 3, 4, 5, 6, 10, 14, 17, 23, 24, 25, 28, 29, 35, 36, 38, 39, 40, 41, 43, 44, 48, 55, 56, 58, 59, 60, 69, 76, 88, 89, 90, 91, 93, 101, 102, 104, 108, 109, 112, 121, 128, 143, 145, 163, 165, 167, 169, 172, 173, 174, 175, 182, 183, 188, 189, 191, 192, 193, 196, 200, 202, 204, 205, 206, 208, 210, 212, 215, 222, 226, 227, 228, 229, 231, 232, 237, 251, 252, 253, 255, 259, 262, 263, 264, 270, 271, 277, 278, 279, 283, 284, 286, 288, 290, 291, 292, 293, 295, 296, 311, 312, 313, 314, 318, 319, 322, 324, 325, 327, 331, 335, 336, 337, 338, 348, 351, 352, 353, 354, 355, and 356. (“Buonaparte” in Mandelker and Maude. Dunnigan has “estates of the Bonapartes” in the opening sentence of the novel. Also “Bunaparte” in Dole and Wiener, “Buonapartey” in Mandelker. Also “the enemy of the human race”, “Consul”, “emperor”, “General Bonaparte”, “French emperor”, “Antichrist”, "l’Empereur Napoleon”, “a Frenchman”, “the great man”, “nobility”, "sovereign", "majesty", "Beast", "evil-doer", “Usurper and Enemy of the Human Race”, and “Head of the French Government”, “Chief of the French Government” in Garnett. "your majesty” and “l’empereur”. Also "the greatest man in the world", "the man", "the actor", "Napoleon I", and "the Corsican monster.". Also Prince Andrei’s “hero” and “Sovereign Emperor”. “Bonaparteism” is also referenced in Dole. Also "Napoleonic", "His Majesty the Emperor and King", "Napoleon le grand", and "'Poleon" in Dole, Edmonds, and Maude. "Boneypart" in Briggs. Also the “Arab steed” brought to him, his “English-groomed bay ambler", his aides, his guard, his army, his generals, and his marshals' orderlies.)
Bondarenko: Chapter 30. (a hussar who attends to the horse. “The little Russian” in Dole, who footnotes, “a nickname of the Malo-Russians.” “A native of Little Russia” in Bell. “Ukrainian” in Dunnigan, Mandelker, and Briggs.)
Pani Borzjozowska: Mentioned: Chapter 130. ("Mademoiselle Borzowski" in Edmonds. "Madame Borzhozovsky" in Garnett. "Panna Borzozowska" in Dunnigan and Briggs (who uses Madame in first mention. Dole, Maude, and Mandelker cut the second reference to her). "Polish Mademoiselle Borzozowska" in Mandelker and Maude. "Pani Borjozovska" in Bell. "Miss Borzozowski" in Wiener.)
Vincent Bosse: Chapters 298, 299, 300, 301, 302, and 303. Mentioned: Chapter 305. (Also "a drummer boy" in Dole and Wiener. "a little drummer" in Bell. "a little drummer-boy" in Mandelker, Dunnigan (who doesn't use the hyphen), and Briggs. Also "prisoner" . The Cossacks also call him "Vesennui". In Dunnigan, the Cossacks call him Vesseny and the peasants Visenya. It is "Vesenny and "Vesenya" in Mandelker, Maude, and Edmonds (Garnett and Briggs use the first name but uses the Dunnigan version of the second name).)
Mademoiselle Amalie Karlovna Bourienne: Chapters 23, 24, 25, 26, 50, 51, 52. 90, 96, 128, 144, 145, 149, 163, 172, 189, 195, 197, 266, 274, 340. Mentioned: Chapter 129. (Also “Amelie". Also “Burienka” as in Dole. Bell has “Mlle. Bourrienne”. Also "Bouriennka". "little Bourienne" in Garnett, Edmonds, and Briggs. Also "pretty Frenchwoman" and “little Frenchwoman”. Garnett has “Amalia Yevgenyevna” where Dole puts “Amalie Bourienne”. Mandelker puts “Amelia Evgenievna” and follows it with “Mademoiselle Bourienne” in parenthesis. “Amaliya Evgenevna” in Wiener.)
Mlle. Bourriene's Aunt: Mentioned: Chapter 51.
Mlle. Bourriene's Mother: Mentioned: Chapters 23 and 52.
Brannitsky: Mentioned: Chapter 188. (“Bronnitski” in Maude and Dunnigan. “Bronnicki” in Wiener. “Bronnitzsky” in Bell. “Bronnitsky” in Mandelker, Garnett, and Edmonds.)
Bronnikof: Mentioned: Chapter 274. (the merchant. "Bronnikov" in Wiener, Garnett, and Mandelker. "Bronnikow" in Bell. )
Broussier: Mentioned: Chapters 291 and 293. (his troops.)
Captain Brozin: Chapter 281. (as in Dole, Dunnigan, and Briggs. "Brozine" in Bell.)
Buikof: Mentioned: Chapter 30. (as in Dole. “Bykov” in Wiener, Dunnigan, and Edmonds. “Bykow” in Bell. “The Rat” that cleans out Denisof.)
General Buxhovden: Chapter 59 Mentioned: Chapter 91. (“...Buxhowden” in Briggs, Edmonds, and Dunnigan. “Buxhevden” in Garnett. Also called "Count Buxhovden".)
Catherine: Mentioned: Chapters 2, 8, 19, 20, 22, 108, 117, 128, 170, 186, 325, and 354. (i.e. Catherine the Great, also "Empress".)
General Campan: Chapter 214. Mentioned: Chapter 220. (as in Dole, Maude, and Edmonds. "...Compans" in Briggs and Garnett.)
Le caporal: Mentioned: Chapter 57. (“the corporal” the dragoon blames.)
Monsieur de Castrier: Chapter 169. (“the marshal’s aide”. “De Castres” in Mandelker and Dunnigan the first time. Maude adds “Monsieur” the first time while the other two only add it the second time. “Monsieur de Castre” in Edmonds.)
Caulaincourt: Chapters 171 and 221. Mentioned: Chapters 112, 118, 120, and 125. ("The French ambassador".)
Mademoiselle Aubert-Chalme: Mentioned: Chapters 148, 154, and 231. (As in Dunnigan, Marya Dmitrievna calls her “Super-Sham’s”, which Dunnigan follows with “Madame Chalme” in parenthesis, which is repeated a couple paragraphs later. Maude prints “Super Rougue’s” the first time and “Madame Suppert-Roguet” the second time (Edmonds prints this both times). Garnett prints “Aubert-Chalmey” both times, adding Madame the second time. Briggs puts “Madame Saucy Rascal” with the parenthetical “Her dressmaker’s real name was Suzie Pascal”, printing “Madame Pascal” the second time. Wiener prints “Aubert Chalme” both times, adding “Madame” the second time. Bell prints “Chalme’s” the first time and “Mme. Aubert Chalme” the second time. A "modiste”, “dressmaker” in Mandelker, from her comes.)
Chancellor: Mentioned: Chapters 36 and 37. (as in Dole, Wiener, and Edmonds, “foreign minister” in Garnett.)
Empress’s chamberlain: Chapter 38. (as in Dole, Garnett, and Bell. “chamberlain of the empress” in Wiener.)
Charles I: Mentioned: Chapter 354.
Charles X: Mentioned: Chapter 354.
Charles XII: Mentioned: Chapter 171.
Chateaubriand: Mentioned: Chapters 335 and 352.
General Chatrof: Chapter 145. (Prince Lopukhin’s nephew. “...Chatrov” in Edmonds, Wiener, Maude, and Dunnigan. “..Tchatrov” in Garnett. “...Tchatrow” in Bell. Also “old general”.)
Semyon Chekmar : Chapter 133. (as in Dole, Briggs, and Mandelker. Ilya Andreyitch's valet. Not to be confused with the musician with the same first name from Book 1 Part 1. "Simon Chekmar" in Maude. "Semyon Tchekmar" in Garnett. "Semione Tchekmar" in Bell. "Semen Chekmar" in Wiener.)
Chernuishef: Chapters 174 and 175. (“the emperor’s flugel-adjutant”. “Chernyshev” in Maude, Briggs, and Dunnigan. “Tchernyshev” in Edmonds. “Chernyshov” in Mandelker. “Tchernishev” in Garnett.)
Karpushka Chigirin: Mentioned: Chapters 204 and 205. (in Rostopchin's placards.)
Chitchagof: Chapter 324. Mentioned: Chapter 314 ("Tchitchagov" in Garnett. "Tchichagov" in Edmonds. "Chichagov" in Maude, Briggs, and Dunnigan.)
Claparede: Mentioned: Chapter 221. (as in Dole, Maude, Edmonds, and Mandleker. "Clarapede" in Dunnigan.)
Clergyman: Chapter 20.
The clerk: Chapter 39. (who is writing Kozlovsky's dictated letter.)
The coachmen: Chapter 20.
Andrei's coachman: Chapter 104.
The colonel: Chapter 33. (that Nesvitsky was supposed to deliver the message to)
Captured colonel of dragoons: Chapter 47. (as in Dole. “French colonel” in Maude, Garnett, and Briggs.)
The regimental commander: Chapters 27, 28, 45, and 65. Mentioned: Chapter 43. (as in Dole, Maude, and Dunnigan, “commanding officer” in Edmonds, “general in command of the regiment” in Garnett, and “excellency”. Also called “King of Hearts”, “the old general”, or “senior general”, as in Edmonds, and "infantry general")
Regimental commander: Chapter 44.
The regimental commander: Chapter 321. (no reason to think that this is any previous regimental commander.)
Corvisart: Mentioned: Chapter 216.
A Cossack: Chapter 27.
A Cossack: Chapters 32 and 33. (“accompanying” (as in Dole, Dunnigan, and Wiener, though they use different tenses) or “serving” (Bell) Nesvitsky. And his horse.)
Cossack: Chapter 39. (the one Andrei takes with him when he gets a horse.)
A Cossack: Chapter 43. (who dies)
The head of the Cossack division: Chapter 39. (as in Dole. “the chief of the Cossacks” in Wiener. “The captain of the Cossacks” in Bell. “the officer in command of the Cossacks” in Edmonds and Garnett. “A Cossack commander” in Dunnigan, Mandelker, and Maude. “The officer in charge of the Cossacks” in Briggs.)
The courier: Chapter 183. (who brings the proclamation and is an acquaintance of Pierre. Does not appear to be any courier previously mentioned.)
Grand Duke’s courier: Mentioned: Chapter 53.
Crossart: Chapter 229 (a Frenchman.)
Crow: Chapter 322. (also "Vorona" in Dole. "Jackdaw" in Mandelker)
Prince Adam Czartorisky: Chapters 56, 57, and 62. Mentioned: Chapter 107. (as in Dole. “....Czartoryski” in Briggs, Edmonds, and Dunnigan. “...Tchartorizhsky” in Garnett. Minister of foreign affairs.)
Danilo: Chapters 132, 133, and 134. ("the whipper-in and hunter" and his "chestnut". Maude uses "Daniel" in an alternative reading. Nikolai and Natasha call him "Danila" in Dole.)
The Old Pole's Daughter: Chapter 97. (who has an infant.)
Speransky's daughter: Chapter 121.
Marshal Davoust: Chapters 169, 214, 221, and 270 Mentioned: Chapters 168, 220, 290, 307, 311, and 312. (as in Dole, Bell, and Garnett. “...Davout” in Briggs and Wiener. Also called "the Duke (or Prince) of Eckmuhl". Also "an officer of very great importance", "your highness", and "the Prince d'Eckmuhl". Also his corps.)
Messrs. Davydov: Mentioned: Chapters 226 and 298. (as in Wiener. "M. Davydow" in Bell. "Mr. Davuidof" in Dole. "Davydov family" in Mandelker, Edmonds, and Dunnigan.)
Dementyef: Chapter 97. (“Dementyev” in Briggs, Dunnigan, and Garnett.)
Demyan: Chapter 74. (“the major domo”.)
Duc d’Enghien: Mentioned: Chapters 3, 4, and 337. (as in Maude, Edmonds, Mandelker. “Duke…” in Dole, Bell, and Wiener. Mandelker calls him “Prince Herzog Engienskii” in Pierre’s dialogue Prince d'Enghien.)
Kirill Andreyevitch Denisof: Mentioned: Chapter 202. (the "Ober-intendant" or "Quartermaster General" in Dunnigan. For variations on "Kirill", see chapter 8. For variations on "Andreyevitch", see chapter 23.)
Captain Vaska Denisof: Chapters 30, 31, 33, 34, 45, 57, 67, 69, 70, 71, 77, 78, 81, 82, 97, 98, 100, 202, 298, 299, 300, 301, 302, 303, 305, 306, 310, 326, 343, 345, 347, 348, and 349. Mentioned: Chapters 47, 53, 54, 55, 60, 68, 76, 79, 99, 101. 102, 103, 130 176, 182, 194, 235, and 304. (“...Denisov” in Garnett, Wiener, and Edmonds. Also “Vaska Denisof”, as in Dole. “Vaska Denissow” in Bell. Dunnigan, Mandelker, and Briggs also use Vaska. Also “the barin” in Dole, “master” in Bell, Mandelker, and Dunnigan. Also “youngster”, "lieutenant-colonel of hussars", and “Count”. Also called “Vasya” in Dole and Wiener. Also "Major Vasili Dmitritch Denisof", “Vasha”, and introduces himself as “Vasili Denisof”. Also with second name of “Dmitrievitch”. Wiener and Mandelker spells Bell, Garnett, and Dole’s “Dmitritch” as “Dmitrich”. Briggs doesn’t use the second name. Also "Vasili Feodorovitch Denisof". Also "Monsieur", "excellency", "General", and "commander". See chapter 1 for some variations on Vasili. See chapter 196 for some variations on "Feodorovitch". However, he is called "Vasili Dmitrich" in Maude, Mandelker, and Dunnigan, bucking most translations by going back to the original name. Whether this is a mistake on Tolstoy or Petya's part is unknown. And his Bedouin, his Cossack, and horse.)
Count Orlof-Denisof: Chapter 282. Mentioned: Chapter 283. (and his Cossacks. See chapter 30 for Denisof variations. See chapter 12 for variations on Orlof. He is also called "Count Orlof".)
A denshchik: Chapter 33. (as in Dole. “Officer’s servant” in Wiener, “military servant” in Bell. “Orderly” in Garnett, Mandelker, and Briggs.)
Dessaix: Mentioned: Chapters 214 and 220. (as in Dole, Dunnigan, and Mandelker. "Desaix" in
Garnett and Briggs.)
Mr. Dessalles: Chapters 172, 189, 191, 266, 274, 275, 315, 329, 330, 343, 348, and 350. ("tutor") Mentioned: Chapters 163, 190, 195, and 346. (Dunnigan and Edmonds use Monsieur. The Swiss tutor. Wiener spells it “Desalles”.)
Diderot: Mentioned: Chapter 354.
Eduard Karluitch Dimmler: Chapters 137, 139, 140, and 141. (the music-master. Edmonds and Briggs call him "Herr Dimmler." Just "Mr. Dimmler" in Maude and Mandelker. "Eduard Karlych" in Dunnigan and Wiener. "Edward Karlitch" in Garnett. "Edward Karlovitch" in Bell. And his wife, who is just mentioned in passing and is given no characteristics.)
A diplomat: Chapters 48 and 49. (“who had just arrived from Berlin”)
Zinaida Dmitrievna: Mentioned: Chapter 186. (as in Dole, Edmonds, and Dunnigan. “...Dmitriyevna” in Briggs.)
German doctor: Chapter 19.
The German doctor: Chapters 74 and 75. (or “accoucheur”)
Doctor: Chapter 39. (the man who is being beaten. He is the doctor of the “Seventh Jagers” in Dole. “surgeon of the seventh of chasseurs” in Wiener. “The doctor of the 7th chasseurs” in Bell, Dunnigan, (who spells out “seventh”) and Edmonds.)
General Dokhturof: Chapters 59 and 291. Mentioned: Chapters
Prince Dolgorukof: Chapters 56, 57, 58, 59, 60, and 64. Mentioned: Chapters 65, 68, and 69. (as in Dole. “Prince Dolgorukov” in Edmonds, Wiener, and Maude. Bell calls him “General Prince Dolgoroukow”.)
Prince Yuri Vladimirovitch Dolgoruky: Mentioned: Chapter 68. (“....Vladimirovich…” in Edmonds. “....Vladimirovich Dolgoruki” in Wiener. “Prince Yuri Dolgorukov” in Maude and Mandelker. “Prince Youry Vladimirovitch Dolgoroukow” in Bell. “Prince Yury Dolgoruky” in Briggs. “Prince Yury Vladimirovitch Dolgoruky” in Garnett. “Prince Yury Vladimirovich Dolgoruky” in Dunnigan.)
Prince Dolgorukof’s brother: Mentioned: Chapter 56. (has dined with Napoleon.)
Fedya Dolokhov: Chapters 7, 27, 28, 41, 46, 65, 69, 70, 71, 76, 77, 79, 80, 150, 151, 153, 158, 159,
209, 303, 304, 306, and 310. Mentioned: Chapters 8, 45, 47, 48, 68, 72, 78, 81, 82, 83, 84, 85, 88, 93, 97, 113, 134, 156, 162, 211, 235, 298, 299, 300, and 301. (as in Wiener, Mandelker, and Dunnigan, “Dolokhof” in Dole, “Dolohov” in Edmonds and Garnett. Also with Mr. as a prefix. Also “wife’s paramour”, “lover”, and “Fedka” in Dole. Bell provides the alternative “Fedia.” Also “Dolohoff le Persan”. For some reason Dole calls him “Lopukhof” once (in the Balaga description). The names “Feodor Ivanuitch” (and later “Feodor Ivanovitch”, the rest of the translations not giving a variation) are given in Dole. “Fiodr Ivanich” in Edmonds. “Fyodr Ivanych” in Dunnigan.”Theodore Ivanych” in Maude. “Fyodor Ivanovitch” in Garnett. “Fyodor Ivanovich” in Garnett. “Fyodor Ivanych” in Mandelker. “Fedor Ivanych” in Wiener. “Fedor Ivanovitch” in Bell. Described as "a private of militia". Also his Cossack, as well as his horse.)
Marya Ivanovna Dolokhova: Chapters 68, 71, and 76. Mentioned: Chapter 8. (as in Dole and Maude, and Garnett, the later using “Dolohov”. Dolokhov’s mother. Just “Marya Dolokhov” in Briggs. Also “elderly”, “old”, and Dolokhof’s “mother”.)
Dolokhof’s sister: Mentioned: Chapter 71. (“hunchbacked”)
The major-domo: Chapter 25. (“the butler” in Garnett, Briggs, and Bell, “head butler” in Mandelker.)
Donets: Chapter 133. (as in Dole, Maude, and Mandelker. Nikolai's "sorrel". "chestnut Don horse" in Garnett and Dunnigan (Mandelker and Maude also preface with "chestnut") Bell calls him "Donetz" in an alternate reading.)
Dorokhof: Mentioned: Chapters 291 and 293. ("Dorokhow" in Bell. "Dorokhov" in Wiener, Briggs, and Maude. "Dorohov" in Edmonds. And his band of "partisans" and the Cossacks of his division.)
Dozheiveik: Mentioned: Chapter 130. ("his quartermaster". "Dozhoyveyky" in Garnett. "Dozhoyveyko" in Mandelker and Maude. Briggs, Dunnigan, and Edmonds cut the name. It seems that the translations that reference Pani Borzjozowska a second time do not name Dozheiveik, probably demonstrating a textual variance. Wiener calls him "Sergeant-Major Dozhoyveyko".)
French Dragoon: Chapter 57. (who is captured, also his horse plays a role in the chapter. Also called “the Alsatian”.)
The driver: Chapter 35. (or “his driver”, as in Andrei’s.)
Princess Anna Mikhailovna Drubetskaya: Chapters 3, 4, 8, 9, 10, 12, 13, 14, 15, 16, 20, 21, 22, 53, 67, 68, and 147. Mentioned: Chapters 19, 23, 54, 88, 115, 131, 148, and 150. (“Mihalovna” in Garnett, “Mikhaylovna” in Wiener, Maude. Initially referred to as "an elderly lady". “old lady” in Bell, “middle-aged lady” in Wiener. Also "Princess Drubetskaya", "Annette", “matushka”, as in Dole, “ma’am” in Edmonds, Garnett, and Mandelker, “madam” in Briggs. Also referred to as “la tante en general” or “aunt in general” as in Bell, “universal aunt” in Wiener, Garnett, and Edmonds, “universal auntie” in Maude and Dunnigan. Also called “Aunty” as in Dole and Wiener. “Aunt” and “Auntie” in Bell. Mandelker, Garnett, and Briggs only use the latter. Also “his mother”.)
Princess Drubetskaya: Mentioned: Chapter 4. (as in Dole, Dunnigan, and Maude, “Drubetskoy” in Briggs, Garnett, “Droubetzkoi” in Bell)
The Elder Lady’s Father: Mentioned: Chapter 4. (as in Anna Mikhailovna's.)0
Boris Drubetskoi: Chapters 9, 10, 11, 12, 14, 16, 18, 54, 56, 64, 88, 89, 101, 103, 112, 115, 119, 120, 123, 124, 145, 146, 147, 151, 167, and 209. Mentioned: Chapters 4, 8, 15, 22, 53, 55, 67, 68, 102, 113, 114, 116, 118. 130, 131, 148, 150, 154, 189, and 217. (also "“Ensign Drubetskoi”. Garnett, Dunnigan, and Briggs use "Lieutenant". Also referred to as “Bory” in Maude and Edmonds, “Borenka” in Dole. Also "son" and “poor husband”.)
The Drummer: Chapter 28.
Grand duchess: Mentioned: Chapters 38. (as in Dole. “Archduchess” in Mandelker, Briggs, and Edmonds.)
Dunyasha: Chapters 116, 117, 141, 195, 197, 198, 199, 200, 201, 239, 243, 315, 316, and 317. Mentioned: Chapters 242 and 268. ("Douniacha" in Bell in an alternate reading. Also "the one in pink".)
Duport: Mentioned: Chapter 67. (“the celebrated dancer”)
Duroc: Chapter 170. Mentioned: Chapter 171.
Durosnel: Mentioned: Chapter 260.
Eckarsthausen: Mentioned: Chapter 348. ("Ecka'tshausen" in Edmonds, Maude, and Mandelker. "Eckartshausen" in Briggs and Garnett.)
Eichen: Chapter 281. (as in Dole, Wiener, and Garnett. An officer of the general staff. "Eykhen" in Mandelker.)
Major Ekonomof: Chapter 46. (as in Dole. “...Ekonomov” in Wiener, Garnett, and Maude. “...Ekonomow” in Bell.)
The Empress Elizabeth: Mentioned: Chapter 261. (as in Dole and Bell. See chapter 119. "Yelizavieta Alekseyevna" in the Dole footnote. "Empress Elizaveta Aleksyeevna" in Wiener. "The Empress Elisabeth" in Maude and Mandelker. "the younger Empress, Yelizaveta Alexeyevna" in Briggs. "The Empress Elizaveta Alexyevna" in Garnett. "the Empress Eliaveta Alexeyevna" in Edmonds. "The Empress Elizaveta Alekseyevna" in Dunnigan.)
Madame Elizabeth: Mentioned: Chapter 4. (as in Dole and Maude, “...Elisabeth” in Briggs, Garnett, and Dunnigan.)
Russian embassdador at the court of Vienna: Mentioned: Chapter 36. (as in Dole, “the ambassador at Vienna” in Bell. “Our ambassador in Vienna” in Mandelker, Dunnigan, and Briggs.)
Emissary: Mentioned: Chapter 40. (of Murat.)
Another Emissary: Mentioned: Chapter 40. (the one that goes to the Russian line instead of the Austrian.)
Empress of Austria: Chapter 166. Mentioned: Chapter 38. (“Queen of Austria” in Wiener. Also “her majesty”.)
Essen: Mentioned: Chapter 55.
Prince Eugene of Wurttemberg: Chapters 222 and 318. (as in Dole and Briggs. "...Wurtemberg" in
Wiener, Garnett, and Bell. "Duke of Wurtemberg" in Maude. Also referred to as "your highness". He also has an aide that rides back.)
Colonel Fabvier: Chapter 213.
M. Fain: Mentioned: Chapter 286. ("Mr. Fain" in Wiener.)
Fedeshou: Chapter 28. (as in Dole, Edmonds, and Garnett. “Fedeshov” in Wiener, “Fedeshon” in Mandelker, “Fedya” in Briggs, “Fedeshow” in Dunnigan. One of the soldiers.)
Fedosyushka: Chapter 129 (Bell gives "Fedociouchka" as an alternate reading.)
Feodor: Chapter 138. (the old man Natasha sends to get "a piece of chalk". "Fyodor" in Mandelker, Garnett, and Dunnigan. "Fedor" in Bell and Wiener.)
Prince Feodor: Mentioned: Chapters 345 and 348. (see chapter 69 for variations on "Feodor". Bell cuts the name.)
Anisya Feodorovna: Chapter 136. (as in Dole. "...Fyodorovna" in Garnett, Dunnigan, and Briggs. "...Fedorovna" in Maude and Wiener. "...Fiodorovna" in Edmonds. "Anicia Fedorovna" in Bell. Called "Anisyushya" by the little uncle in Dole. Maude, Edmonds, Wiener, and Briggs don't use this second name. Bell says "Aniciouchka".)
Empress Maria Feodorovna: Mentioned: Chapters 1, 48, 87, 117, 193, and 261. (Dole spells it both "Marya" and "Maria". Bell calls her "the Empress-mother" and "Empress Dowager". Wiener, Edmonds, and Dunnigan are consistent in their references.). (also “Empress Dowager”). (as in Dole, “Marya Fyodorovna” in Garnett, Briggs uses “Maria” but “Fyodorovna”, also “Dowager Empress” or “l’Imperatrice Mere” in Dole. “Her Most August Majesty the Empress Marya Fyodorvna” as in Dunnigan.)
Maria Feodorovna’s sister: Mentioned: Chapter 1.
Peter Feodorovitch: Mentioned: Chapter 196. (Dole footnotes “Peter III”, which is what Bell uses. “Tsar Peter Fyodorovich” in Briggs. “Peter Feodorovich” in Wiener. “Piotr Fiodorovich” in Edmonds. “Pyotr Fyodorovich” in Dunnigan and Mandelker. “Peter Fedorovitch” in Garnett. “Peter Fedorovich” in Maude.)
Feoktist: Chapter 68. (“the old cook of the English Club.” “Feoktista” in Garnett in an alternate reading. “Pheoctiste” in Bell.)
Ferapontof: Chapter 191. (“the dvornik” and “landlord” in Dole. “Ferapontov” in Maude, Dunnigan, and Briggs.)
Archduke Ferdinand: Mentioned: Chapters 27, 29, 36, and 55. (described as “commander of the army of the van” in Dole.)
Fichte: Mentioned: Chapters 335 and 352.
Figner: Mentioned: Chapter 291.
Filipp: Chapters 74 and 144. (though he seems to be “the butler” here, probably the same Filipp that was the “groom”. He’s a “footman” in Edmonds. Bell drops the name and calls him “man-servant”. “Philip” in Mandelker in an alternative reading.)
Baron Firhof: Chapter 119. ("...Firhoff" in Briggs, Dunnigan, and Edmonds. "...Firhow" in Bell. "...Furhof" in Wiener.)
Foka: Mentioned: Chapter 74. (the cook.)
Foka: Chapter 138. (the butler.)
Another Bezukhoi Footman: Chapter 14.
The Countess’s footman: Chapter 8.
Footman: Chapter 13. (elderly at the Bezukhoi residence)
Footman: Chapter 24. (at the Bolkonsky's)
General Fouche: Mentioned: Chapter 214.
Fothier: Mentioned: Chapter 335. ("Foti" in Wiener. Name appears to be dropped in Bell. "Photius" in Maude, Briggs, and Edmonds. "Foty" in Garnett.)
Emperor Franz: Chapters 38, 55 and 62. Mentioned: Chapters 29, 35, 36, 39, 54, 56, 58, 59, 88, 89, 104, 143, and 337. (as in Dole. “...Francis” in Briggs, Edmonds, and Maude. Also “his majesty.", "King Franz", and Emperor of Austria.)
Franz: Chapters 36 and 38. (“the valet who had admitted the visitor” in Dole.)
Frederick the Great: Mentioned: Chapters 25, 89, and 174. ("Friedrich" in Dole, “Frederick” in Maude, Dunnigan, and Edmonds.)
A newly promoted freilina, or maid of honor: Chapter 88. (“a newly appointed maid of honour and her mother” in Garnett and Edmonds. “A newly appointed lady-in-waiting and her mother” in Dunnigan.)
Another Frenchman: Chapter 41. (that joins the argument.)
Friant: Mentioned: Chapters 214 and 221.
Friese: Mentioned: Chapter 180. (“Friez” in Dunnigan, Briggs, and Garnett. “Frise” in Maude, Bell, and Mandelker.)
Baron Funke: Mentioned: Chapter 1. (Founcke in Bell.)
Fyedotof: Chapter 33. (as in Dole. “Fedotow” in Bell. “Fedotov” in Garnett, Mandelker, and Briggs.)
Gavrilo: Chapter 54. (as in Dole, Wiener, and Briggs. “Gavrila” in Garnett and Dunnigan. “Gabriel” in Edmonds.)
Gavrilo: Chapters 159 and 160. (“Marya Dmitrievna’s colossal footman”, so unlikely to be any of the previous Gavrilos. Bell doesn’t use the name.)
A general: Chapters 62 and 63. (that Kutuzof commands and argues with)
The General: Chapter 5 (“a general”. “Some general” in Dole.)
The Austrian general: Chapters 27 and 29. Mentioned: Chapter 31. (Also called “the Avstriak”, as in Dole, “an Austrian” in Garnett, “that Austrian” in Briggs, “the Austrian” in Dunnigan, Bell, and Maude, “that there Austrian” in Edmonds, “Austrish”.)
The general in command of the rearguard: Chapter 32. Mentioned: Chapter 34. (as in Dole, Mandelker, and Garnett (the latter hyphenating “rearguard”). Also “excellency”.)
Boris’s General: Chapter 101.
Old Russian General: Chapter 56. (with the purple face, that Andrei dismisses and tries to ignore. Bell doesn’t have the “old” and has him “red-faced”.)
The general in command of the foremost regiment: Chapter 62. (also “The regimental commander”. Edmonds has “The colonel at the head of the foremost regiment.” Maude, Dunnigan, and Mandelker have the same, except dropping “foremost.” “The commander of the regiment in the van” in Wiener. “The colonel of the regiment” in Bell. “The commander of the leading regiment” in Briggs. “The officer in command of the foremost regiment” in Garnett.)
Madame de Genlis: Mentioned: Chapters 12 and 203.
Mademoiselle Georges: Chapter 155. Mentioned: Chapter 3, 153, and 154. (as in Edmonds, Maude, and Mandelker. “Mlle. George” in Wiener, Dole, and Briggs. “Mlle. Georges” in Bell and Garnett.)
Gerard: Mentioned: Chapters 214 and 304. (assumedly not the painter since he is a general.)
Gerard: Mentioned: Chapter 213. (the painter.)
Gerasim: Chapters 83, 84, 244, 253, 254, and 255. Mentioned: Chapter 259. ("Gherassime" in Bell in an alternate reading. Osip's servant. Also called "old servitor" and "old man". Also the cook and two Frenchmen.)
The gardener: Mentioned: Chapter 73. (previously referenced in passing in chapter 23. Not to be confused with the gardener Maksimka in chapter 68.)
Gavrilo: Mentioned: Chapter 68.
A German: Chapter 33. (driving the Vorspann with the “handsome brindled cow, with an enormous udder”, as in Dole. Maude just calls the Vorspann a “cart”.)
The German who owned the house: Chapter 30.
German mistress of the house: Chapter 54. (as in Dole. “The German landlady” in Edmonds, Wiener, and Maude.)
Young healthy-looking German girl: Chapter 33. (as in Dole, Edmonds (omitting “looking”), and Wiener, “with flaming red cheeks.” Just “handsome, rosy-cheeked” in Bell, Garnett being the same, other than using “good-looking”. “Young, rather pretty” in Briggs. “Healthy” with no emphasis on attractiveness or youth in Mandelker and Dunnigan.)
Gervais: Chapter 121. (Dole's occasional, but not consistent, "Zhervais" is an alternative reading.)
Gervinus: Mentioned: Chapter 352.
Girchik: Mentioned: Chapter 133.
Glinka: Chapter 186.
Godfrey: Mentioned: Chapter 354.
Prince Aleksandr Nikolayevitch Golitsuin: Mentioned: Chapters 4, 184, 204, 335 and 347. (the Dole footnote spells it "Galitzin". "Prince Alexander Golitsin" in Maude. "Prince Alexander Nikolaevitch Golitsin" in Garnett. "Prince Aleksandr Nikolayevich Golitsyn" in Dunnigan. "Prince Alexander Golitsyn" in Edmonds, Mandelker, and Briggs. Also "Golitain" as in Dole, “Golitsyn” in Wiener, Mandelker, and Edmonds, “Galitzine” in Bell. Also “...Galitzin” in Garnett. “...Golitsyn” in Mandelker.)
The governess: Chapter 16 and 53.
Speransky's daughter's governess: Chapter 121. (Dole uses "guvernantka" later.)
The Governor: Chapters 264 and 267. (also a horse-dealer and landed proprietor he mentions.)
The Governor's Wife: Chapters 264, 265, 266, and 267. ("the governor's worthy wife" and "ma tante".)
Military Governor of Moscow: Chapter 19.
Grachik: Chapters 30, 34, and 45. (or “Young Rook”, Dole using both. “Rook” in Dunnigan, Maude, and Mandelker. “Little Rook” in Briggs and “Little Crow” in Bell. The horse Rostov purchased.)
Old granny: Chapter 33. (as in Dole and Edmonds, “older woman” in Briggs, “old woman” in Mandelker, Maude, and Dunnigan.)
Major-General Grekof: Chapter 282. ("...Grekov" in Garnett, Maude, and Wiener. "....Grekow" in Bell.)
French grenadier: Chapter 41. (with whom Dolokhof speaks. Also, “The Frenchman.”)
The count's groom: Mentioned: Chapter 133. (who actually takes Viflyanka. As with Viflyanka, this description makes it debatable whether they are just mentioned or an actual character in the chapter.)
Princess of Gruzia: Mentioned: Chapter 184. (“old Georgian princess” in Maude, Briggs, and Dunnigan.)
Prince Gruzinsky: Mentioned: Chapters 259 and 260. (as in Dole, Mandelker, and Garnett. His mansion is mentioned. "Gruzinski" in Wiener. The name is dropped in Bell.)
Gunner: Chapter 43. (of Tushin’s company. “Freckled, red-headed.” Speaks to Bagration. Maude, Edmonds, and Mandelker also call him an “artilleryman”. “Cannoneer” in Wiener.)
A gunner: Chapter 46. (who asks Tushin for orders. “An artilleryman” in Edmonds, Maude (who uses a hyphen), and Mandelker. “A cannoneer” in Wiener. “Man by his side” in Bell.)
Gunner number one: Chapter 43, 46, and 47. (in Dole and Garnett. “a huge soldier with broad shoulders.” “Number One” in Dunnigan, Mandelker, and Maude. “Number one gunner” in Briggs. “Soldier number one” in Wiener. “Gunner No. 1” in Bell. "his favourite gunner" in Dole.)
Hardenberg: Mentioned: Chapter 1. (Maude spells it Hardenburg, which the Maude edition lists as a misspelling.)
Haugwitz: Mentioned: Chapter 1.
Hayne: Chapter 102. (this is slightly confusing, as Dole, who calls him (as does Bell) "the equerry", says he is "the same one who had accompanied the sovereign at the battle of Austerlitz")
Marie Heinrichovna: Chapters 177 and 178. Mentioned: Chapter 176. (“Mary Hendrikhovna” in Maude. “Marya Genrikhovna” in Wiener and Briggs. “Marie Henrikovna” in Bell. “Marya Gendrikhovna” in Mandelker. “Marya Hendrihovna” in Garnett. “Maria Hendrihovna” in Edmonds. “Marya Hendrikhovna” in Dunnigan. Also “wife” and Dole uses “doktorsha”, which Wiener calls “wife” and Bell calls “lady”.)
Hendrikof: Mentioned: Chapter 90. (“Handrikov” in Edmonds. “Khandrikov” in Maude, Mandelker, and Wiener. “Hendrikow” in Bell.)
Polish Count Holuchowsky: Mentioned: Chapter 130. ("...Golukhovski" in Dunnigan and Maude. "....Goluchowski" in Mandelker, Wiener, Edmonds, and Briggs. "Goloukhovsky" in Bell.)
Hurief: Mentioned: Chapter 60. (“Guryev” in Edmonds, Mandelker, and Maude. “Gurev” in Wiener. Bell cuts the ramblings he appears in.)
Hosner: Mentioned: Chapter 347. ("Gossner" in Wiener, Mandelker, and Maude.)
A hussar: Chapter 33.
The hussar, by whom Rostof was passing: Chapter 60. (there are many references to hussars in the chapter, but this is the one who speaks to him.)
Another Hussar: Chapter 30. (too late to attend to the horse)
Vasili Ignatyitch: Chapter 69. (a “little old man”.)
Ilagin: Chapters 135 and 136. (Bell offers an alternative in "Ilaguine". And his whipper-in and his groom, who may or may not be the same person.)
Lelorme d’Ideville: Chapters 194 and 245. (“Lelorgne d’Ideville” in Bell in an alternate reading. “Napoleon’s interpreter”.)
Ignat: Chapter 248. (the "dvornik" and also called "old man". "Ignace" in Bell.)
Ignatka: Chapter 159. (another valet, the one that brings the coat. Dunnigan prints “Ignashka”.)
Ilyin: Chapters 176, 177, 178, 200, and 201. Mentioned: Chapter 194. (also “young cornet”)
Ilyushka: Mentioned: Chapters 68 and 79. (“the Tsigan” as in Dole. “the gipsy” in Edmonds, Wiener, and Maude.)
Infantry-man: Chapter 33. (as in Dole. No hyphen in Briggs, Dunnigan, and Mandelker. Verbally spars with the hussar.)
Iogel: Chapters 78, 81, and 137. Mentioned: Chapters 76, 77, and 138. (also “Vogel”)
Ipatka: Mentioned: Chapter 68. (“the coachman”.)
Iulner: Chapter 168. (the French colonel. “Julner” in Mandelker, Briggs, and Garnett.)
A young Italian: Chapter 327.
Ivan: Chapter 135. ("our Ivan", the "quarelling huntsman".)
Ivan IV: Mentioned: Chapter 354. (the Dole footnote calls him "Ioann or Ivan the Terrible." Briggs, Edmonds, and Dunnigan use the latter. Garnett, Bell, and Wiener call him "John IV" for some reason.)
Mikhail Ivanof: Chapters 25, 26, 50, 96, 189, 190, 197, 198, and 343. Mentioned: Chapters 23, 73, 128, and 172. (as in Dole, “Michael Ivanow” in Bell, “Michael Ivanovich” in Maude, “Mihail Ivanov” in Edmonds and Garnett, “Mikhail Ivanych” in Dunnigan, “Mikhail Ivanovich” in Briggs and Mandelker. The French has “Michel Ivanoff”. Also “Mikhail Ivanuitch”, "Mikhail Ivanovitch", and the “architect”.)
Nastasya Ivanovna: Chapters 133 and 138. Mentioned: Chapter 181. ("the buffoon who bore the woman's name". Bell offers an alternate reading in "Nastacia Ivanovna".)
Varvara Ivanovna: Mentioned: Chapter 205. (as in Dole, Dunnigan, and Wiener. "Barbara Ivanovna" in Bell.)
Gavrilo Ivanuitch: Mentioned: Chapter 236. ("...Ivanych" in Wiener, Briggs, and Dunnigan. "Gabriel Ivanovitch" in Bell. "...Ivanich" in Edmonds. "...Ivanitch" in Garnett.)
Ilya Ivanuitch: Mentioned: Chapter 65. (the emperor’s “coachmen”. “Ilya Ivanych” in Mandelker, Dunnigan, and Briggs. “...Ivanitch” in Garnett.)
Nikita Ivanuitch: Chapters 264 and 265. ("Nikita Ivanitch" in Bell and Garnett. "...Ivanovich" in Wiener. "....Ivanych" in Briggs, Maude, and Mandelker.)
Madame Jaquot: Mentioned: Chapter 14. (as in Dole, “...Jacquot” in Wiener, Garnett, and Briggs, “Mme. Jacquot” in Bell.)
M. de Jobert: Chapter 232 (Bell spells out "Monseiur". Also her "directeur de conscience".)
His (Anatol) French Valet Joseph: Chapters 158 and 159.
Marshal Junot: Mentioned: Chapter 307 (and his Westphalians.)
Andrei Sergeyevitch Kaisarof: Chapter 209. (Paisi's brother. See above for spelling variations.)
Paisi Sergeyitch Kaisarof: Chapters 209, 222, and 230. (one of Kutuzof's adjutants. "Paisy Sergeich Kaisarov" in Dunnigan (with Garnett differing on just the second name with "Sergeitch"). Just "Kaysarov" in Maude, Briggs, and Mandelker. Also called "his adjutant".)
Field-Marshal Kamiensky: Mentioned: Chapters 28, 68, 91, 172, and 203. (“...Kamenski” in Bell. “....Kamensky” in Mandelker, Garnett, and Briggs. "Father Kamensky". Also "Count".)
Kaptenarmus: Chapter 41. (“or sergeant” in Dole. Carries a wooden cupful of dinner. “Quarter-master sergeant” in Edmonds, Briggs, and Dunnigan (does not use hyphen).
Karabakh: Chapters 305 and 306. (Petya's Little Russian horse.)
Karai: Chapters 133 and 134. (as in Dole. "an aged, deformed, ugly-faced hound". "Karay" in Briggs, Wiener, Garnett, and Edmonds. "Karae" in Bell. Also called "Karaiushka" in Dole. Maude, Edmonds, Bell, Wiener, and Briggs do not use this alternate name.)
Platon Karatayef: Chapters 272, 273, 287, 289, 307, 308, and 309. Mentioned: Chapters 288, 310, 326, 329, 331, 346, and 350. (also "little man", "Platosha", "illiterate man--half an idiot!", and "sokolik". Called "Platoche" in the French. "...Karatayev" in Edmonds and Dunnigan. "...Karataev" in Maude, Mandelker, and Garnett. Also in Platon's story, another man, his father, his brother Mikhailo, and his children. Also his wife and dead daughter are mentioned in his story.)
Julie Karagina: Chapters 8, 9, 10, 16, 17, 18, 23, 147, and 204. Mentioned: Chapters 128, 137, 144, 146, 150, 153, 167, 189, 205, and 211. (Also Mademoiselle Julie Karaguine. Garnett, Wiener, and Maude keep “Karagin” while Briggs puts “Karagina”. Edmonds keeps “Karagin” but drops “Julie”. Bell uses “Mlle. Karaguine” and “Mlle. Julie”. Also "daughter", "Heloise", “now the Princess Drubetskaya”, and “his wife”.)
Julie Karagina's brother: Mentioned: Chapter 128.
Marya Lvovna Karagin: Chapters 8, 9, and 10. Mentioned: Chapters 23, 128, and 137. (as in Dole and Garnett, “...Karagina” in Maude, “Madame Marya Karagin” in Briggs. Also "guest", "mother", and "mamma".)
Archduke Karl: Mentioned: Chapter 36. (Bell provides an alternative reading in “Charles”.)
Karolina: Mentioned: Chapter 54. (as in Dole and Mandelker. “Vengerka” or “The Hungarian”. “Caroline” in Wiener, Dunnigan, and Briggs. “Caroline la Hongroise” in Bell and Garnett.)
Karp: Chapters 200 and 201. Mentioned: Chapters 196 and 296.
Katitchka: Chapters 259 and 260. (as in Dole, Garnett, and Wiener. Also "little daughter", "youngest daughter", "child" and "little girl". "Katie" in Maude. "Katya" in Edmonds. "Katia" in Bell. "Katechka" in Briggs. "Katyechka" in Mandelker.)
Katya: Chapters 50 and 52. (another maid. Bell offers alternative reading in “Katia”)
Khvostikof: Chapters 158 and 159. (“Hvostikov” in Edmonds and Garnett. “Khvostikov” in Dunnigan, Briggs, Wiener, and Maude. “Gvostikow” in Bell.)
General Kikin: Mentioned: Chapter 280.
King of Prussia: Mentioned: Chapters 1, 36, 48, 88, 91, 337, and 355. (also as “Le roi de Prusse”, "Friedrich", “Prussian king” as in Dole or “King of Prussia” as in Edmonds, Bell, and Wiener. And his wife. The last mention should be understood as a different king than the one mentioned in the narrative.)
The King of Rome: Mentioned: Chapters 213 and 225. (Napoleon's son, called this "for some reason". "the son and heir of their beloved monarch.")
Mikhail Kiriluitch: Mentioned: Chapter 150. (seen by Count Rostof. “Mihail Kirillich” in Edmonds. “Mikhail Kirilich” in Dunnigan. “Michael Kirilovich” in Maude. “Mihail Kirillitch” in Garnett. “Mikhail Kirillych” in Briggs. “Mikhail Kirilovich” in Mandelker. “Mikhail Kirillych” in Wiener. “Michael Kirilovitch” in Bell.)
Kiriyusha the Foolish: Mentioned: Chapter 95. (...the crazy pilgrim” in Garnett. Dunnigan drops pilgrim.)
Captain Kirsten: Chapters 31, 34, and 57. (as in Dole, Garnett, and Wiener. “Kirstein” in Bell. “the second captain” and his “steady-going mare”, as in Dole.)
Kiselef: Chapter 322. ("Kiselev" in Wiener, Maude, and Dunnigan. This section is cut in Bell. "Kiselyov" in Mandelker. "Kiselov" in Garnett and Edmonds.)
Klauzewitz: Chapter 212. ("Klausewitz" in Wiener. "Klauzevitz" in Bell. "Clausewitz" in Maude, Mandelker, and Dunnigan. Also a Cossack with him.)
Kliucharef: Mentioned: Chapters 231, 236, and 237. ("Klyucharev" in Maude, Wiener, and Dunnigan. The "venerable old postmaster" and "the director of posts". "Klyucharyov" in Briggs and Mandelker. "Klucharov" in Garnett and Edmonds.)
Komarof: Chapters 299 and 302. ("Komarov" in Wiener, Edmonds, and Maude. "Komarow" in Bell. Also "his Cossack".)
Piotr Petrovitch Konovnitsuin: Chapters 202, 230, 281, 292, 293, and 324. Mentioned: Chapters 280, 295, and 325. (the general with a portfolio under his arm that brings it to Kutuzof. "Konovnitsyn" in Maude, Edmonds, and Garnett. See chapter 16 for variations on "Piotr".)
Count Kotchubey: Chapter 108. Mentioned: Chapters 107, 109, and 193. (as in Dole and Garnett. "Kochubey" in Edmonds, Wiener, and Maude. "Kochubei" in Dunnigan.)
Prince Kozlovsky: Chapters 29, 39, and 103. (as in Dole, Dunnigan, and Mandelker. “Kozlovski” in Wiener. An adjutant, one of Prince Andrei’s “colleagues”.)
Monsieur Krouq: Chapter 88. (as in Dole and Wiener, with the latter using just the M. “Monsieur Kroucy” in Bell. “Monsieur Kroug” in Mandelker and Dunnigan. “M. Krug” in Briggs. Edmonds
(who uses Monsieur), and Garnett.)
Prince Anatol Vasilyitch Kuragin: Chapter 7, 49, 50, 51, 52, 119, 147, 151, 152, 153, 155, 158, 159, 161, 162, and 224. Mentioned: Chapters 1, 5, 6, 8, 23, 48, 72, 118, 150, 154, 156, 157, 160, 163, 164, 172, 173, 181, 182, 212, 235, 258, and 276. (as in Dunnigan, Dole, and Wiener. “Anatole” in Briggs, Edmonds, etc. Mandelker, Maude, Bell, and Edmonds don’t print the second name. It’s “Vasilyevich” in Dunnigan. “Vasilich” in Wiener. Also "brother", "he", "brother-in-law", and "enemy".)
Prince Ippolit Kuragin: Chapters 2, 3, 4, 5, 37, 88, 89, and 261. Mentioned: Chapters 1, 6, 48, and 51. (as in Dole and Dunnigan. “Hippolyte” in Edmonds, Bell, and Maude. Also with the nickname "Don Juan" and “Le Prince Hippolite Kouraguine”.)
Prince Vassily Kuragin: Chapters 1, 2, 3, 4, 8, 13, 14, 19, 20, 21, 22, 48, 49, 50, 51, 52, 87, 88, 193, 233, 261, and 262. Mentioned: Chapters 5, 6, 12, 23, 56, 72, 147, 153, 327, 333, and 347. (Vasili in Edmonds and Dole, “Basil” in Bell. Also referred to as "Basile". Also referred to as “Prince Vasili Sergeyevitch”, as in Dole. The second name, with the normal Vasili variations in the translations, is “Sergeyevich” in Dunnigan and Edmonds, just “Kuragin” in Briggs, “Sergyevitch” in Garnett, “Sergeevich” in Maude and Mandelker, “Sergyeevich” in Wiener, Bell doesn’t use the second name at all. Also called “excellency”, or “Serenity” as in Wiener.)
Princess Alina Kuragina: Chapters 49 and 233. Mentioned: Chapters 19, 48, 111, and 189. (as in Dole. “Aline” is her first name in Briggs, Edmonds, and Dunnigan. Vasili’s wife, "Ellen's mother", "maman", "old princess", and "his mother-in-law".)
Prince Kurakin: Mentioned: Chapters 167, 170, and 188.
Kutaisof: Mentioned: Chapter 262. (also "protege" and "commander-in-chief".)
Count Mikhail Ilarionovitch Kutuzof: Chapters 28, 29, 31, 39, 58, 59, 62, 63 172, 202, 203, 208, 209, 217, 222, 229, 230, 251, 279, 280, 281, 283, 291, 293, 320, 324, and 325. Mentioned: Chapters 1, 3, 4, 8, 25, 26, 27, 35, 36, 38, 40, 41, 42, 43, 47, 54, 55, 56, 61, 64, 65, 68, 69, 73, 193, 194, 205, 206, 207, 210, 212, 216, 228, 231, 236, 245, 249, 250, 262, 263, 264, 277, 278, 284, 285, 292, 294, 295, 296, 313, 314, 318 and 319. (as in Dole, Kutuzov in Garnett and Wiener. Full name Mikhail Illarionovitch Kutuzov according to Garnett note. “Koutouzoff” or "Koutouzov" in French. “Koutouzow” in Bell. "Ilarionovich Kutuzov” in Wiener and Mandelker, “Mihail Ilarionovich…” in Edmonds, “...Ilarionovitch…” in Garnett. Briggs just shortens it to “General Kutuzov”. “chief”, “highness”, “general-in-chief”, “his former general”, “old general”, “serene highness”, “chief of the Petersburg landwehr”, “prince of the empire”, "old man", "old actor", "serenity", "little grandfather", "the old gentleman", "His serene highness, the prince", "field-marshal", "chief commander", “commander-in-chief”, "old commander-in-chief", "deceitful courtier", and "father" to Andrei. “excellency” in Edmonds, Maude, and Dunnigan. Also called “General Field Marshal Kutuzof“ in Dole, Dunnigan, and Maude (with an extra hyphen). “General Prince…” in Bell. “Field-Marshal…” in Wiener. Called “Mikhail Larionovitch” by Alexander. Also has "Prince" as a title" before his name. He also has a courier, house-steward, and his "little bay cob". Also a Cossack that brings out a bench for him. Also a young calvary officer who is Kutuzof's orderly, his gray cob also called "stout white cob", and a messenger who comes to him.)
Pavel Ivanovitch Kutuzof: Mentioned: Chapters 69 and 70. (Bell and Mandelker call his first name “Paul”. Dole, Garnett, and Wiener use “Pavel.” Briggs full names him as “Pavel Ivanovich Golenishchev-Kutuzov.”)
Kurbsky: Mentioned: Chapter 354. (Wiener's "Kurbski" is an alternative reading. Bell puts "Courbsky")
Madame Kwudener: Mentioned: Chapter 348. (as in Dole and Maude. "...Krudner" in Garnett, Bell (who doesn't use Madame), and Wiener.)
Mavra Kuzminitchna: Chapters 239, 240, 243, and 248. (also "the former housekeeper", "the old woman", "little auntie", and "old keywoman". "...Kuzminishna" in Wiener, Edmonds, and Dunnigan. "...Kouzminichna" in Bell.)
The Lackey: Chapter 20.
Lackey: Chapter 20. ("loud, insolent")
A Lady: Chapter 19, 20, and 21. ("strange")
Le Comte de Langeron: Chapter 59. Mentioned: Chapters 58, 62, 65, and 68. (just “Count Langeron” in Bell in a variant reading. Also "Count de Langeron".)
Lanfrey: Mentioned: Chapter 352. (as in Dole, Edmonds, and Bell. "Lanvrey" in Wiener.)
Lannes: Chapter 65. Mentioned: Chapters 38 and 45.
Lanskoi: Mentioned: Chapter 277. ("Lanskoy" in Wiener, Maude, and Dunnigan. "Lauskoi" in Bell.)
Doctor Larrey: Mentioned: Chapter 66.
Count Lauriston: Mentioned: Chapters 167, 278, 291, 293, and 319. (also see Bromfield’s version of Chapter 144.)
Lavater: Mentioned: Chapter 1. (Lafater in Wiener.)
Lavrushka: Chapter 30, 97, 98, 130, 176, 177, 194, 200, 201, and 267. (as in Dole, Maude, and Briggs. Lavrushka is Denisof’s “rascally valet”, as in Dole, “orderly...rogue” in Maude, Dunnigan, and Edmonds. “Valet...rogue” in Garnett. “Lackey...rogue” in Wiener. Also “Cossack”, “Denisof’s Serf”, "Idiot-durak", and “enfant du Don”.)
Lazarchuk: Mentioned: Chapter 98.
Lazaref: Chapter 103. (as in Dole. "Lazarev" in Briggs, Edmonds, Dunnigan, and others.)
Lemarrois: Mentioned: Chapters 40, 41, and 43. ("Napoleon's aide." as in Dole. “The aide-de-camp who acted as courier” in Bell. “Adjutant” in Maude, Edmonds, and Dunnigan.)
Leppich: Mentioned: Chapters 205, 231, and 250.
Count Lichtenfels: Mentioned: Chapter 36. (as in Dole, Mandelker, and Wiener. “Lichtenfeld” in Bell.)
Likhatchef: Chapter 305. (a Cossack. "Lihachov" in Edmonds. "Lihatchev" in Garnett. "Likhachov" in Briggs and Mandelker. "Likhachev" in Maude, Dunnigan, and Wiener. "Likhatchow" in Bell.)
Liubim: Chapter 134. (as in Dole. "Lyubim" in Briggs, Dunnigan, and Edmonds. "Lyubin" in Wiener. "Lyubima" in Garnett. "Liubime" in Bell.)
Liubomirsky: Mentioned: Chapter 188. (“Lubomirsky” in Edmonds, Garnett, and Mandelker. “Lyubomirsky” in Briggs.)
Liza: Mentioned: Chapter 350. (or "Lisa")
Prince Lopukhin: Chapter 145. Mentioned: Chapter 193. (as in Dole, Mandelker, Wiener, and Briggs. “...Lopuhin” in Garnett and Edmonds. “...Lapoukhine” in Bell.)
Dr. Lorrain: Chapters 13, 19, 20, 21, and 22. Mentioned: Chapter 8. ("The French doctor")
Louis XIV: Mentioned: Chapters 351 and 354.
Louis XV: Mentioned: Chapters 3 and 354. (Louis Quinze in Dunnigan and Garnett.)
Louis XVI: Mentioned: Chapters 72, 83, and 354.
Louis XVIII: Mentioned: Chapters 4, 351, and 354. (as in Dole and Wiener, “Louis the Sixteenth” in Garnett, “Louis XVI” in Bell, Edmonds, and Dunnigan, “Louis XVII” in Maude.)
Empress Maria Louisa: Chapter 166. Mentioned: Chapter 143, 213, 216, 225, and 337. (as in Dole and Bell. “..Marie Louise” in Maude, Dunnigan, and Edmonds. “...Maria Theresa” in Wiener. Emperor Franz's daughter and Napoleon's wife. Also "Austrian emperor's daughter" and "daughter of the Kaisers".)
Louis Philippe: Mentioned: Chapter 354.
The Esaul Mikhail Feoklituitch Lovaiski: Chapters 299, 300, 301, 302, 303, and 306. (Mandelker calls him "Esaul Lovaysky the Third". Briggs calls him "Hetman Lovaysky the Third". "Esaul Lovaisky the Third" in Dunnigan. See chapter 23 for variations on "Mikhail". The second name is "Feoklititch" in Garnett. "Feoklitych" in Dunnigan, Edmonds, and Mandelker. Briggs drops this name. "Theoclititch" in Bell. "Feoklitich" in Wiener. And his Cossacks.)
Mlle. Luisa: Mentioned: Chapter 349. ("Mlle. Louise" in Wiener, Maude, and Garnett (the latter two use "Mademoiselle". The nurse is also mentioned by Marya, but it is unclear who this is supposed to be.
Ivan Lukitch: Chapter 41. (as in Dole. “Ivan Lukich” in Wiener, Edmonds, and Mandelker. “Ivan Loukitch” in Bell. Dolokhof’s captain.)
General Mack: Chapter 29. Mentioned: Chapters 27, 30, 31, 35, 36, 38, 39, 40, 174, and 337. (as in Dole and Briggs. Garnett, Wiener, and Mandelker just have “Mack”. When he arrives, is “the unknown general” temporarily.)
Mr. Magnitsky: Chapter 121. Mentioned: Chapter 108, 237, 348. (as in Dole and Dunnigan. Edmonds, Mandelker, and Maude (who spells it "Magnitski", as does Wiener, who drops the title before his name) use Monsieur, Garnett and Bell use M. He is the "chairman of the Commission for Revising the Military Statutes".)
A Maid: Chapter 20.
Rostova's Maid: Chapter 15.
An Old Maid: Chapter 140.
J. Maistre: Mentioned: Chapter 314 (as in Dole and Wiener. See Bromfield in post on chapter 88 and Pevear and Volkhonsky note in chapter 193. "Joseph de Maistre" in Maude, Edmonds, and Mandelker. Bell cuts the name.)
A stout major: Chapter 41. (who berates the man being punished)
Makarin: Chapters 158, 159, and 161. (also “Makarka”. “Makarine” is the first name in Bell.)
Anna Makarovna: Chapter 347. (since she knitted the stockings, I think it is likely that Tolstoy had already forgotten the second name for Byelova.)
Makayef: Chapter 322. (a red-haired soldier. "Makyeev" in Wiener. "Makeef" in Bell. "Makeev" in Mandelker and Maude. "Makeyev" in Dunnigan, Briggs, and Edmonds. "Makyev" in Garnett.)
Makeyef: Chapters 99 and 100 (“Makeiew” in Bell. “Makeev” in Mandelker and Garnett. “Makeyev” in Briggs, Edmonds, and Dunnigan. “Russian feldsher or assistant” as in Dole. “Russian trained assistant” in Garnett. “Russian feldsher” in Dunnigan. “Russian assistant” in Edmonds, Wiener, and Maude.)
Maksimka: Mentioned: Chapter 68. (as in Dole, Briggs, and Wiener. “Maxim” in Edmonds. “Maksim” in Maude and Mandelker. “the gardener”.)
Malasha: Chapter 230
Malvina: Mentioned: Chapter 343.
Anna Ignatyevna Malvintseva: Chapters 265 and 266. Mentioned: Chapter 274. (as in Dole, Mandelker, and Dunnigan. Edmonds and Garnett just remove the final e. "...Ignatevna Malvintsev" in Wiener. "Anna Ignatievna" and "Madame Malvintzew" in Bell. Princess Marya's aunt. Also "widow" and "auntie".)
Count Mamonof: Mentioned: Chapters 187, 204, 256, 257, and 264. (“...Mamonov” in Wiener, Garnett, and Maude. “...Mamonow” in Bell. His Cossacks are mentioned.)
Princess Katerina Semyonovna Mamontof: Chapters 13, 14, 19, 20, 21, 22, 48, 205, 326, 327, and 332. Mentioned: Chapter 204. (“........Mamontov” in Dunnigan, Briggs, and Garnett. “...Semenovna Mamontov” in Wiener. “Catherine Semenovna Mamontov” in Maude, the same in Bell except the last name not mentioned. “Katerina Semeonovna Mamontov” in Edmonds. The oldest princess or niece of Bezukhov. Prince Vasili calls her “Katish”, as in Dole, Garnett, and Dunnigan, “Katerina” in Wiener, “Katishe” in Edmonds, “Catiche” in Bell and Maude. Also “the lady” and “princess” in Dunnigan and Briggs. Vasili also calls her “cousin” consistently. Also called the “sharp-tempered elder sister”. She is described as "the one with the long waist". She also mentions servants and maids.)
The old man: Chapters 133, 134, 135, and 136. Mentioned: Chapters 139 and 181. (that Nikolai calls "little uncle", a neighbor and distant relative of the Rostofs. Also "Michael Niknorovitch".)
An old man of Catherine's time: Chapter 108.
Old man servant of the princesses: Chapter 20.
The man who was undergoing the punishment: Chapter 41. (as in Dole. just “the man” in Maude, Dunnigan, and Mandelker. “The punished man” in Wiener. “The victim” in Bell and Edmonds.)
A younger man: Chapter 42. (talking with Tushin. Just “a younger voice” in Bell, Maude, and Wiener.)
A young man, in a militia-uniform: Chapter 204. (whom Julie calls "Mon chevalier". Bell translates this as "My knight".)
a dear little old man: Mentioned: Chapter 310 (from Switzerland that taught Pierre geography, as remembered in Pierre's dream.)
Count Markof: Mentioned: Chapters 56 and 68. (as in Dole. “Markov” in Maude, Mandelker, and Wiener. “Markhow” in Bell.)
Mars: Chapter 130. (Nikolai's "roan stallion...terribly fiery steed." "extremely viscious grey stallion" in Maude and Edmonds. "a brute of a stallion" in Briggs.)
An old field marshal: Chapter 107. (as in Dole, Briggs, and Mandelker (the latter two use a hyphen), who helps Andrei get his plan to the sovereign and his appointment with Arakcheyef.
Masha: Chapters 50 and 52. (the little princess’s “maid”)
Mashenka: Chapter 346. (or "Masha". Natasha and Pierre's daughter.)
Grand Master of the Supreme Lodge: Chapter 86. Mentioned: Chapters 92, 110, and 113. (Garnett opts not to capitalize. Also “preceptor-brother”. “Brother-instructor” in Mandelker, Wiener (no hyphen), and Maude. “Brother and mentor” in Briggs. “Preceptor and brother” in Garnett. "brother-preceptor" in Dunnigan and Edmonds.)
The station master: Chapters 83 and 84. (Dole later adds a hyphen between “station” and “master”. “the post-master” in Bell, Maude, and Edmonds. “the inspector” in Wiener. “Postmaster” in Mandelker and Dunnigan. “Station-master” in Briggs. “Overseer” in Garnett.)
Fraulein Mathilde: Mentioned: Chapter 30. (though “Matilda” in Wiener.)
Prince Auersperg von Mautern: Mentioned: Chapter 36 and 48.
Matriona Matveyevna: Chapter 159. (as in Dole and Edmonds. the one that has the coat. “Matryona...” in Briggs and Garnett. “Matryona Matveevna” in Mandelker. “Matryona Matrevna” in Dunnigan. “Matrena Matrevna” in Maude. Also “Matrioshka”. “Matryosha” in Briggs and Mandelker. Edmonds, Maude, and Dunnigan do not use a second name. “Matrena Matfeievna” in Bell. “Matrena Matvyeevna” in Wiener.)
Kirill Matveyitch: Mentioned: Chapter 116. ("...Matveich" in Edmonds. "Kirilla Matveitch" in Garnett. "Cyril Matveich" in Maude. "Kiril Matveich" in Mandelker and Dunnigan. "Kirila Matveich" in Briggs. "Kirill Matveyeevich" in Wiener. "Cyril Matveevich" in Bell.)
Medvyedef: Chapter 43. (in Dole. “Medvedev” in Edmonds, Briggs, and Dunnigan. Also “Number Two”.)
Lisa Meinen's father: Mentioned: Chapter 25.
Pelagya Danilovna Melyukova: Chapter 140. Mentioned: Chapters 139 and 141. ("Madame Melyukov" in Edmonds, Wiener, and Briggs. "Mme. Melukow" in Bell. She appears to be who the count refers to as "Pasheta", as in Dole and Wiener. "Pashette" in Dunnigan, Maude, and Edmonds. Bell doesn't use this name. Dole offers a variant spelling of "Melyukovka" later in the chapter, as does Briggs, Wiener, and Edmonds. "Pelageya Danilovna Melyukova" in Maude, Dunnigan, and Mandelker (Wiener drops the final a, but is the same). "Pelagea Danilovna Melyukov" in Garnett. "Pelagueia Danilovna Melukow" in Bell. Also her undifferentiated daughters. Also "Mamasha" and "Mamma".)
Prince Meshchersky: Chapter 163. (as in Dole and Briggs. “Meshtchersky” in Garnett. “Meshcherski” in Wiener. “Mestchersky” in Bell.)
Metivier: Chapters 145 and 155. Mentioned: Chapters 180 and 184. (Bell adds M. to the front of his name for Monsieur.)
Metternich: Mentioned: Chapters 165, 352, and 354. (Dunnigan replaces reference to him with Napoleon.)
Colonel Michaud: Chapters 174, 175, and 263. (also "Mr. Michaud", "the Frenchman Michaud", and "colonel".)
Michelson: Mentioned: Chapter 24. (as in Dole and Bell, “Mikhelson” in Wiener, Dunnigan, and Briggs, “Mihelson” in Garnett, “Mikhelsen” in Mandelker.)
Mikhaila: Chapters 67 and 133. Mentioned: Chapter 132. (“Mihail” in Edmonds. “Michael” in Maude. “Mikhayla” in Wiener. “Michel” in Bell. “Mikhailo” in Mandelker. “Mikhaylo” in Briggs. “Mihailo” in Garnett. “Mikhail” in Dunnigan. Also Mikhaila. Wiener calls him "Mikhayla" and Bell calls him "Mikailo".)
Mikhailo Mitritch: Chapter 27. (as in Dole, “Mikhail Mitrich” in Dunnigan, Briggs, and Mandelker, “Michael Mitrich” in Maude. A major.)
Milka: Chapters 132, 134, and 135. Mentioned: Chapter 347. ("the black-spotted bitch" and "Milka I".)
Borzaya Milka; Chapter 347. ("Milka the swift". "Old greyhound Milka" in Wiener. "the old grey borzoi bitch" in Mandelker and Maude (Dunnigan just drops "grey").)
The little old miller: Mentioned: Chapter 65. (who used to fish where the battle was. Maude and Mandelker drop “little”, as does Wiener, who changes “the” to “an”. Bell changes “little” to “good”.)
His grandson: Mentioned: Chapter 65.
Miloradovitch: Chapters 59, 62, 283, and 318. Mentioned: Chapters 58, 206, 228, 280, 292, 295, and 333. (as in Dole and Bell. “Miloradovich” in Wiener, Briggs, and Mandelker. Also "chevalier sans peur et sans reproche".)
Mimi: Chapters 9 and 11. (the doll)
Minister of war: Chapters 35 and 48. Mentioned: Chapters 36, 37, and 39.
Mironof: Chapter 34. (as in Dole. “Mironov” in Wiener, Briggs, and Edmonds, “Mironow” in Bell. A “yunker”)
Misha: Chapter 138. (the lackey Natasha sends to get "some oats". "Micha" in Bell.)
Mishka: Chapter 7. Mentioned: Chapters 8, 14, 16, and 70. (as in Dole. Also "cub", "Young bear" in Garnett. "bear-cub" in Bell and Edmonds. "Bruin" in Pevear and Volokhonsky, Briggs, and Maude.)
Mishka: Chapters 248 and 256. (the groom and Vasilyitch's grandson. "Michka" in Bell. Called a Cossack in Wiener.)
Mitenka's Wife: Chapter 131.
Mitenka's Wife's Sister: Chapter 131.
Mitka: Chapter 133. (another "whipper-in" and "huntsman".)
Mitka: Chapter 136. (who plays the Ukrainian guitar.)
Ivan Mitrich: Mentioned: Chapter 61. (a sergeant mentioned in Tolstoy’s explanation of a soldier and his relation to where he is going. “Ivan Mitritch” in Garnett. Dunnigan adds “Sergeant Major”.)
Ilya Mitrofanuitch: Mentioned: Chapter 349. ("...Mitrofanych" in Briggs, Dunnigan, and Edmonds.)
Mitya: Mentioned: Chapters 349 and 350. (or "Mitenka")
Monk: Mentioned: Chapter 26.
Vicomte de Montemart: Chapters 2, 3, 4, 5, 88, and 89. Mentioned: Chapters 1 and 48. (“...Mortemart” in Wiener, Bell, Garnett, etc. Also "the viscount", "emigre", and "Royalist".)
General Morand: Mentioned: Chapter 214.
Moreau: Mentioned: Chapter 25.
Morel: Chapters 255 and 323 (the servant.)
Mortier: Mentioned: Chapters 35 and 36.
L’abbe Morio: Chapters 2, 3, and 86. Mentioned: Chapters 1 and 5. ("Abbe Morio" in Garnett, Bell, Edmonds, etc. Also "the Abbe" and “the Italian abbate”.)
General Mouton: Mentioned: Chapter 294.
Mudrof: Mentioned: Chapter 180. (“Mudrov” in Wiener, Dunnigan, and Maude. “Moudrow” in Bell.)
Prince Murat: Chapters 168, 221, and 252. Mentioned: Chapters 36, 38, 40, 41, 43, 169, 210, 213, 220, 223, 255, 277, 279, 282, 283, 285, 286, 291, 311, 312, and 321. (who is also called "the commander-in-chief", "Roi de Naples" or “the King of Naples”, "vice-king", "nachalnik", "tsar", and "viceroy". Gets the prefix “Marshal” in Bell and Dunnigan. “Messrs. Marshal” in Dole. “Messieurs les Marechaux” in Garnett, Edmonds, and Mandelker. Also called “Gascons”.And his aide or aide-de-camp. Also his wife is mentioned.)
Napoleon III: Mentioned: Chapters 353, 354, 355, and 359.
A Negro: Mentioned: Chapter 139. (that they believed they saw in their house when they were little. Briggs prints "black man".)
Alexander Naruishkin: Chapter 69. (“Naryshkin” in Dunnigan, Maude, and Edmonds.)
Marya Antonovna Naruishkina: Chapter 119. Mentioned: Chapters 118 and 347. (as in Dole, Wiener, Garnett, and Mandelker. "Maria Antonovna" in Edmonds, with an added parenthetical of "this was the Tsar's favourite." "Marie Antonovna" in Bell. Edmonds spells the last name "Naryshkin". Dunnigan, Mandelker, and Maude: "Naryshkina". "Narishkin" in Garnett. Wiener just uses "Mme. M. A. Naryshkin." "Marie Antonovna Naryschkine" in Bell.)
little Natasha: Chapters 343 and 347. (also "daughter")
Prince Nesvitsky: Chapters 28, 29, 32, 33, 34, 39, 56, 63, 69, 70, and 71. Mentioned: Chapters 59, 62, and 235. (as in Dole, Mandelker, and Bell. “Nesvitski” in Wiener. Also spelled “Nezvitsky" by Dole. Also referred to as “general”. and called “Mister Staff Officer”. And “on his Cossack’s horse”, called a “Bedouin”.)
Nevyerovsky: Mentioned: Chapter 188. (as in Dole and Dunnigan. “Neverovsky” in Bell, Mandelker, and Dunnigan.)
Ney: Chapters 214 and 221. Mentioned: Chapters 220, 290, 312, and 313. (also "Duke of Elchingen". Briggs adds Marshal prefix.)
Nikitenko: Chapter 45. (as in Dole, Mandelker, and Edmonds. “Nikolenko” in Dunnigan. “Nikitenka” in Bell. “a hussar”)
Nikita: Chapter 138. (the lackey Natasha makes get a "cock.")
Apollon Nikolayevitch: Mentioned: Chapter 143. ("....Nikolayevich" in Briggs, Dunnigan, and Edmonds. "....Nikolaevich" in Mandelker and Wiener. Bell cuts the name and just uses “a friend”.)
Marya Nikolayevna: Chapter 259. Mentioned: Chapter 260. (Also "the woman", "mother", and "wife". Has two little girls and a little boy, who has an old nurse, with her. Also the husband of the family, who is referenced as "chinovnik".)
Count Nostitz: Mentioned: Chapters 29 and 40. (Garnett provides “Nostits”.)
Novikof: Mentioned: Chapter 84. (“Novikov” in Briggs, Dunnigan, and Garnett.)
Novosiltstof: Chapter 62. Mentioned: Chapters 1 and 107. (Novosiltsov or Novosiltsev in Pevear and Volokhonsky, the former being in the text, the latter being in the endnote, the latter used by Dunnigan. Full name, as in Garnett endnote, Count Nikolay Nikolayevitch Novosiltsov. “Novosiltsov” in Edmonds and Wiener. "Novosiltsev” in Maude, Briggs, and Mandelker. "Novosiltsow” in Bell.)
Nurse: Chapters 18, 117, 127, 239, 345, 348, and 350. Mentioned: Chapters 53, 54, and 132. (as in Dole, Wiener, and Bell. “Nanny” in Pevear and Volokhonsky, usually has the prefix “old” in front.
“His old nurse” in Dole. Also "old nyanya". "the nanny" in Mandelker. "old nurse" in Briggs, Dunnigan, Bell, and Edmonds. Just "nurse" in Wiener.)
The wet nurse: Chapter 90.
Fedya Obolyensky: Mentioned: Chapters 184, 185, 204, and 238. (“Obolenski” in Maude and Wiener. “Obolensky” in Mandelker, Edmonds, and Garnett.)
Kitty Oduintsova: Mentioned: Chapter 24. (as in Dole, “....Odyntsova” in Dunnigan and Maude, “...Odyntsov” in Edmonds and Briggs, “...Odyntsev” in Wiener, “...Odintzow” in Bell, “...Odintsov” in Garnett, “...Ordyntseva” in Mandelker.)
Officer: Chapter 39. (the one who is beating the man.)
An officer, Tushin’s comrade: Chapter 46. (as in Dole. “.....companion” in Wiener. “Tushin’s companion officer” in Mandelker, Edmonds, and Maude. “The officer second in command to Tonschine” in Bell. “The other officer, Tushin’s comrade” in Garnett. “One of Tushin’s fellow officers” in Briggs. “Another officer, Tushin’s comrade” in Dunnigan.)
The Austrian officer: Chapters 61 and 62. (And has an adjutant)
Officer of his suite: Chapters 32 and 34. (as in Dole, Dunnigan, and Wiener. “one of his staff officers” in Briggs, “a staff-officer” in Maude and Bell (the latter not using the hyphen, but a space instead), “an officer of his staff” in Edmonds.)
An infantry officer: Chapter 42, 44, and 47. (who interrupts Tushin and the younger man’s conversation. Also "company commander")
An infantry officer: Chapter 33. (the one eating the apple.)
An officer on duty: Chapters 41, 43, 44, 46, and 47. Mentioned: Chapter 42. (as in Dole, Mandelker, and Bell. The latter two use “the” instead of “an”. “The detachment officer of the day” in Wiener. Also referred to as “the staff officer” and "colonel".)
The officer on guard: Mentioned: Chapter 38. (as in Dole and Bell. The one who lets the French cross the bridge. “Officer of the day” in Wiener. “Officer on duty” in Garnett.)
A non-commissioned officer: Chapter 33. (as in Dole and Dunnigan (no hyphen in the latter). “NCO” in Briggs. “A sergeant” in Mandelker, Maude, and Edmonds. “Under-officer” in Wiener. “Sub-altern” in Bell.)
The Police Officer: Mentioned: Chapters 8, 16,
The principal officer of the garrison of Glogau: Mentioned: Chapter 91. (“the head of the garrison…” in Maude. “The chief of the…” in Wiener. “The colonel….” in Bell.)
A Russian Officer: Chapter 35. (in Dole, Dunnigan, and Wiener (the last two choosing “the”), “the officer in command” in Bell.)
Subaltern Officer: Chapter 28.
A young officer: Chapter 41. (who turns away and looks at Andrei.)
An official: Chapter 35. (who sends Andrei to another entrance.)
Duke of Oldenburg: Mentioned: Chapters 145 and 165. (also “Duchy of Oldenburg (or "Oldenbourg")”. Bell uses “Grand Duchy of Oldenburg”. Also Prince as a title.)
Olga: Chapters 14, 19, 21, and 22. Mentioned: Chapter 48. ("the younger princess", "second niece", and "second sister")
Dmitri Onufriyitch: Mentioned: Chapter 19. (as in Dole. “...Onufriich” in Wiener. “...Onoufrievitch” in Bell. “...Onufrich” in Edmonds, Maude, and Dunnigan. “Dmitry Onufritch” in Garnett. He is the “count’s lawyer” in Dole, “the family solicitor” in Garnett, Briggs, and Mandelker.)
An Orderly: Chapter 43 and 59. (part of Bagration’s suite.)
Count Orlof: Mentioned: Chapters 12, 25, and 68. (as in Dole, “...Orlov” in Wiener, Mandelker, and Briggs, “Orlow” in Bell)
The other: Chapter 33. (as in Dole, Bell, and Garnett. “Another” in Wiener. “Another one” in Briggs)
Marshal Oudinot: Mentioned: Chapter 97.
The chief overseer: Chapters 92, 205, and 327. (both with and without a hyphen and also “head overseer” in Dole. “the head steward” in Dunnigan. “Chief steward” in Edmonds, Bell, and Maude. “Chief superintendent” in Wiener.)
Pahlen: Mentioned: Chapter 25.
Marchese Paulucci: Chapter 175. Mentioned: Chapters 173, 174, and 188. (general-adjutant and a Sardinian refugee. Wiener, Dunnigan, and Bell use “Marquis” as the title. Also “excited Italian”.)
Emperor Alexander Pavlovitch: Chapters 55, 57, 58, 62, 102, 103, 119, 166, 167, 168, 175, 176, 185, 187, 263, 279, 324, and 325. Mentioned: Chapters 1, 4, 6, 8, 16, 17, 19, 23, 26, 28, 29, 30, 36, 37, 40, 48, 49, 50, 51, 54, 56, 59, 60, 64, 65, 66, 68, 69, 87, 89, 90, 91, 93, 97, 98, 100, 101, 104, 107, 108, 112, 113, 117, 118, 120, 121, 128, 144, 145, 165, 169, 170, 171, 173, 174, 182, 183, 184, 186, 188, 189, 190, 192, 193, 194, 195, 204, 205, 228, 229, 245, 251, 261, 262, 278, 286, 293, 296, 300, 319, 320, 335, 336, 338, 348, 351, 352, 353, and 355. (as in Dole. “....Pavlovich” in Edmonds and Wiener. Also "tsar", "Russian tsar", and "the Tsar". Also “Emperor of Russia” and “his Highness” in Wiener. “the sovereign”, capitalized and uncapitalized in Dole. “the emperor”, obliquely referenced to as “the sun.” Also “gosudar-imperator” or “Sovereign the Emperor”, and “Alexander the First”. "angel", "majesty", and "his Majesty the Emperor” or “Czar”, as in Bell. Also in German, “Kaiser Alexander” and also “his most august majesty", "the grandson of the great Catherine", “an angel in the flesh”, as in Dole and Wiener. “angel incarnate” in Edmonds, Mandelker, and Maude. “Angel on Earth” in Bell. Napoleon calls him “my brother” and “Monsieur, mon Frere”. Also “monarch”, “our most devout autocrat and ruler, our great sovereign”, “l’Empereur Alexandre”, "Emperor Alexander the First", "friend and brother", “batyushka”, and “father”.)
Grand Duke Konstantine Pavlovitch: Chapters 55, 64, and 324. Mentioned: Chapters 53, 54, 168, 173, 188, 193, and 261. (as in Dole. “....Konstantin….” in Garnett. “.....Konstantin Pavlovich” in Wiener, Edmonds, and Dunnigan. “....Constantine Pavlovich” in Mandelker. Just “Grand Duke Constantine” in Bell. Just “Grand Duke Konstantin” in Briggs. “Tsesarevitch” as in Dole, with a footnote of “The crown prince.” “Czarevitch” in Bell. “Tsarevich” in Mandelker, Dunnigan, and Briggs. “Tsarevitch” in Garnett. Also "heir-apparent" and “any one”.)
Pelageyushka: Chapters 95 and 96. (the old woman. “Pelagueiouchka” in Bell provides an alternate reading. Also "the pilgrim woman".)
General Pernety: Mentioned: Chapter 214. ("...Pernetti" in Wiener, Edmonds, and Bell.)
Marya Ignatyevna Peronskaya: Chapters 117, 118, and 119. Mentioned: Chapter 114. (as in Dole, Mandelker, and Maude. "Madame Peronsky" in Garnett, Edmonds, and Briggs. "Peronski" in Wiener. "Peronnsky" in Bell. as in Dole, Garnett, and Dunnigan. "...Ignatievna..." in Mandelker. "...Ignatevna.." in Wiener, just "Marya..." with no second name in Briggs. "Maria Ignayevna..." in Edmonds. "Marie Ignatievna..." in Bell. "a freilina" in Dole. Also "a maid of honour".)
Peter the Great: Mentioned: Chapters 145 and 215. (Rostopchin mentions his “cudgel”. also "Peter I".)
Peter the Hermit: Mentioned: Chapter 354.
Petinka: Mentioned: Chapter 90. (“Petya” in Briggs. “Petenka” in Garnett, Edmonds, and Dunnigan.)
Petrof: Mentioned: Chapter 322. ("Petrov" in Garnett, Mandelker, and Dunnigan.)
Emperor Paul Petrovitch: Mentioned: Chapters 1, 23, 50, 186, 196, and 337. (this is Paul I, which is what Bell uses. “Paul Petrovich” in Wiener. “Tsar Pavel Petrovitch” in Garnett (Dunnigan uses the same, though removing the t in the last name). “Tsar Paul” in Edmonds, Maude, and Mandelker. Also "Late Emperor.")
Katerina Petrovna: Chapter 264. Mentioned: Chapter 265. (as in Dole, Edmonds, and Dunnigan. "Catherine Petrovna" in Maude.)
Petrusha: Chapters 90 and 189. (a valet who brings documents.)
Petrusha: Mentioned: Chapter 186. (the cook. I somewhat suspect that Tolstoy had forgotten that the cook of the English club is named Feoktist.)
Petrushka: Chapter 26. (as in Dole, Briggs, and Wiener. “Petroucha” in Bell. The valet.)
little Petya: Chapter 345. Mentioned: Chapter 350 (also "little son" and "baby")
Pfuhl: Chapters 174 and 175. Mentioned: Chapters 170, 173, 188, and 324. (as in Dole and Garnett. “Pfuel” in Maude, Briggs, and Mandelker. “the principal originator of the plan of the campaign”.)
Their own domestic physician: Mentioned: Chapter 90. (this is probably the Karl Ivanuitch mentioned later in the chapter. “Karl Ivanych” in Dunnigan and Wiener. “Karl Ivanich” in Edmonds, Mandelker, and Maude. “Carl Ivanitch” in Bell.)
Prince Piogorovsky: Mentioned: Chapter 229. ("...Prozorovski" in Maude. "Prozorovsky" in Briggs, Mandelker, and Garnett.)
Piotr: Chapter 104 Mentioned: Chapter 39. (as in Dole and Edmonds. Andrei’s “man”. Perhaps his driver from earlier. “Peter” in Maude and Wiener. “Pyotr” in Garnett, Dunnigan, and Mandelker. “Pierre” in Bell.)
M. Pitt: Mentioned: Chapter 14.
Matvyei Ivanuitch Platof: Mentioned: Chapters 97, 98, 101, 191, 194, 229, 236, 292, 295, and 322. (“Platov” in Dunnigan, Mandelker, and Wiener. “Platow” in Bell. The first two names are “Matvei Ivanych” in Mandelker and Dunnigan. “Matvey Ivanych” in Briggs and Edmonds. “Matvyey Ivanych” in Wiener. “Matvei Ivanovitch” in Bell. “Matyey Ivanitch” in Garnett. “Matthew Ivanych” in Maude.)
Old Pole: Chapter 97.
Polya: Chapter 139. (a chambermaid who tells Natasha "they have brought the cock". "Polia" in Bell.)
Poniatowski: Mentioned: Chapters 206, 213, 220, and 282. (this alternate spelling is used by Dole. Maude, Mandelker, and Edmonds do not use it.)
The pope: Mentioned: Chapters 145 and 337. (also “head of the Catholic religion”.)
The Postillion: Chapter 5. (as in Dole, Dunnigan, Garnett, and Edmonds, Bell spells it “postilion”, “outrider” in Wiener.)
Potemkin: Mentioned: Chapters 25 and 190. (“Potyomkin” in Garnett, Briggs, and Mandelker)
Countess Potocka: Mentioned: Chapter 167. (as in Dole, Dunnigan, and Mandelker. “...Pototsky” in Garnett.)
The powder-master: Chapter 46. (as in Dole, who loses a leg. “Munition-wagon driver” in
Mandelker, Dunnigan (who pluralizes “munition”), and Maude. “Caisson driver” in Wiener. “A gunner” in Bell and Garnett (who varies from other translations in having him only losing a foot). “Wagon driver” in Briggs.)
The predvodityel: Mentioned: Chapter 196. (see previous chapter. “The marshal” in Garnett, Briggs, and Maude (the latter capitalizing).)
A Priest: Chapters 19 and 20.
Priest: Chapter 75. (who baptizes Nikolai.)
The priest's wife: Chapter 203. (from chapter 202, with the priest (pope in Dole) obviously getting a mention as well.)
The Count's Priest: Chapter 20.
Le Prince de Hohenlohe: Mentioned: Chapter 58. (“...Hohenloe” in Dunnigan in a variant reading.)
Le Prince de Lichtenstein: Mentioned: Chapter 58. (“...Liechtenstein” in Briggs in a variant reading.)
Prince de Ligne: Mentioned: Chapter 112. ("Prince de Ligny" in Bell in an alternate reading.)
Prokofi: Chapter 67. (as in Dole and Wiener. “Prokofy” in Edmonds, Mandelker, and Maude. “Procopius” in Bell.)
Prosorovsky: Mentioned: Chapter 91. (as in Dole and Garnett. “Prozorovsky” in Mandelker, Dunnigan, and Briggs.)
Pryanitchnikof: Mentioned: Chapter 108. (as in Dole, mentioned by the old man. "Pryanichnikov" in Maude, Wiener, Briggs, and Mandelker. "Prianichnikow" in Bell.)
General Przebyszewski: Chapter 59. Mentioned: Chapters 58, 62, 65, and 68. (“Przebyszewski” in Maude, Dunnigan, and Wiener. “Prsczebichewsky” in Bell. Name comically mispronounced as “Prscz--Prscz--and all the rest of the alphabet” in Dole. “Prsh--et ainsi de suite” in Wiener, retaining the French as usual. “Prsch--Prsch…” in Bell. “Prshprschprsh-all-consonants-and-no-vowels” in Briggs. “Prishprshiprsh” in Garnett. “Prsch__ Prsch__ and so forth” in Dunnigan. “Prshprsh-plus-every-letter-in-the-alphabet-to-follow” in Edmonds. “Prishprish, and so on” in Maude.)
Pani Pscazdecska: Mentioned: Chapter 130. ("their favorite Polish belle, Madame Pshazdetsky" in Garnett. "Panna Przazdzieska" in Dunnigan. "Polish Mademoiselle Przazdziecka" in Mandelker and Maude. Briggs also spells it "Przazdziecka" but prefaces with "Polish belle, Madame...". "Polish Mademoiselle Przazdecki" in Edmonds. "Pani Pchasdetzka" in Bell. "Miss Przazdziecki" in Wiener.)
Pugachof: Mentioned: Chapters 348 and 354. ("Pougatchew" in Bell. "Pugachov" in Mandelker, Edmonds, and Briggs.)
Vasili Lvovitch Pushkin: Mentioned: Chapter 204. (see Bromfield in post on Chapter 143. "...Lvovich..." in Wiener, Edmonds, and Maude. "Vassily Lvovitch Pushkin" in Garnett. "Vasily Lvovich Pushkin" in Dunnigan. Only "Pouschkine" in Bell.)
The Queen: Mentioned: Chapter 4. (Marie Antoinette.)
Queen of Spain: Mentioned: Chapters 261 and 262 ("Reine d'Espagne" in the French.)
Monsieur Ramball: Chapters 254, 255, and 323. Mentioned: Chapters 259 and 270. (also "the officer", "Captaine Ramball", and "capitaine du 13me ledger". "M. Ramballe" in Bell, Dunnigan (who uses Monsieur), and Maude. Also the French soldiers with him.)
General Rameau: Mentioned: Chapter 197. (also "M. le general Rameau".)
Rapp: Chapter 216.
General Rayevsky: Chapters 222, 230, and 283. Mentioned: Chapters 176, 189, 210, 218, 234, 256, and 292. (as in Dole and Dunnigan. “Raevski” in Wiener and Maude. “Raievsky” in Bell. “Raevsky” in Edmonds, Mandelker, and Garnett. Also his two sons. His adjutant plays a large role. Also called "my hero".)
Razoumowsky: Mentioned: Chapters 8, 16, 182, 184, and 204. (as in Dole and Mandelker, “Razumovsky” in Dunnigan, Briggs, and Edmonds, “Razoumovsky” in Wiener, “Razoumosky” in Bell. As a family name where the Rostofs go.)
Colonel Prince Repnin: Chapter 66.
Robespierre: Mentioned: Chapter 72.
Rosenkampf: Mentioned: Chapter 109.
Count Feodor Vasilyevitch Rostopchin: Chapters 69, 145, 187, 229, 237, 250, and 251. Mentioned: Chapter 68, 182, 183, 204, 205, 231, 236, 238, 239, 241, 244, 249, 252, 262, 285, 319, 328, and 329. (as in Dole, Dunnigan, and Briggs. “....Rostoptchin” in Garnett. “...Rastopchin” in Mandelker. Bell spells it “...Rostopchine”. Also "Governor-General of Moscow", "the commander-in-chief of Moscow", and "illustriousness". Also referred to as "the pilot-administrator", as with the fictional ship pilot. Also his adjutant. See chapter 69 for variations on Feodor. See chapter 8 for variations on Vasilyevitch. "Rostopchine" in the French.)
Count Ilya Andreyitch Rostov: Chapters 8, 9, 10, 15, 16, 17, 18, 53, 67, 68, 69, 81, 82, 105, 114, 116, 117, 120, 122, 123, 124, 125, 126, 127, 131, 133, 134, 135, 137, 138, 139, 148, 149, 150, 151, 152, 154, 155, 156, 160, 163, 164, 184, 186, 187, 238, 239, 240, 241, 242, 243, 257, 274, 276, 315, 316, and 317. Mentioned: Chapters 13, 14, 60, 76, 79, 96, 97, 106, 115, 130, 136, 142, 157, 161, 180, 182, 183, 185, 201, 204, 248, 256, 264, 265, 268, 330, 339, 343, and 346. (Garnett, Mandelker, and Dunnigan use the first option. “Rostof” in Dole, “Rostow” in Bell. Also referred to as “Elie” in Dole and Garnett, “Ilya” in Briggs, Mandelker, and Maude. Also "old count", "barin", “the count”, “old Rostof”, "your illustriousness", "the chief of the family", "husband", "father", "papasha", "my love", "papa", "father-in-law", "old man", "mon cher", and "papenka". Also "Andreyavitch" as a second name.)
Countess Natalia Rostova: Chapters 8, 9, 10, 12, 13, 15, 16, 17, 18, 53, 67, 77, 81, 82, 115, 116, 117, 118, 119, 125, 126, 127, 130, 131, 137, 138, 139, 142, 180, 181, 182, 184, 238, 239, 240, 241, 242, 243, 257, 258, 268, 274, 275, 276, 315, 316, 317, 340, 341, 343, 345, 346, and 347. Mentioned: Chapter 65, 68, 80, 97, 132, 136, 141, 160, 161, 163, 164, 201, 204, 256, 264, 265, 267, 330, 339, 342, 344, and 349. (as in Dole, Mandelker, and Edmonds. “Nataly” in Maude, “Natalya” in Garnett, Wiener, and Dunnigan, “Natalie” in Bell. Also called “Nathalie”, as in Dole and Mandelker, “Natalie” in Wiener, Briggs, and Bell. Also referred to as “Nathalie Shinshina”, as in Dole and Dunnigan. “...Shinshin” in Edmonds and Garnett, “Natalya Shinshin” in Briggs. Also "little countess", “old countess”, "mother", "maman", "mamasha", "wife", "ma chere", "mamenka", "dearest little dove", "matushka", "Darling", and "mamma". Her maids are also mentioned)
Countess Natasha Ilyinishna Rostova: Chapters 9, 11, 12, 16, 17, 18, 53, 67, 76, 77, 78, 81, 82, 105, 115, 116, 117, 118, 119, 120, 122, 124, 125, 126, 127, 130, 132, 133, 135, 136, 137, 138, 139, 140, 141, 142, 148, 149, 150, 151, 152, 154, 155, 156, 157, 158, 160, 161, 163, 164, 180, 181, 182, 184, 238, 239, 240, 241, 242, 243, 257, 258, 268, 274, 275, 276, 315, 316, 317, 329, 330, 331, 332, 334, 339, 342, 343, 344, 345, 346, 347, 348, 349, and 350. Mentioned: Chapters 8, 10, 47, 60, 79, 88, 97, 114, 121, 128, 129, 143, 144, 146, 153, 162, 172, 176, 183, 200, 201, 202, 204, 211, 212, 224, 253, 255, 265, 267, 288, and 305. (also "Natalia", "the youngest daughter", “...Ilynichna” in Mandelker, “...Ilyinichna” in Maude, Bell using the same last name but “Natalie” as the first name, “...Ilishna” in Wiener, and "the Cossack". Also “Countess Rostova”, “prospective sister-in-law”, "future daughter-in-law", “future sister-in-law”, “Nathalie”, "little countess", "sister", "the little Rostova", "the little Rostof girl", and “little songstress”. Also “daughter” and the many insulting names Marya Dmitrievna lays on her. Called "Natalia Ilyinitchna" by her father, as in Dole. "Natalya Ilyinitchna" in Garnett. "Natalya Ilyinichna" in Dunnigan. Maude, Mandelker, and Edmonds just replace it with "young countess". Briggs just calls her "Natasha" there. Bell calls her "Natalie Ilinischna" and Wiener "Natalya Ilinichna". Also referenced as resembling "Diana". Also called a Tartar and "niece". Also “his betrothed", "sister", and "Mlle. Rostova". Also called, by the major, a variation of "mademoiselle", translated as "mamzel" in Dole, "mamzelle" in Wiener, "Ma'am'selle" in Maude, "Ma'moiselle" in Mandelker, "ma'mselle" in Garnett, "mam'selle" in Briggs. Called "baruishnya" by Mavra. Also "daughter", "the kompanyonka" or companion, "one woman", and "sudaruinya". Later "Countess Natasha Bezukhaya", "his bride", "matushka", and "wife". And the bee-hunter/old man she mentions in the story Andrei remembers.)
Nikolai Ilyitch Rostov: Chapters 9, 10, 11, 12, 16, 17, 18, 30, 31, 34, 45, 46, 54, 55, 57, 60, 64, 65, 67, 68, 69, 70, 71, 76, 77, 78, 79, 80, 81, 82, 97, 98, 99, 100, 101, 102, 103, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 176, 177, 178, 179, 200, 201, 204, 264, 265, 266, 267, 339, 340, 341, 342, 343, 345, 347, 348, and 349. Mentioned: Chapters 14, 23, 53, 56, 85, 114, 116, 127, 150, 157, 160, 161, 173, 181, 182, 183, 184, 188, 194, 238, 268, 274, 275, 305, 332, 334, 344, and 346. (as in Dole, Edmonds, and Mandelker. “Nikolay” in Wiener, Garnett, and Briggs, “Nicolas” in Bell, “Nicholas” in Maude. Also referred to as “Nikolinka”, as in Dole and Garnett, Nikolenka” in Mandelker. Also called “Nikolushka” (which Briggs reads as “Nicky”), as in Dole, Dunnigan, and Mandelker. Also “yunker…” in Dole and Wiener, “Cadet…” in Dunnigan, Maude, and Mandelker. “Ensign…” in Briggs. "junker" in Bell. Also called “illustriousness” and "count". Also "young Rostof", "my dear count", and "Nicolas". Also “Nikolenka”, Koko", "young count", "little nephew", "young", "barin", "brother", "son", “Dolokhof’s second”, "Nikolasha", "Nikolinka", "commander", "husband", "papenka", "papa", "father", "uncle", "brother-in-law", and "hero". Called “nobility and batyushka” by the doctor. See chapter 133 for variations on "Ilyitch". Also has a "lieutenant" prefix. Also his regiment and comrades. He also sends a hussar in advance and has a quartermaster.)
Petya Rostof: Chapters 9, 17, 53, 67, 130, 132, 133, 135, 136, 138, 139, 180, 184, 185, 238, 239, 240, 242, 243, 299, 300, 301, 302, 303, 304, 305, 306, 310, and 326. Mentioned: Chapters 79, 127, 181, 186, 187, 257, 315, 316, 317, 330, 339, and 346. ("Petrusha" in Dole and Wiener, “Petya” in Edmonds, Mandelker, and Briggs, “Petroucha” in Bell. Called "Piotr Ilyitch" by Semyon, as in Dole. "Pyotr Ilyitch" in Garnett. "Pyotr Ilyich" in Dunnigan. Just "Count Peter" there in Maude. "Master Petya" in Briggs. "Count Piotr" in Edmonds. "Count Pyotr" in Mandelker. "Peter Ilich" in Wiener. Just "her brother" in Bell. Mandelker also prints "Petka". Called "Durak! idiot!" by Natasha. He also calls himself “Count Rostof”. Called “barchuk” or “son of a barin” by a peasant woman. Bell also, for some reason, calls him "Benjamin". Also "monsieur", "barin", and "young fellow". Also his regiment and he mentions a general.)
Countess Vera Rostova: Chapters 8, 10, 12, 16, 53, 67, 81, 114, 119, 123, and 124. Mentioned: Chapters 18, 76, 204, and 242. (as in Maude, Edmonds, and Garnett. Viera in Dole but uses "Vera" in the French. Also "The Eldest Rostov daughter", "wife", and "Vierushka". Wiener uses "Vyera". "Vera" in Bell, Edmonds, and Maude (the latter two use "dear Vera"). "Verushka" in Garnett. Dole also uses "Vierotchka".)
Rugay: Chapters 135 and 136. (as in Garnett, Maude, Wiener, and Mandelker. "Rugai" in Dunnigan. "Rougai" in Bell. Also "Rugayushka" in Maude, Wiener, Briggs, and Garnett. Edmonds and Bell don't use this second name.)
Count Rumyantsof: Mentioned: Chapters 4, 12, 112, 165, 173, 193, and 261. (as in Dole, “Rumyantsev” in Briggs, Dunnigan, and Maude, “Rumyantsov” in Garnett. Later “Chancellor Rumyantsef”.)
Rurik: Mentioned: Chapter 25.
Rustan: Chapter 169. (Napoleon’s “Mameluke”. “His Egyptian bodyguard” in Briggs.)
Salomoni: Mentioned: Chapter 10.
Field-Marshal Prince Saltuikof: Chapter 167. Mentioned: Chapters 170 and 193. (“...Saltykov” in Garnett, Dunnigan, and Mandelker.)
King of Sardinia: Mentioned: Chapter 36. (as in Dole. “His Sardinian Majesty” in Mandelker, Dunnigan, and Briggs)
Savary: Chapter 58. (“a French officer”.)
Savelyitch: Chapters 327 and 332. Mentioned: Chapter 331. ("Savelich" in Wiener, Mandelker, and Dunnigan. Cut in Bell. He also mentions his children.)
Praskovya Savishna: Chapters 74, 75, 90, 91, 189, 195, 197, 198, 199, 200, and 274. Mentioned: Chapter 224. (Mariya’s “old nurse.” Also “Nyanya” or “nurse”. “nanny” in Mandelker later. Also "wet-nurse" in Briggs. Also three maids.)
Andrei Savostyanof: Mentioned: Chapter 230. (see early in book for variations on "Andrei". "...Savostyanov" in Wiener, Dunnigan, and Edmonds. "...Sevastianow" in Bell. And his family.)
Mr. Schelling: Mentioned: Chapters 53 and 335.. (mentioned in Nikolai’s letter. Edmonds,
Mandelker, and Maude use “monsieur…” Wiener uses “Mr. Shelling. Bell uses “M. Schelling.”)
Anna Pavlovna Scherer: Chapters 1, 2, 3, 4, 5, 48, 49, 88, 89, 193, and 261. Mentioned: Chapters 6, 8, 13, 51, 86, and 262. (also “the portly princess” and "Annette".)
Anna Pavlovna’s Aunt: Chapters 2, 3, 48, and 88. (or “ma tante”, also referred to as “Her Majesty”. Also "the little old aunt".)
Anna Pavlovna's Aunt's husband: Mentioned: Chapter 48.
Schlosser: Mentioned: Chapter 352.
Madame Maria Karlovla Schoss: Mentioned: Chapters 138, 139, 140, 141, 243, and 257. Mentioned: Chapters 53, 180, 240, and 241. (as in Dole. “...Schoss” in Briggs, Dunnigan, and Garnett. Also "Madame Chausse" in Dole. One of the two governesses. Also "Luiza Ivanovna" as in Dole and Wiener. "Louisa Ivanovna" in Briggs, Edmonds, and Mandelker. "Luisa Ivanovna" in Garnett and Dunnigan. Bell doesn't use this name. Wiener uses "Marya Karlovna" as the first two names. Bell, Mandelker, and Dunnigan do not use them.)
Austrian General Schmidt: Mentioned: Chapters 35, 36, 38, 39, and 174.
Schneider: Chapter 230
Colonel Schubert: Chapters 16, 17, 34, 45, and 98. Mentioned: Chapters 10, 31, 46, 47, 55, and 97. (Bell calls him a General. "The colonel of hussars" as in Dole, “a man to be made much of”. "Bogdanuitch", as in Dole. “Bogdanich” in Mandelker, Maude, and Edmonds. “Bogdanynch” in Briggs and Dunnigan. “regimental commander” and "colonel of cavalry")
Schwartz: Mentioned: Chapter 348.
Schwartzenberg: Mentioned: Chapters 56 and 89. (as in Dole, Briggs, and Mandelker. One of the old generals that agree with Kutuzof. “Schwarzenberg” in Bell.)
Scout: Mentioned: Chapter 40. (the one that brings Kutuzof the news that his army is in a helpless position. “Spy” in Wiener, Dunnigan, and Maude. Bell uses “spy” and “reporter” instead of using the same word both mentions.)
General Sebastiani: Chapter 285.
Sedmoretsky: Mentioned: Chapter 91.
Selivanof: Mentioned: Chapter 191. (“Selivanov” in Maude, Edmonds, and Garnett.)
Semyon: Mentioned: Chapter 18 (one of the musicians. “Simien” in Maude. “Simeon” in Edmonds. “Semen” in Wiener.)
Anna Semyonovna : Mentioned: Chapters 149 and 332. (as in Dole, Garnett, and Dunnigan. “...Semeonovna” in Edmonds. “...Semenovna” in Maude and Wiener. Bell drops the name.)
Katerina Semyonovna's dog: Chapter 19
A sentinel: Chapter 28. (as in Wiener, “the sentinel” in Garnett, “a signalman” in Briggs and Dunnigan, “one of the signal men” in Dole and Edmonds (no space in the latter), “one of the outposts” in Bell, “the signaller” in Mandelker and Maude.)
Sentry: Chapter 42. (as in Dole. “artillerist, doing sentinel duty” in Wiener. “Man on guard” in Bell. “artillery sentry” in Maude, Mandelker, and Dunnigan. “Artilleryman on sentry duty” in Briggs. “Artilleryman on sentinel duty” in Garnett and Edmonds.)
The sergeant: Chapter 321.
The sergeant: Mentioned: Chapters 38. (“who had charge of the cannon”.)
Dmitri Sergeyevitch: Chapter 230 Mentioned: Chapters 209 and 222. (this may or may not be Dokhturof from Chapter 35. "Dmitri Sergyeich" in Wiener. "Dmitri Sergeich" in Dunnigan and Edmonds. "Dmitry Sergeitch" in Garnett. "Dmitri Sergeevich" in Maude and Mandelker. "Dmitriy Sergeich" in Briggs. "Dmitri Serguéiévitch" in Bell.)
Prince Sergii: Mentioned: Chapter 350. ("Prince Sergi" in Wiener and Mandelker. "Prince Sergey" in Garnett, Briggs, and Maude.)
A servant: Chapter 20.
An old servant: Chapter 21.
Seslavin: Chapter 291. (as in Dole, Edmonds, and Wiener. "Seslavine" in Bell.)
Andrei Sevastyanuitch: Chapter 179. (“Andrey Sevastyanych” in Wiener and Briggs (Mandelker and Dunnigan have the same as the second name, but use “Andrei” for the first name). “Andre Sevastianovitch” in Bell. “Andrey Sevastianitch” in Garnett. “Andrei Sevastyanich” in Edmonds. A captain.)
Shapovalof: Chapter 279. (a Cossack. "Shapovalov" in Wiener, Briggs, and Dunnigan. "Schapovalow" in Bell. Also his comrades and the cornet who tells his commander. Also Cossack chiefs.)
Prince Shcherbatof: Mentioned: Chapters 270 and 271. ("Prince Stcherbatow" in Bell. "Prince Shcherbatov" in Wiener, Dunnigan, and Maude.)
Tikhon Shcherbatof: Chapters 298, 300, and 301. Mentioned: Chapter 302. ("...Shcherbaty" in Maude, Dunnigan, and Edmonds. "Tihon Shtcherbatov" in Garnett. "Tikhone Stcherbatow" in Bell. Also "our plastun". Also called "Tishka" in Dole. Bell, Maude, and Wiener do not use this variant name.)
Shcherbinin: Chapters 222 and 292. (Konovnitsyn's adjutant. Also his servant or denshchik.)
Piotr Nikolaitch Shinshin: Chapters 16, 17, 18, 68, 69, 81, 150, 151, and 184. Mentioned: Chapters 148, 153, and 204. (as in Dole, “...Nikolayevich…” in Edmonds, “Peter Nikolaevich…” in Maude, “Peter Nikolaich…” in Wiener, “Pyotr Nikolaich…” in Briggs, “Pyotr Nikolaitch…” in Garnett, “Pyotr Nikolaevich…” in Mandelker, “Pyotr Nikolayevich…” in Dunnigan, “Pierre Nicolaievitch Schinchine” in Bell. “the countess’s old cousin”, “the old bachelor”, “venomous tongue”. Also with prefix "Uncle".)
Shinshin's brother: Mentioned: Chapter 18.
Shinshin's cousin: Mentioned: Chapter 18.
Shishkin: Chapter 167. Mentioned: Chapters 173 and 335. (the imperial secretary. Also "Shishkof'". “Sishkov” in Garnett. “Shishkov” in Wiener, Mandelker, Briggs, and Maude. “Schischkow” in Bell.)
Sidorof: Chapter 41. (as in Dole. “Sidorov” in Wiener, Edmonds, and Mandelker. “Siderow” in Bell.)
Sierui: Chapters 272, 287, 307, 308, 309, and 310. Mentioned: Chapter 273. (what Dole calls the short-legged pink dog. Bell just calls it "the little dog". Wiener calls it "Gray". Also "the little bandy-legged pink dog", "rascal", "little slut", and "little pink puppy". "The French called her Azor; the wit of the company called her Femme-galka, or Jenny Daw; Karatayef and the others called her Serui or Gray; sometimes Vislui--the Hanger-on." Variations in Dunnigan: Femgalka or Floppy. Variations in Garnett: "Grey-coat". Variations in Edmonds: Grey. Variations in Briggs: Greycoat. Variations in Maude and Wiener: Flabby. Variations in Mandelker: "Flop-ear". Variations in Bell: "the grey one".)
Singer: Mentioned: Chapter 53. (as in Dole and Wiener. “Italian” and “giving Natasha singing lessons”. “Singing-master” in Bell, Briggs, and Mandelker.)
Monsieur Sitof: Chapters 88, 89, and 193. (“Mr Shutov” in Maude. “M. Shittoff” in Wiener and Dunnigan (the latter spelling out "monsieur"). “M. Schittrow” in Bell. The extremely unfortunate “Monsieur Shitoff” in Mandelker with the footnote reading “Mr. Shitov.” Briggs, Edmonds (who spells out monsieur), and Garnett have “M. Shitov.” Un homme de beaucoup de merite, “a man of great merit”, or as in Briggs, “a man of much merit.” “the very promising young man” in Bell. Also The man “of the profound mind”.)
Smolyaniof: Chapter 85. Mentioned: Chapter 86. (as in Dole. the “Rhetor” in Dole, Mandelker, and Maude. “Smolyaninov” (as also in Maude, Mandelker, and Wiener) the “tyler” in Edmonds. Wiener calls him the “conductor” but in a rare footnote also gives us “rhetor.” “Smolianinow” the “Steward” in Bell. Often just "The Mason", just as Osip was in Pierre’s conversation with him.)
Sokol: Chapter 243 (with the footnote "Hawk". "the off chestnut". "Falcon" in Edmonds, Mandelker, and Dunnigan.)
Sokolof: Chapter 287. Mentioned: Chapter 288. ("Sokolov" in Mandelker, Dunnigan, and Garnett. Also the "sick soldier".)
Soldier: Chapter 41. (who speaks with Sidorof.)
Soldier: Chapter 46. (who cries “Cut off!”)
The first soldier: Chapter 321. (who gets struck by the sergeant)
Another soldier: Chapter 33. (who wants to have the “little woman” sold to him.)
Soldier driving a baggage wagon: Chapter 33. (as in Dole and Dunnigan, “in charge of a wagon-load” in Garnett, “a driver...his wagon” in Briggs, “convoy-soldier with a wagon” in Mandelker, Maude, and Edmonds (no hyphen). The Cossack calls him “boy” in Dole, Edmonds, and Briggs, “friend” in Wiener, “there” in Bell, “lad” in Garnett and Dunnigan, “Brother” in Mandelker.)
jolly soldier in a torn overcoat: Chapter 33. (as in Dole. “.....coat” in Dunnigan. “merry….” in Wiener. “Wag in the ranks” in Bell. “Cheerful soldier in a torn coat” in Garnett. “Soldier in a torn coat...cheerfully” in Briggs. “Waggish soldier in a torn coat” in Mandelker and Maude. “Cheerful soldier in a torn great-coat” in Edmonds.)
Old Tambof soldier: Chapter 33. (as in Dole, no reference to “Tambof” in Wiener, Bell, or Garnett.)
Soldier riding on a baggage wagon: Chapter 33. (as in Dole. Briggs and Dunnigan omit “baggage.” “sitting on a cart” in Mandelker, Maude, and Edmonds.)
Soldier who wore the collar of his overcoat turned up: Chapter 33 (as in Dole. The one who mentions the hitting of the gun into the teeth. “His greatcoat well tucked up” in Dunnigan, Mandelker, and Maude, “tucked-up greatcoat” in Briggs, and “his greatcoat tucked up round his waist” in Edmonds. “His coat pulled out over his belt” in Wiener. “His hood was up” in Bell. Garnett just cuts the detail.)
A young soldier with a monstrous mouth: Chapter 33 (as in Dole. “....enormous…” in Wiener, Dunnigan, and Mandelker. “....huge…” in Garnett and Briggs. Mouth detail omitted in Bell.)
Sonya: Chapters 9, 10, 11, 12, 16, 17, 18, 53, 67, 76, 77, 78, 80, 81, 82, 105, 117, 118, 119, 120, 124, 125, 126, 127, 130, 138, 139, 140, 141, 142, 148, 149, 150, 151, 157, 158, 160, 161, 163, 164, 184, 238, 239, 240, 242, 243, 257, 268, 274, 276, 316, 317, 340, 341, 343, 345, 347 and 348. Mentioned: Chapter 47, 68, 79, 97, 115, 116, 132, 137, 152, 156, 176, 180, 182, 201, 265, 266, 267, 330, 339, 342, and 344. (as in Dole, Maude, and Dunnigan, “Sonia” in Bell. Also “Sonyushka”, "Mademoiselle Sophie", "baruishnya", "niece", and "cousin". Also "Sofya Aleksandrovna", as in Dole. "Sonya Aleksandrovna" in Wiener. "Sofia Alexandrovna" in Bell. Just "Miss Sonya" in Briggs, Maude, and Edmonds.)
Sophie: Chapters 14 and 21. Mentioned: Chapters 48 and 189. ("the younger princess with the mole")
General Sorbier: Mentioned: Chapter 214
Mikhail Mikhailovitch Speransky: Chapters 108, 109, and 121. Mentioned: Chapters 107, 118, 119, 163, and 237. (Maude and Wiener give an alternative reading with "Speranski". Maude: "Michael Mikhaylovich Speranski". Mandelker: "Mikhail Mikhailovich Speransky". Edmonds: "Mihail Mihailovich Speransky". Briggs uses "Mikhail Mikhaylovich". Dunnigan "Mikhail Mikhailovich". Garnett "Mihail Mihalovitch". Bell "Michael Mikailovitch Speransky". Wiener "Mikhail Mikhaylovich".)
Madame Stahl: Mentioned: Chapters 293, 319, 335, and 352. (Dole puts a footnote of "Mme. de Stael?" It is spelled this latter way in Mandelker, Wiener, and Maude.)
The station master’s wife: Chapter 83.
Chancellor Stein: Chapters 174 and 175. Mentioned: Chapters 170, 171, 173, 351, and 352. (“who had been Minister in Prussia”. Also “Count Stein” and “Baron Stein”)
Sterne: Mentioned: Chapter 26. (i.e. Laurence Sterne)
Stevens: Chapter 7.
Stioshka: Mentioned: Chapter 159. (“Styoshka” in Garnett, Mandelker, and Briggs. “Steshka” in Maude and Wiener. Bell cuts the reference.)
Stoluipin: Chapter 121. ("Stolypin" in Mandelker, Wiener, Edmonds, and Briggs. "Stolipine" in Bell.)
Strauch: Chapter 29. (an Austrian General in the Hofkriegsrath, attached to Kutuzof’s staff.)
Stroganof: Chapter 62. Mentioned: Chapter 107 (“Strogonov” in Maude and Mandelker. “Stroganov” in Wiener, Garnett, and Briggs. “Strogonow” in Bell.)
The subaltern: Chapter 60. (“a non-comissioned officer of hussars” that tells Rostof about the generals. “Sergeant” in Biggs, Dunnigan, and Garnett. “Fedchenko” in Edmonds, Mandelker, and Maude. Bell doesn’t provide the name.)
Lieutenant Sukhtelen: Chapter 66. (as in Dole, Maude, and Dunnigan. “...Suhtelen” in Edmonds. A nineteen year old officer of the cavalier guard that is wounded.)
The Russian military surgeon: Chapter 99. (as in Dole and Wiener. “a Russian army-doctor” in Bell, Briggs, and Mandelker (the latter two drop the hyphen.).)
The regimental surgeon: Chapter 98, 177, and 178. Mentioned: Chapter 176. (“the regimental doctor” in Mandelker, Garnett, and Briggs. Marie’s husband.)
Suvarof: Mentioned: Chapters 17, 25, 26, 29, 41, 43, 58, 62, 68, 69, 91, 136, and 173. (as in Dole, “Suvorov” in Maude, Briggs, and Garnett. Also “Souvara” as called by The Frenchman.)
The Swiss: Chapter 11. (“The servant” in Bell, “the porter” in Mandelker, Briggs, and Maude. “hall-porter” in Edmonds, “hall porter” in Dunnigan.)
The Swiss: Chapter 13. (at the Bezukhoi residence)
Talleyrand: Mentioned: Chapters 165, 351, and 352.
Taras: Mentioned: Chapters 12, 15, and 192. (“Tarass” in Bell)
Tatarinof: Mentioned: Chapters 347 and 348. ("Madame Tatarinov" in Garnett. Briggs and Mandelker use "Madame Tatawinova", but the endnotes makes it clear that it is "Tatarinova" and the w is because of Densiof's speech impediment. Dunnigan does have a note that corrects it. "Madame Tatawinov" in Edmonds.)
Natasha's Teacher: Mentioned: Chapter 130. (that she was in love with.)
Teller: Mentioned: Chapter 180. (“Feller” in Wiener, Edmonds and Bell.)
Lieutenant Telyanin: Chapter 30. Mentioned: Chapters 31, 34, 46, and 98. (as in Dole, Briggs, and Mandelker. “The quartermaster” (Dole, Bell, who puts a hyphen in it, and Edmonds) or “the squadron quartermaster” (Maude and Mandelker), “the sergeant” in Garnett, “the sergeant-major” in Wiener. As “worthless scamp” (to take a quote from Dole) and “scoundrel” (to take a quote from Wiener). Also spelled "Telyagin" by Dole.)
Telyanin’s man: Chapter 30. (as in Dole. “orderly” in Garnett, Wiener, and Edmonds.)
Terentii: Chapters 326 and 327. (the names are dropped in Bell. "Terenty" in Maude, Garnett, and Edmonds.)
Danilo Terentyitch: Chapters 256 and 257. (as in Dole and Garnett. possibly, but probably not Danilo from chapter 132. Called a "valet" or "Kammerdiener". "....Terentyich" in Edmonds. "...Terentich" in Mandelker and Wiener. "....Terentych" in Dunnigan. "Daniel Terentich" in Maude. "Daniel Terentitch" in Bell. Briggs drops the last name.)
Maria Theresa: Mentioned: Chapters 29. (a necklace with the order of her on Mack’s neck.)
Thiers: Mentioned: Chapters 194, 252, 285, 286, 352 and 353. (mentioned by name in the chapter 44 footnote.)
Tikhon: Chapters 23, 24, 25, 50, 52, 74. 172, 189, 190, 195, 197, and 274. Mentioned: Chapter 199. (also “Tishka”, as in Dole and Briggs. Wiener, Maude, and Bell do not use this name. Also "old valet", “old servant". “man-servant” in Dole and Bell. “Valet” in Wiener, Briggs, and Garnett. “Tihon” in Garnett. Also a young footman and a haiduk.)
Captain Prokhor Ignatyitch Timokhin: Chapters 27, 28, 46, 192, 211, 212, 224, 257, and 258. (“...Ignatych…” in Mandelker and Maude, “...Ignatich…” in Briggs, Wiener, and Dunnigan, “Proho Ignatitch Timohin” in Garnett, “Prohor Ignatich Timohin” in Edmonds. “Captain of the third company as in Dole, Briggs, and Bell, “...3rd…” in Edmonds, “Third company commander” in Dunnigan, “commander of the third company” in Maude. Also "good-natured battalion commander".)
Matriona Timovyevna: Chapter 241 (also "her former lady's maid". "Matrena Timofevna" in Wiener. "Matrona Timofevna" in Bell. "Matriona Timofyevna" in Edmonds. "Matryona Timofeevna" in Mandelker. "Matryona Timofeyevna" in Dunnigan. Only "Matryona" in Briggs. "Matrona Timofyevna" in Garnett. "Matrena Timofeevna" in Maude.)
Tit: Chapters 59 and 65. (“Kutuzof’s old cook”. Pevear and Volkhonsky, Briggs, and Bell use “Titus". “Tit" in Wiener, Mandelker, Dunnigan, Garnett, Edmonds, and Maude.)
Colonel Toll: Chapters 230, 280, 281, 282, 293, and 318. Mentioned: Chapters 174, 175, 188, 283, 292, and 325.
Captain von Toll: Chapter 65.
Barclay de Tolly: Chapters 173, 174, 202, and 230. Mentioned: Chapters 170, 172, 188, 191, 192, 193, 206, 212, 222, 242, 277, 279, 292, and 325. (also derisively called “minister”, "prudent", and “German”. Also "General Barclay".)
Count Ostermann-Tolstoi: Chapters 178, 179, 230, and 324. Mentioned: Chapters 24, 58, 65, and 91. (“Tolstoy” in Edmonds, Maude, and Wiener. “the Ober-hofmarshal, master of supplies” in Dole. “the grand marshal of the household” in Bell. “grand marshal of the court” in Wiener, Dunnigan (who uses capitalization), and Mandelker. “Grand marshal” in Briggs. “Ober-Hofmarschall” in Garnett. Later called just “Count Ostermann”. And his adjutant, and then his suite. as in Dole.)
Topcheyenko: Chapter 98. (“the quartermaster”.)
Tormasof: Mentioned: Chapters 173 and 314. (“Tormasov” in Wiener, Garnett, and Mandelker. “Tormassow” in Bell.)
Trunila: Chapter 133. (Natasha's favorite greyhound. Bell calls him "Trounila".)
Monsieur de Turenne: Chapters 169 and 170. (“the Imperial Chamberlain” or “one of Napoleon’s chamberlains”. (Wiener doesn’t use capitalization and changes “de” to “du”). “Count Turenne” in Briggs, the “Emperor’s gentleman-in-waiting” (as in also in Garnett, who has him as “Count de Turenne”). “M. de Turenne” in Bell.)
Captain Tushin: Chapters 41, 42, 43, 46, 47, and 100. Mentioned: Chapter 45. (“the artillery officer”.
Called “Tonshine” in Bell. Also, “artilleryman” and “little Tushin”.)
Tutchkof: Mentioned: Chapters 210, 213, 220, 245, and 262. (his corps are mentioned. "Tuchkov" in Wiener, Edmonds, and Briggs. "Tutchkov" in Garnett. "Toutchkow" in Bell.)
Tutolmin: Mentioned: Chapters 285 and 286.
The German Tutor: Chapter 16.
Brother Urusof: Mentioned: Chapter 113. ("...Urusov" in Briggs, Wiener, Dunnigan, and Edmonds. "Ouroussow" in Bell.)
Uvarka: Chapter 132. (Bell calls him "Ouvarka" in an alternative reading.)
Feodor Petrovitch Uvarof: Chapter 230. Mentioned: Chapters 64, 69, 220, and 222. (“Fedor Petrovich Uvarov” in Wiener. “Fedor Petrovitch Ouvarow” in Bell. “Fyodor Uvarov” in Mandelker and Briggs. “Fyodor Petrovitch Uvarov” in Garnett. “Fyodor Petrovich Uvarov” in Dunnigan. “Fiodr Petrovich Uvarov” in Edmonds. “Theodore Uvarov” in Maude.)
Vasilchikof: Mentioned: Chapter 236. ("Vasilchikov" in Wiener, Briggs and Maude. "Vassiltchikow" in Bell.)
Prince Vasili’s Valet: Chapter 52.
Pierre’s valet: Chapters 72 and 83.
Vasilisa: Mentioned: Chapter 298 (as in Dole, Maude, and Edmonds. the wife of a village starosta who killed hundreds of French. "Vassilisa" in Garnett.)
Valuyef: Chapters 69 and 185. Mentioned: Chapter 68. (“Valuyev” in Edmonds. “Valuev” in Maude, Mandelker, and Wiener. “Valouiew” in Bell.)
Vaska: Chapters 326 and 327.
Dmitri Vasilyevitch: Chapters 8, 15, 67, 68, 114, 131, and 139. Mentioned: Chapter 53, 130, 142, 242, and 339. (as in Dole, “Dmitry” with no last name in Briggs, “Vasilevich” in Maude, “Vassilyevitch” in Garnett, also called “Mitenka”, which Mandelker uses instead of Dmitri, preferring “Vasilievich” for the second name. Dunnigan and Edmonds use “Vasilyevich.” Also “the nobleman’s son” or “that son of the gentry” in Wiener. Also Rostof’s “valet”. Nikolai calls him all kinds of names like "brigand", "wretch", "villain" and "dog".)
Vasilyitch: Chapters 240, 241, and 243. Mentioned: Chapters 242 and 248. (the butler. The major-domo may or may not be the same person. "Vasilich" in Mandelker, Edmonds, and Dunnigan.)
Princess Irena Vasilyevna: Mentioned: Chapter 148. (“...Irina...” in Dunnigan, Edmonds, and Briggs. “...Irina Vasilevna...” in Maude, Wiener, and Mandelker. “...Irina Vassilyevna” in Garnett. Bell drops the name and replaces “a young lady”.)
Vereshchagin: Chapter 251. Mentioned: Chapters 236, 237, and 250. (as in Dole, Mandelker, and Wiener. The merchant and tavern-keeper, the father of the "traitor". "Verestchaguine" in Bell. "Vereshtchagin" in Garnett. Also "villain", "traitor", and often referred to as "young man".)
Viflyanka: Chapter 133. ("the old count's steed, a dun-colored gelding".)
Vignesse: Mentioned: Chapter 48. (as in Wiener, “a famous miniaturist”. Just “V…” in Bell. “Vinnes” in Dole. “Vinesse” in Maude, Dunnigan, and Briggs. “Vines” in Garnett.)
Marya Viktorovna: Mentioned: Chapter 49. (Bell offers an alternative reading in “Maria Victorovna” “Mary Viktorovna” in Maude.)
Count Villarsky: Chapters 85, 86, and 327. Mentioned: Chapters 84 and 110. (as in Dole and Bell. “...Willarski” in Maude, Mandelker, and Wiener. The rich Russian lady he married is mentioned.)
Villeneuve: Mentioned: Chapter 14.
Villiers: Mentioned: Chapter 58. (Alexander’s “body physician” or “physician in ordinary” in Wiener. “Willier” in Bell in an alternative reading, “chief physician”. Just “physician” in Mandelker, Dunnigan, and Briggs. “Medical attendant” in Garnett.)
Vintzengerode: Chapter 174. Mentioned: Chapters 1, 40. 170, 171, 173, 188, 279, and 328. (as in Dole, Winzingerode, which Dole uses later, in Mandelker, Dunnigan, Maude, Wiener, etc. Garnett and Garnett endnote write Wintsengerode and Wintzengerode respectively. Described here as “adjutant-general” as in Dole, Wiener, and Mandelker (the latter two capitalize both words). “general-adjutant” in Garnett. And his Cossacks.)
Vlas: Mentioned: Chapter 296
Vlotzky: Mentioned: Chapter 188. (“Wlocki” in Maude, Wiener, and Briggs.)
General-Quartermaster Prince Piotr Mikhailovitch Volkonsky: Chapters 62, 262, and 324. Mentioned: Chapters 173 and 175. (“Quartermaster-General...” in Briggs, Edmonds and Maude (who uses “Volkonski”). "...Bolkonsky” in Garnett in an alternative reading.)
Voltorn: Chapter 135. (one of Nikolai's favorite dogs. Bell appears to drop the name.)
Count Vrbna: Mentioned: Chapter 36. (“Urbna” in Garnett and Bell, providing an alternative reading)
Prince Vyazemsky: Mentioned: Chapter 68.
Sergyei Kuzmitch Vyazmitinof: Mentioned: Chapters 49 and 193. (as in Dole. “Sergei Kuzmich Vyazmitinov” in Edmonds, Dunnigan, and Mandelker. “Sergyey Kuzmich Vyazmitinov” in Wiener. “Serguei Kousmitch Viasmitinow” in Bell. “Sergey Kuzmich Vyazmitinov” in Maude and Briggs. “Sergey Kuzmitch Vyazmitinov” in Garnett. Pavlovna also calls him “Viazmitinof”, as in Dole. Garnett, Dunnigan, and Briggs do not differentiate between versions of his name, this latter one being the French one.)
General Weirother: Chapters 39 and 59. Mentioned: Chapters 56, 58, 62, 174, 215, and 282. (as in Dole, as is: “the Austrian general who had succeeded to the place of the Schmidt who had been killed,”. “Weyrother” in Maude, Wiener, and Mandelker. “Weierother” in Garnett and Briggs.)
The wife of one of the Government officials: Chapters 264 and 265. ("pretty blondinka". Also referred to as "Diana".)
His wife: Chapter 137.
Herr General Wimpfen: Mentioned: Chapter 58.
Count Wittgenstein: Mentioned: Chapters 205, 261, 314, and 324. (also "your excellency")
General-adjutant Woltzogen: Chapters 174, 175, 212, and 222. Mentioned: Chapters 173 and 192. (as in Dole, Garnett, and Bell. “Wolzogen” in Briggs. Pfuhl’s “interpreter” and “bridge”. With “the flugel-adjutant” as a title and “mr” as a prefix. Also called a field marshal.)
Woman: Chapter 33.
Woman: Chapter 39. (“all wrapped up in shawls” as in Dole. The wife of the doctor who is whipped.
Called a slut by the officer in Wiener and Dunnigan.)
An old woman who sold Torzhok embroidery: Chapter 83. (Wiener and Bell both drop “old” and Bell elaborates “gold and silver embroidery-- a specialty of the town..” Later “The Torzhok pedlar woman”.)
Yakof: Chapter 7. (as in Dole, “Jacob” in Maude and Edmonds, “Yakov” in Briggs and Wiener, “Jacques” in Bell.)
Captain Yakovlef: Mentioned: Chapters 285 and 286. ("...Yakovlev" in Edmonds, Garnett, and Mandelker. Also "this little old man".)
Yefim: Chapter 243 ("the old coachman". "Efim" in Wiener, Maude, and Garnett. "Yefime"in Bell.)
Matvyei Yermishin: Mentioned: Chapter 341. ("Matvyey Ermishin" in Wiener. The name is dropped in Bell. "Matvey Yermishin" in Briggs and Edmonds. "Matvey Ermishin" in Garnett. "Matvei Ermishin" in Mandelker. "Matvei Yermishin" in Dunnigan. "Matthew Ermishin" in Maude.)
General Yermolof: Chapters 222, 229, 230, 279, 280, and 291. Mentioned: Chapters 173, 202, 219, 247, 281, 283, 292, 295, 319, and 325. (“Ermolov” in Mandelker, Wiener, and Maude. “Yermolov” in Dunnigan and Edmonds. Also "Aleksei Petrovitch" in Dole. "Aleksyey Petrovitch" in Wiener. Bell drops the name. "Aleksei Petrovich" in Dunnigan. "Alexey Petrovitch" in Garnett. "Alexei Petrovich" in Mandelker and Edmonds. "Alexey Petrovich" in Briggs and Maude. Also his servant.)
Yevstafyevitch: Chapters 205 and 207. (Pierre's coachman. "Yevstafitch" in Garnett. "Evstafey" in Maude and Mandelker. "Yevstafievich" in Edmonds and Dunnigan. "Yevstafyevich" in Briggs. "Evstafevich" in Wiener. Bell drops the name.)
Yorza: Chapter 135. (as in Dole. "Yerza" in Dunnigan, Edmonds, and Briggs. "Erza" in Maude, Bell, Wiener, and Mandelker. Also "Yorzanka" in Dole. "Yerzynka" in Briggs. "Yerzinka" in Dunnigan and Garnett. Edmonds, Maude, Bell, Wiener, and Mandelker don't use this second name.)
Yusupof: Mentioned: Chapter 242. (see Chapter 123. Also their manager.)
Princess Yusupovaya: Mentioned: Chapter 123. ("...Yusupov" in Edmonds, Wiener, and Garnett. "...Yusupova" in Dunnigan, Mandelker, and Maude. "Princess Youssoupow" in Bell.)
Zakhar: Chapters 67, 139, and 141. (Garnett provides “Zahar” as an alternative reading. Called “the izvoshchik” in Dole. “cabman” in Wiener, Dunnigan, and Mandelker. “Sledge-driver” in Garnett. Bell and Briggs have no title for him. Also, his horse (though Briggs words it to sound like Rostof is calling him a horse). Rostof’s ramblings insinuate that he actually sees him, thus making him a character in the chapter even though we don’t see him.)
Sergeant Zakharchenko: Mentioned: Chapter 43. (as in Dole, Wiener, and Maude. “Zaharchenko” in Garnett.)
Dron Zakharych: Chapters 196, 197, 198, 200, and 201. Mentioned: Chapter 342. (as in Wiener, Mandelker, and Maude. The second name being "Zakharovitch" in Bell. "Zaharitch" in Garnett. "Zakaruitch" in Dole. Briggs and Edmonds don't give the second name, only calling him Mr Dron". Also "former elder", “Dronushka”, the "starosta" or "bailiff", "Village Elder", and “minister”. Bell gives an alternative reading in “Drone”.)
Zaletayef: Chapter 323. ("Zaletayev" in Briggs and Dunnigan. "Zaletaev" in Wiener, Garnett, and Mandelker. "Zaletaiew" in Bell.)
Zdrzhinsky: Chapter 176. (as in Dole, Edmonds, and Briggs. “Zdrzhinski” in Wiener and Dunnigan. “Zdrginsky” in Bell. An officer of their regiment with long mustaches who relates the story of Rayevsky.)
Zherkof: Chapters 28, 29, 31, 34, 43, 45, and 47 (as in Dole. The Hussar Officer who keeps making faces. “Zherkov” in Dunnigan, Edmonds, and Maude. “Gerkow” in Bell. And his horse.)
Count Zhilinsky: Chapters 101 and 103. (“...Zhilinski” in Maude, Briggs, and Mandelker. “Zylinksi” in Wiener. “Gelinski” in Bell.)
Zhutchka: Mentioned: Chapter 62. (“the same company dog.” Amazingly “Nigger” in Edmonds. “Jack” in Maude. “Zhuchka” in Wiener, Briggs, and Mandelker. The name, as is the name of Ivan above, is cut in Bell.)
Zikin: Chapter 33. (a “little soldier” who seems to be having a hard time carrying his “knapsack.”)
Zubof: Mentioned: Chapter 190. (“Zubov” in Garnett, Dunnigan, and Mandelker.)
Countess Zubova: Mentioned: Chapter 26. (as in Dole, Maude, and Mandelker, “Zubov” in Garnett and Briggs, “Zuboff” in the French.)
Abbe for a tutor: Mentioned: Chapter 5. (as in Dole and Bell, “abbe, his tutor” in Wiener, “abbe as tutor” in Edmonds and Garnett.)
Adele: Mentioned: Chapter 346.
Adjutant: Mentioned: Chapter 40. (Bagration’s.)
Adjutant: Chapter 19, 20, and 21.
An adjutant: Chapter 27. (no reason to believe this is one of the other adjutants previously mentioned in the book.)
An adjutant: Chapter 43. (who does all the messaging toward the end of the chapter.)
The adjutant of the regiment: Chapter 98. (no reason to think that this is any previously mentioned adjutant.)
Flugel-adjutant: Chapters 35 and 38. Mentioned: Chapter 37. (as in Dole. “aide-de-camp” in Dunnigan. “Duty adjutant” in Briggs. “Adjutant on duty” in Mandelker. Also "yesterday's adjutant.")
The other adjutant: Chapter 39. (the one with Nesvitsky)
The prince’s personal adjutant: Chapters 43 and 44. (as in Dole. “Bagration’s personal aide” in Briggs. Garnett uses the word “private” instead of “personal”. Part of Bagration’s suite.)
Regimental Adjutant: Chapter 31.
Stepan Stepanovitch Adraksin: Chapters 186 and 331. (as in Dole and Garnett. Maude and Mandelker is the same other than removing the t in “Stepanovitch”. “....Apraksin” in Wiener, Edmonds, and Briggs. “Etienne Stepanovitch Adrakcine” in Bell. If he is an Apraksin, he is most likely been previously referenced by last name.) Mentioned: Apraksin: Chapter 69. (this would assumedly be the male instead of the female Apraksin. "...Stepanych" in Wiener, Edmonds, and Maude. "...Stepanovich" in Briggs.))
Aide: Chapter 45. (whom Bogdanuitch speaks to.)
Marya Dmitrievna Akhrosimova: Chapters 16, 17, 18, 148, 149, 150, 154, 156, 157, 160, 161, 163, 164, and 233. Mentioned: Chapter 159 and 180. (as in Dole, Dunnigan, and Mandelker, “...Akhrosimov” in Wiener, “...Dmitryevna Ahrosimov” in Garnett, “Marya Dmitriyevna Akhrosimov” in Briggs, “Marie Dmitrievna Afrossimow” in Bell, “Maria Dmitrievna Ahrosimov” in Edmonds. Also “le terrible dragon” and "mistress". Her daughter and sons are referenced, though not differentiated.)
Makar Alekseyevitch: Chapters 244, 253, 254, and 255. Mentioned: Chapter 99. (Iosiph's brother. Also "the drunken man", "idiot", and "Brigand".) (“...Alexeievitch” in Bell. “...Alexeevich” in Maude and Mandelker. “...Alexeich” in Briggs. “...Alexyevitch” in Garnett. “...Alekseyevich” in Dunnigan. “...Alexeyevich” in Edmonds. “...Aleksyeevich” in Wiener.)
Countess Marya Alekseyevna: Mentioned: Chapter 347. (as in Dole and Dunnigan. "...Alexeyevna" in Briggs, Garnett, and Edmonds (though she uses "Maria").
Alenina: Mentioned: Chapter 150. (seen at the opera and noticed by Sonya, with her mother. “Miss Alenin” in Wiener. “Mme. Alenine” in Bell.)
Yakof Alpatuitch: Chapters 50, 73, 190, 191, 192, 195, 196, 200, 201, and 315. Mentioned: 189, 197, and 198. (as in Dole. “Alpatych” in Wiener, Briggs, and Maude. “Alpatitch” in Bell and Garnett. “Yakov” as a first name in Wiener, Garnett, and Edmonds. “Jakow” in Bell. “an overseer” in Dole and Maude. “superintendent” in Wiener. “Steward” in Bell, Briggs, and Garnett. Also "old fool".)
English Ambassador: Mentioned: Chapters 1 and 5.
Russian ambassador: Chapter 38.
Amelie: Mentioned: Chapter 37.
Father Amfilokhi: Mentioned: Chapter 96. (as in Dole and Wiener. “...Amphilochy” in Edmonds. “...Amphilochus” in Maude, Mandelker, and Bell.)
little Andryusha: Chapters 343 and 347. Mentioned: Chapter 349. (also "Little Andrei" in Mandelker. "Little Andrey" in Briggs.)
Aniska: Chapter 258 (a dirty, bare-legged servant girl.)
Anton: Chapter 93. (as in Dole, Briggs, Garnett, and Mandelker. “Prince Andrei’s old body servant” in Dole, Garnett, and Bell (the latter two use a hyphen). “Antoine” in Bell. “a man who looked after Prince Andrei in his boyhood.” in Mandelker. “Old servant...who had been with him since his childhood.” in Briggs.)
Countess Apraksin: Mentioned: Chapters 6, 8, 9, 16, 23, and 25. (as in Dole, Mandelker, and Maude, “Apraxiness” in Bell, “Apraxin” in Garnett. Also "Apraksine".)
Arabchik: Chapter 133. (as in Dole, Dunnigan, and Edmonds. "raven black" horse Natasha rides. "Arabtchick" in Garnett. "Arabchick" in Mandelker. Bell just calls it "a handsome arab with a lustrous black coat.")
Count Aleksei Andreyevitch Arakcheyef: Chapters 107, 167, and 324. Mentioned: Chapters 58, 108, 169, 173, 188, 192, 193, 319, 335, 347, 348, 349, and 350. (The title and first two names are “Monsieur le comte Alexis Andreievitch” in Bell. “Count Alexei Andreevich” in Mandelker. “Count Aleksei Andreyevich” in Dunnigan. “...Araktcheev” in Garnett. “...Arakcheyev” in Dunnigan and Edmonds. “Arakcheev” in Maude, Mandelker, and Wiener. “Araktcheiew” in Bell. The "minister of war" (and later, "the ex-minister of war") and also "Sila Andreyitch" in Dole, explained as "Andreyitch the Strong", "Sila Andreitch (Sila meaning Force or Violence)" in Garnett, "Sila Andreevich" in Maude with an endnote: "Sila is a relatively uncommon diminutive for Alexey; sila in Russian means force." "Sila Andreievich" in Bell with a footnote explaining Sila as strength, with Edmonds and Dunnigan only using "Strong-man Andreich" (the latter not using the hyphen). Mandelker uses "Sila Andreich" and Briggs uses "Mr. Savage." The second nickname, transliterated by Dole as "Dyadya Zadast" and translated as "Uncle Push" is "We shall get it hot from the governor" in Edmonds and "the old man is going to give it to us" in Dunnigan. "the governor'll give it to you" in Garnett and "uncle will give it to us hot" in Maude and Mandelker. "he's the boss and he can dish it out" in Briggs. "Sila Andreich" and "We'll catch it from the uncle" in Wiener.)
The Archbishop: Mentioned: Chapters 18 and 261. (as in Dole, “the Metropolitan” in Dunnigan, Maude, and Wiener, not capitalized in the latter. Later "His eminence the metropolitan".)
Architect: Mentioned: Chapter 48. (for Pierre’s Petersburg home. No reason to believe it is the same one from the Bolkonsky storyline.)
Arkharof: Mentioned: Chapters 10, 68, 77, and 156. (as in Dole, “Arkharov” in Mandelker, Wiener, and Dunnigan,“Argharow” in Bell. Given as a family name of a place where people go.)
General Armfeldt: Chapters 174 and 175. Mentioned: Chapters 170 and 173. (“a Swedish general”.)
Baron Asche: Chapter 191 (the governor was also mentioned in chapter 1 and chapter 3 of this part, also “nachalnik” and “civil governor of Smolensk” in Dole. “...Asch” in Mandelker, Bell, and Wiener.)
An attache: Chapter 43. (as in Dole. “an officer of the suite” in Mandelker, Dunnigan, and Edmonds. Part of Bagration’s suite.)
Attila: Mentioned: Chapter 359. (see chapter 165)
Auditor: Chapters 43 and 47. (“civil chinovnik serving as auditor” in Dole. “a civilian--an accountant” in Mandelker. “Civilian official--an auditor” in Edmonds, Garnett (comma and “the” instead of “an”) and Dunnigan (using a comma). “Civil servant, an auditor” in Briggs.)
Avgustin: Mentioned: Chapters 231 and 238. (as in Dole and Wiener. "Father Augustin" in Edmonds, Mandelker, and Dunnigan. Bell drops the name.)
Marya Avramovna: Mentioned: Chapter 331. (both this and the following name are dropped in Bell. "...Abramovna" in Briggs, Edmonds (who uses "Maria" for the first name), and Maude (who uses "Mary" for the first name).)
Baby: Chapter 33. (or “babe” as in Wiener.)
Prince of Baden: Mentioned: Chapter 170.
Bagovut: Chapter 282. (and his men. Bell's "Bagovouth" is an alternate reading.)
Prince Piotr Ivanovitch Bagration: Chapters 39, 41, 43, 44, 47, 57, 59, 60, 64, 69, and 192. Mentioned: Chapters 34, 40, 42, 45, 46, 54, 61, 68, 77, 170, 173, 175, 188, 191, 206, 218, 220, 222, 262, 279, and 291. (also "the general” and “your illustriousness”)
Balaga: Chapters 158 and 159.
General-Adjutant Balashof: Chapters 167, 168, 169, 170, and 171. Mentioned: Chapters 173 and 188. (“...Balashev” in Wiener and Maude. “Balachow” in Bell. Briggs also uses “Balashev” but calls him a “staff general”. Also called a “Russian general” and Murat calls him “De Bal-ma-cheve” (though Maude and Wiener do not use the second hyphen, with Bell not using hyphens at all.) Also called “Monsieur de Balachoff”, though Dunnigan doesn’t use “de”. Edmonds uses “...Balacheff.)
Bandarchuk: Chapter 45. (as in Dole, Briggs, and Wiener. “Bondarchuk” in Maude. “a hussar.” Name removed in Bell.)
Major Basof: Chapter 130. ("...Basov" in Edmonds, Maude, and Mandelker. "...Bazov" in Garnett and Dunnigan. "...Bassow" in Bell.)
Duke of Bassano: Chapter 167. (as in Dole, Wiener, and Dunnigan. “duc de Bassano” in Edmonds and Mandelker (who does not capitalize “duc” in the text but does in the footnote.))
Osip Alekseyevitch Bazdeyef: Chapters 83 and 84. Mentioned: Chapters 85, 110, 111, 113, 143, 161, 235, 244, and 253.(“...Alexeyevich Bazdeyev” in Briggs and Edmonds. “...Alexyevitch Bazdyev” in Garnett. “...Aleksyeevich Bazdyeev” in Wiener. “Iosif Alekseyevich Bazdeyev” in Dunnigan. “Iosif Alexeevich Bazdeev” in Mandelker. “Joseph Alexeevich Bazdeev” in Maude. “Ossip Alexeievitch Basdeiew” in Bell. Also “this gentleman”, “the new comer”, “stranger”, “the old man” and “traveller”. Dole offers the alternative spelling “Iosiph” along with "Osip". Dunnigan uses the same spelling from earlier and does not add any variation of "Osip" for clarification. Garnett, Wiener, and Briggs keep Osip as the first name as Maude keeps Joseph. Mandelker switches to "Iosif". Edmonds not only keeps Osip, but uses all three names instead of just the two. Bell uses "Bazdeiew". He is also "the Benefactor". Garnett also adds "the old freemason".)
Mrs. Sofya Danilovna Bazdeyeva: Mentioned: Chapter 244. (the first two names as in Dole, Dunnigan, and Garnett. and her children and messenger. Edmonds and Briggs do not use the first two names. "Sophia Danilovna" in Mandelker.)
Beauharnais: Mentioned: Chapter 290. (his corps are mentioned.)
Beaumarchais: Mentioned: Chapter 354. (as in Dole, Maude, and Bell. "Beaumarche" in Wiener.)
M. de Beausset: Chapters 213, 216, and 221. (the "Grand Chamberlain to the Emperor of the French". "...Bausset" in Briggs.)
Beduin or Bedouin: Chapters 55 and 64. Mentioned: Chapter 54. (the horse Rostof buys from Denisof)
Alexander Bekleshof: Chapter 69. (“Bekleshov” in Wiener, Briggs, and Mandelker. “Beclechow” in Bell.)
Belliard: Chapter 221. Mentioned: Chapters 38. (see “Marshal” and “Gascons” note above.)
General Benigsen: Chapters 167, 175, 208, 209, 210, 230, 279, and 281. Mentioned: Chapters 90, 91, 170, 173, 174, 188, 189, 229, 277, 280, 282, 283, 285, 293, and 324. (“Bennigsen” in Briggs, Dunnigan, and Garnett. Also “senior general” and "Count" as a title. Also "his chief of staff".)
Colonel Adolph Berg: Chapters 16, 54, 64, 114, 119, 123, 124, 191, and 242. Mentioned: Chapters 12, 56, 68, 121, and 241. ("...Adolf..." in Maude, Briggs, and Mandelker. "...Adolphe..." in Garnett. "Adolphe de Berg" in Bell. A “Lieutenant”, full name “Alphouse Karlitch”, as in Dole, “Alphonse Karlovich” in Mandelker, Dunnigan, and Edmonds, “...Karlovitch” in Bell, “Alfons Karlych” in Wiener. Also Alphonse Karluitch. Also a “mounted staff nachalnik”.)
Berg's Father: Mentioned: Chapter 16. ("papa" or "papenka".)
Bernadotte: Mentioned: Chapter 170. (the “insane” king of Sweden before him is also mentioned.)
Berthemi: Mentioned: Chapter 293. ("Barthelemy" in Dunnigan, Briggs, and Edmonds. "Bertemy" in Garnett.)
Berthier: Chapters 166, 171, 194, 221, and 311.
Bessieres: Chapter 171.
Countess Elena Vasilyevna Bezukhaya: Chapters 2, 3, 48, 49, 72, 88, 89, 112, 115, 119, 125, 150, 151, 152, 154, 155, 162, 167, 232, and 233. Mentioned: Chapters 1, 68, 69, 70, 83, 84, 87, 93, 95, 111, 113, 118, 120, 123, 143, 148, 161, 193, 209, 236, 237, 244, 255, 261, 262, 307, 326, 327, 331, and 333. (also “Lyolina”, as in Dole. “Lelya” in Maude. Also “Elena Vasilyevna” in Dole and Dunnigan. “Elena Vassilyevna” in Garnett. “Helen Vassilievna” in Bell. Also called “Lyolya” in Dole and Mandelker. Maude uses “Lelya” again. “Ellen” in Dole and Dunnigan, “Helen” in Bell. Prince Vassily's daughter. Also “Helene”, "his wife", "young woman", “former wife”, "princess", “sister”, "late wife", "Elena Vasilyevna", "tsaritsa of Petersburg", or "Queen of Petersburg". Also “Lyola” by her father.)
Count Kirill Vladimirovitch Bezukhov: Chapter 21. Mentioned: Chapters 2, 5, 8, 12, 13, 14, 15, 16, 19, 20, 22, 23, 48, 49, 88, and 332. (as in Dole and Garnett, other than “Bezukhoi” being the last name in Dole. “...Vladmirovich Bezuhov” in Edmonds with Wiener only disagreeing with her on the last name (see first mention of Bezukhov). “Cyril Vladimirovich Bezukhov” in Maude, “Kiril Vladimirovich…” in Mandelker and Dunnigan, “Cyril Vladimirovitch” in Bell. The father of Pierre, "uncle" of Anna Mikhailovna. Also "the late count".)
Count Pierre Bezukhov: Chapters 2, 3, 4, 5, 6, 7, 14, 16, 17, 18, 21, 22, 48, 49. 69, 70, 71, 72, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 110, 111, 112, 113, 118, 119, 120, 123, 124, 125, 126, 127, 143, 145, 146, 151, 153, 161, 162, 163, 164, 182, 183, 184, 186, 187, 204, 205, 207, 208, 209, 210, 211, 212, 217, 218, 219, 234, 235, 236, 237, 243, 241, 253, 254, 255, 259, 260, 269, 270, 271, 272, 273, 287, 288, 289, 290, 306, 307, 308, 309, 310, 326, 327, 329, 330, 331, 332, 333, 339, 341, 345, 346, 347, 348, 349, and 350. Mentioned: Chapters 8, 12, 13, 19, 23, 24, 53, 54, 68, 76, 77, 78, 104, 106, 114, 116, 122, 148, 150, 154, 157, 172, 181, 220, 222, 232, 233, 238, 262, 264, 334, 343, and 344. (as in Mandelker and Dunnigan, “Bezukhi” in Wiener, “Bezukhoi” in Dole, “Bezuhov” in Edmonds. Also “Petrushka” as in Dole and Wiener. “Petrouchka” by Bell, “Petya” by Mandelker and Maude. His more formal name of “Pierre Kirilovitch” as in Bell, “Pyotr Kirilovich” in Dunnigan, “...Kirillovitch” in Garnett. For some reason Bell makes a mistake in one chapter and calls him “Pierre Bolkonsky”. Also "the universal Freemason" and “his illustriousness”. Also called “father” by the old woman. Also "Petrusha", “Count Piotr Kirillovitch”, and “husband”. Also “Comte Pierre Besouhoff”, though Bell drops this name and Garnett differs by spelling it “Bezuhov”. Also “Le Russe Besuhof” and “l’Russe Besuhof” (Garnett doesn’t capitalize “Russe”). Called “Piotr Kiriluitch” by Petya. “Pyotr Kirilych” in Briggs, Mandelker, and Dunnigan. “Pierre Kirillych” in Wiener. “Pierre Kirilovitch” in Bell. “Pyotr Kirillitch” in Garnett. Also called "mon cousin", "count", "batyushka", "barin", and "Our Gentleman". Called "Count Piotr Kiriluitch" by Boris. Also used with "monsieur" at the front of his name. Also "her husband", "good father", "uncle", "the man who refuses to give his name", "my dear friend", "Monsieur Kirill", "brother-in-law", "Uncle Pierre", and No.17 of the Russian prisoners who had been taken. Also his horses, a dvomik, meaning "tavern-keeper", the "sallow, beardless little old man" who walks with him, and his "equerry" or groom that had once been a soldier.)
Agrafena Ivanovna Bielova: Chapter 137, 181, 343, 346, and 347. (""an elderly lady of quality", as in Dole. "Byelova" in Dunnigan. "Madame Byelov" in Garnett, Wiener (who uses no title), and Edmonds (the latter using "Mademoiselle"). "Belova" in Maude and Mandelker. "Madame Belov" in Briggs. "Mlle. Below" in Bell. Wiener and Briggs agree with Dole the first time we see her first two names. Bell uses “Agrippina…”. Later "Mrs. Anna Timofeyevna Byelova". "....Timofeevna" in Maude, Mandelker, and Wiener. "...Timofyevna" in Garnett. "...Timofeyevna" in Dunnigan and Edmonds.)
Bilibin: Chapters 36, 37, 38, 58, 233, and 261. Mentioned: Chapters 39, 56. 90, 91, 112, and 193.
(“Bilibine” in Bell.)
Bismarck: Mentioned: Chapters 355 and 359.
Bitsky: Chapter 121. ("Bitski" in Maude and Wiener, an alternative reading.)
Marya Bogdanovna: Chapters 74 and 75. (a midwife)
Bolkhovitinof: Chapters 291, 292, and 293. ("Bolkhovitinov" in Mandelker, Maude, and Briggs. "Bolhovitinov" in Edmonds. Also his Cossack.)
Prince Andrei Nikolayevitch Bolkonsky: Chapters 3, 4, 5, 6, 24, 25, 26, 28, 29, 35, 36, 37, 38, 39, 41, 42, 43, 44, 46, 54, 55, 56, 58, 59, 62, 63, 66, 74, 75, 90, 91, 93, 94, 95, 96, 104, 105, 106, 107, 108, 109, 118, 119, 120, 121, 122, 124, 125, 126, 127, 128, 163, 172, 173, 174, 175, 191, 192, 202, 203, 211, 212, 223, 224, 240, 243, 257, 268, 275, and 276. Mentioned: 1, 2, 7, 23, 48, 49, 51, 52, 145, 146, 148, 149, 150, 151, 152, 154, 155, 156, 157, 160, 161, 164, 176, 180, 182, 183, 184, 189, 190, 195, 196, 197, 198, 200, 201, 217, 222, 235, 237, 238, 265, 266, 267, 274, 288, 315, 317, 326, 329, 330, 331, 332, 334, 339, 344, 346, 348, and 350. (as in Dole, Dunnigan, and Mandelker. “Andrey Bolkonski” in Wiener, “Andrey Bolkonsky” in Garnett and Briggs, also referred to as “Andre”. Also referred to by being Prince Bolkonsky's son and Lisa Meien's husband. Also called “Andryusha”, as in Dole, Briggs, and Wiener, “Andrioucha” in Bell. Also Kutuzof’s “adjutant”; he’s also called “Mr. Adjutant”, "the officer", “courier”, and “Euer Hochgeboren”, which Bell translates in parenthesis as “High born Sir”. Also has a "Captain" prefix. Also "Natasha's lover", her "bridegroom", “brother”, "her husband", and “future husband”. Also “papa”, "father", “her betrothed”, “Batyushka, “Your Illustriousness”, “young barin”, “young prince”, “our prince", "regimental commander, "battalion commander", "wounded man", "the lamented prince", and "man of great distinction". See Shinshin for variations on “Nikolaitch”. Edmonds, Maude, and Briggs don’t use the second name. Also his horse, his driver, his doctor, and "a very dignified old valet.")
Princess Lisa Meinen Bolkonsky: Chapters 2, 3, 4, 5, 6, 24, 25, 26, 50, 51, 52, 73, 74, and 75. Mentioned: Chapters 1, 23, 59, 66, 68, 90, 129, 106, 122, 128, 172, and 199. (as in Dole, Lise Meynen in Wiener. Also "Princess Bolkonsky" and "the little princess", "young princess", "daughter-in-law". Also “Lizavieta Karlovna”, as in Dole. “Lisaveta Karlovna” in Dunnigan and Garnett. Edmonds just uses “Princess Lisa”. “Princess Elizabeth” in Maude and Mandelker. “Liza Karlovna” in Wiener. “Elizabeth Carlovna” in Bell. “Princess Lizaveta” in Briggs. Also "wife" to Andrei. Also “the princess, his mother”, “sister-in-law”, and, importantly, “darling” from Andrei. Bell offers an alternative reading in “My little soul.” Also “the lamented princess, his mother”.)
Princess Mariya (Princesse in Dole) Bolkonsky: Chapters 23, 24, 25, 26, 50, 51, 52, 73, 74, 75, 90, 91, 95, 96, 106, 128, 129, 144, 145, 146, 149, 163, 172, 189, 191, 195, 197, 198, 199, 200, 201, 266, 267, 274, 275, 276, 315, 316, 317, 329, 330, 331, 332, 334, 340, 341, 342, 343, 345, 347, 348, 349, and 350. Mentioned: Chapters 1, 5, 6, 49, 59, 66, 93, 147, 148, 150, 152, 153, 154, 156, 157, 190, 192, 196, 204, 205, 211, 212, 224, 238, 265, 268, 333, 344, and 346. (as in Briggs. "Bolkonskaya" in Dole, Mandelker, and Maude, Bolkonski in Wiener. “Marie” in Wiener, “Mary” in Maude, “Maria” in Edmonds, “Marya” in Dunnigan, Briggs, and Garnett. Called “Marie” in French version of her name. Prince Bolkonsky’s daughter, also "sister" for Andrei. Also “the little princess’s sister-in-law”. Also "Masha”, “Matushka”, “Marie”, and called “mother” by the old woman. Also “Bolkonsky’s daughter”, "niece", "aunt", “Mashenka”, “daughter”, “Darling”, “little daughter”, "princess-matushka", and “godmother”. Also "Dushenka--Dear heart", which were her father's last words to her. Also "his wife", "Countess Mariya", "mamenka", "mamma", "mother", and "aunt and guardian". Also their three children, some undifferentiated, their governess, and their tutor.)
Prince Nikolai Andreyevitch Bolkonsky: Chapters 23, 24, 25, 26, 50, 51, 52, 73, 74, 75, 90, 96, 126, 128, 129, 144, 145, 146, 163, 172, 189, 190, 191, and 195. Mentioned: Chapters 1, 5, 6, 29, 38, 49, 59, 66, 68, 93, 95, 104, 108, 118, 127, 130, 142, 147, 148, 149, 150, 154, 156, 192, 196, 197, 198, 199, 200, 202, 203, 204, 209, 211, 212, 265, 266 , 275, 329, and 343. (as in Dole. “...Andreyevich…” in Edmonds and Dunnigan, “...Andreevich…” in Mandelker, “Nikolay Andreivitch Bolkonsky” in Garnett, “Nikolay Bolkonsky” in Briggs, “Nikolay Andreevich Bolkonski” in Wiener, “Nicolas Andreevitch Bolkonsky” in Bell, “Nicholas Andreevich Bolkonski” in Maude. Also referred to as Mariya’s father, “The king of Prussia,", "batyushka", "prince", "old prince", "father-in-law", "illustriousness", "excellency". “Prince Andrei’s father”, in French, “le pere", and "scatterbrained father". "crazy old father" in Garnett. "crackbrained old father" in Dunnigan. "dotard father" in Mandelker. Also "Old Prince Bolkonsky", "his grandfather", “droll old father”, "commander-in-chief of the militia", "the old man", “Batyushka”, “mon pere”, “General-in-Chief”, “one of the oldest of Russian generals”, “master”, “the poor little veteran", "barin", and "Generalongshef", which Wiener calls "General-in-chief". Just "General" in Bell. Garnett uses "Nikolaevitch" for the second name. "Nikolaevich" in Mandelker and Wiener. "Nikolayevich" in Dunnigan. Edmonds, Bell, and Briggs drop it.)
Little Prince Nikolai Andreyitch Bolkonsky: Chapters 75, 90, 91, 96, 128, 144, 172, 189, 266, 274, 275, 276, 315, 330, 343, 346, 348, and 350. Mentioned: Chapters 104, 106, 122, 126, 127, 129, 192, 195, 198, 204, 212, 340, and 349. (also “six-year-old nephew.”, “little Nikolushka”, "Nikolenka", "Koko", "son", “his little son”, "yearling", “the baby prince”, “infant”, “little lad”, “grandson”, “young prince”, “little prince”, and "baby".)
The Princess Lisa Bolkonsky's doctor: Mentioned: Chapter 6.
Princess Lisa Bolkonsky's Uncle: Mentioned: Chapter 6.
Nikolai Bolkonsky’s Father: Mentioned: Chapter 26. (“father’s father”, “our grandfather”.)
Emperor Napoleon Bonaparte: Chapters 61, 66, 103, 166, 168, 170, 171, 194, 213, 214, 216, 220, 221, 225, 245, 246, 285, and 294. Mentioned: Chapters 1, 3, 4, 5, 6, 10, 14, 17, 23, 24, 25, 28, 29, 35, 36, 38, 39, 40, 41, 43, 44, 48, 55, 56, 58, 59, 60, 69, 76, 88, 89, 90, 91, 93, 101, 102, 104, 108, 109, 112, 121, 128, 143, 145, 163, 165, 167, 169, 172, 173, 174, 175, 182, 183, 188, 189, 191, 192, 193, 196, 200, 202, 204, 205, 206, 208, 210, 212, 215, 222, 226, 227, 228, 229, 231, 232, 237, 251, 252, 253, 255, 259, 262, 263, 264, 270, 271, 277, 278, 279, 283, 284, 286, 288, 290, 291, 292, 293, 295, 296, 311, 312, 313, 314, 318, 319, 322, 324, 325, 327, 331, 335, 336, 337, 338, 348, 351, 352, 353, 354, 355, and 356. (“Buonaparte” in Mandelker and Maude. Dunnigan has “estates of the Bonapartes” in the opening sentence of the novel. Also “Bunaparte” in Dole and Wiener, “Buonapartey” in Mandelker. Also “the enemy of the human race”, “Consul”, “emperor”, “General Bonaparte”, “French emperor”, “Antichrist”, "l’Empereur Napoleon”, “a Frenchman”, “the great man”, “nobility”, "sovereign", "majesty", "Beast", "evil-doer", “Usurper and Enemy of the Human Race”, and “Head of the French Government”, “Chief of the French Government” in Garnett. "your majesty” and “l’empereur”. Also "the greatest man in the world", "the man", "the actor", "Napoleon I", and "the Corsican monster.". Also Prince Andrei’s “hero” and “Sovereign Emperor”. “Bonaparteism” is also referenced in Dole. Also "Napoleonic", "His Majesty the Emperor and King", "Napoleon le grand", and "'Poleon" in Dole, Edmonds, and Maude. "Boneypart" in Briggs. Also the “Arab steed” brought to him, his “English-groomed bay ambler", his aides, his guard, his army, his generals, and his marshals' orderlies.)
Bondarenko: Chapter 30. (a hussar who attends to the horse. “The little Russian” in Dole, who footnotes, “a nickname of the Malo-Russians.” “A native of Little Russia” in Bell. “Ukrainian” in Dunnigan, Mandelker, and Briggs.)
Pani Borzjozowska: Mentioned: Chapter 130. ("Mademoiselle Borzowski" in Edmonds. "Madame Borzhozovsky" in Garnett. "Panna Borzozowska" in Dunnigan and Briggs (who uses Madame in first mention. Dole, Maude, and Mandelker cut the second reference to her). "Polish Mademoiselle Borzozowska" in Mandelker and Maude. "Pani Borjozovska" in Bell. "Miss Borzozowski" in Wiener.)
Vincent Bosse: Chapters 298, 299, 300, 301, 302, and 303. Mentioned: Chapter 305. (Also "a drummer boy" in Dole and Wiener. "a little drummer" in Bell. "a little drummer-boy" in Mandelker, Dunnigan (who doesn't use the hyphen), and Briggs. Also "prisoner" . The Cossacks also call him "Vesennui". In Dunnigan, the Cossacks call him Vesseny and the peasants Visenya. It is "Vesenny and "Vesenya" in Mandelker, Maude, and Edmonds (Garnett and Briggs use the first name but uses the Dunnigan version of the second name).)
Mademoiselle Amalie Karlovna Bourienne: Chapters 23, 24, 25, 26, 50, 51, 52. 90, 96, 128, 144, 145, 149, 163, 172, 189, 195, 197, 266, 274, 340. Mentioned: Chapter 129. (Also “Amelie". Also “Burienka” as in Dole. Bell has “Mlle. Bourrienne”. Also "Bouriennka". "little Bourienne" in Garnett, Edmonds, and Briggs. Also "pretty Frenchwoman" and “little Frenchwoman”. Garnett has “Amalia Yevgenyevna” where Dole puts “Amalie Bourienne”. Mandelker puts “Amelia Evgenievna” and follows it with “Mademoiselle Bourienne” in parenthesis. “Amaliya Evgenevna” in Wiener.)
Mlle. Bourriene's Aunt: Mentioned: Chapter 51.
Mlle. Bourriene's Mother: Mentioned: Chapters 23 and 52.
Brannitsky: Mentioned: Chapter 188. (“Bronnitski” in Maude and Dunnigan. “Bronnicki” in Wiener. “Bronnitzsky” in Bell. “Bronnitsky” in Mandelker, Garnett, and Edmonds.)
Bronnikof: Mentioned: Chapter 274. (the merchant. "Bronnikov" in Wiener, Garnett, and Mandelker. "Bronnikow" in Bell. )
Broussier: Mentioned: Chapters 291 and 293. (his troops.)
Captain Brozin: Chapter 281. (as in Dole, Dunnigan, and Briggs. "Brozine" in Bell.)
Buikof: Mentioned: Chapter 30. (as in Dole. “Bykov” in Wiener, Dunnigan, and Edmonds. “Bykow” in Bell. “The Rat” that cleans out Denisof.)
General Buxhovden: Chapter 59 Mentioned: Chapter 91. (“...Buxhowden” in Briggs, Edmonds, and Dunnigan. “Buxhevden” in Garnett. Also called "Count Buxhovden".)
Catherine: Mentioned: Chapters 2, 8, 19, 20, 22, 108, 117, 128, 170, 186, 325, and 354. (i.e. Catherine the Great, also "Empress".)
General Campan: Chapter 214. Mentioned: Chapter 220. (as in Dole, Maude, and Edmonds. "...Compans" in Briggs and Garnett.)
Le caporal: Mentioned: Chapter 57. (“the corporal” the dragoon blames.)
Monsieur de Castrier: Chapter 169. (“the marshal’s aide”. “De Castres” in Mandelker and Dunnigan the first time. Maude adds “Monsieur” the first time while the other two only add it the second time. “Monsieur de Castre” in Edmonds.)
Caulaincourt: Chapters 171 and 221. Mentioned: Chapters 112, 118, 120, and 125. ("The French ambassador".)
Mademoiselle Aubert-Chalme: Mentioned: Chapters 148, 154, and 231. (As in Dunnigan, Marya Dmitrievna calls her “Super-Sham’s”, which Dunnigan follows with “Madame Chalme” in parenthesis, which is repeated a couple paragraphs later. Maude prints “Super Rougue’s” the first time and “Madame Suppert-Roguet” the second time (Edmonds prints this both times). Garnett prints “Aubert-Chalmey” both times, adding Madame the second time. Briggs puts “Madame Saucy Rascal” with the parenthetical “Her dressmaker’s real name was Suzie Pascal”, printing “Madame Pascal” the second time. Wiener prints “Aubert Chalme” both times, adding “Madame” the second time. Bell prints “Chalme’s” the first time and “Mme. Aubert Chalme” the second time. A "modiste”, “dressmaker” in Mandelker, from her comes.)
Chancellor: Mentioned: Chapters 36 and 37. (as in Dole, Wiener, and Edmonds, “foreign minister” in Garnett.)
Empress’s chamberlain: Chapter 38. (as in Dole, Garnett, and Bell. “chamberlain of the empress” in Wiener.)
Charles I: Mentioned: Chapter 354.
Charles X: Mentioned: Chapter 354.
Charles XII: Mentioned: Chapter 171.
Chateaubriand: Mentioned: Chapters 335 and 352.
General Chatrof: Chapter 145. (Prince Lopukhin’s nephew. “...Chatrov” in Edmonds, Wiener, Maude, and Dunnigan. “..Tchatrov” in Garnett. “...Tchatrow” in Bell. Also “old general”.)
Semyon Chekmar : Chapter 133. (as in Dole, Briggs, and Mandelker. Ilya Andreyitch's valet. Not to be confused with the musician with the same first name from Book 1 Part 1. "Simon Chekmar" in Maude. "Semyon Tchekmar" in Garnett. "Semione Tchekmar" in Bell. "Semen Chekmar" in Wiener.)
Chernuishef: Chapters 174 and 175. (“the emperor’s flugel-adjutant”. “Chernyshev” in Maude, Briggs, and Dunnigan. “Tchernyshev” in Edmonds. “Chernyshov” in Mandelker. “Tchernishev” in Garnett.)
Karpushka Chigirin: Mentioned: Chapters 204 and 205. (in Rostopchin's placards.)
Chitchagof: Chapter 324. Mentioned: Chapter 314 ("Tchitchagov" in Garnett. "Tchichagov" in Edmonds. "Chichagov" in Maude, Briggs, and Dunnigan.)
Claparede: Mentioned: Chapter 221. (as in Dole, Maude, Edmonds, and Mandleker. "Clarapede" in Dunnigan.)
Clergyman: Chapter 20.
The clerk: Chapter 39. (who is writing Kozlovsky's dictated letter.)
The coachmen: Chapter 20.
Andrei's coachman: Chapter 104.
The colonel: Chapter 33. (that Nesvitsky was supposed to deliver the message to)
Captured colonel of dragoons: Chapter 47. (as in Dole. “French colonel” in Maude, Garnett, and Briggs.)
The regimental commander: Chapters 27, 28, 45, and 65. Mentioned: Chapter 43. (as in Dole, Maude, and Dunnigan, “commanding officer” in Edmonds, “general in command of the regiment” in Garnett, and “excellency”. Also called “King of Hearts”, “the old general”, or “senior general”, as in Edmonds, and "infantry general")
Regimental commander: Chapter 44.
The regimental commander: Chapter 321. (no reason to think that this is any previous regimental commander.)
Corvisart: Mentioned: Chapter 216.
A Cossack: Chapter 27.
A Cossack: Chapters 32 and 33. (“accompanying” (as in Dole, Dunnigan, and Wiener, though they use different tenses) or “serving” (Bell) Nesvitsky. And his horse.)
Cossack: Chapter 39. (the one Andrei takes with him when he gets a horse.)
A Cossack: Chapter 43. (who dies)
The head of the Cossack division: Chapter 39. (as in Dole. “the chief of the Cossacks” in Wiener. “The captain of the Cossacks” in Bell. “the officer in command of the Cossacks” in Edmonds and Garnett. “A Cossack commander” in Dunnigan, Mandelker, and Maude. “The officer in charge of the Cossacks” in Briggs.)
The courier: Chapter 183. (who brings the proclamation and is an acquaintance of Pierre. Does not appear to be any courier previously mentioned.)
Grand Duke’s courier: Mentioned: Chapter 53.
Crossart: Chapter 229 (a Frenchman.)
Crow: Chapter 322. (also "Vorona" in Dole. "Jackdaw" in Mandelker)
Prince Adam Czartorisky: Chapters 56, 57, and 62. Mentioned: Chapter 107. (as in Dole. “....Czartoryski” in Briggs, Edmonds, and Dunnigan. “...Tchartorizhsky” in Garnett. Minister of foreign affairs.)
Danilo: Chapters 132, 133, and 134. ("the whipper-in and hunter" and his "chestnut". Maude uses "Daniel" in an alternative reading. Nikolai and Natasha call him "Danila" in Dole.)
The Old Pole's Daughter: Chapter 97. (who has an infant.)
Speransky's daughter: Chapter 121.
Marshal Davoust: Chapters 169, 214, 221, and 270 Mentioned: Chapters 168, 220, 290, 307, 311, and 312. (as in Dole, Bell, and Garnett. “...Davout” in Briggs and Wiener. Also called "the Duke (or Prince) of Eckmuhl". Also "an officer of very great importance", "your highness", and "the Prince d'Eckmuhl". Also his corps.)
Messrs. Davydov: Mentioned: Chapters 226 and 298. (as in Wiener. "M. Davydow" in Bell. "Mr. Davuidof" in Dole. "Davydov family" in Mandelker, Edmonds, and Dunnigan.)
Dementyef: Chapter 97. (“Dementyev” in Briggs, Dunnigan, and Garnett.)
Demyan: Chapter 74. (“the major domo”.)
Duc d’Enghien: Mentioned: Chapters 3, 4, and 337. (as in Maude, Edmonds, Mandelker. “Duke…” in Dole, Bell, and Wiener. Mandelker calls him “Prince Herzog Engienskii” in Pierre’s dialogue Prince d'Enghien.)
Kirill Andreyevitch Denisof: Mentioned: Chapter 202. (the "Ober-intendant" or "Quartermaster General" in Dunnigan. For variations on "Kirill", see chapter 8. For variations on "Andreyevitch", see chapter 23.)
Captain Vaska Denisof: Chapters 30, 31, 33, 34, 45, 57, 67, 69, 70, 71, 77, 78, 81, 82, 97, 98, 100, 202, 298, 299, 300, 301, 302, 303, 305, 306, 310, 326, 343, 345, 347, 348, and 349. Mentioned: Chapters 47, 53, 54, 55, 60, 68, 76, 79, 99, 101. 102, 103, 130 176, 182, 194, 235, and 304. (“...Denisov” in Garnett, Wiener, and Edmonds. Also “Vaska Denisof”, as in Dole. “Vaska Denissow” in Bell. Dunnigan, Mandelker, and Briggs also use Vaska. Also “the barin” in Dole, “master” in Bell, Mandelker, and Dunnigan. Also “youngster”, "lieutenant-colonel of hussars", and “Count”. Also called “Vasya” in Dole and Wiener. Also "Major Vasili Dmitritch Denisof", “Vasha”, and introduces himself as “Vasili Denisof”. Also with second name of “Dmitrievitch”. Wiener and Mandelker spells Bell, Garnett, and Dole’s “Dmitritch” as “Dmitrich”. Briggs doesn’t use the second name. Also "Vasili Feodorovitch Denisof". Also "Monsieur", "excellency", "General", and "commander". See chapter 1 for some variations on Vasili. See chapter 196 for some variations on "Feodorovitch". However, he is called "Vasili Dmitrich" in Maude, Mandelker, and Dunnigan, bucking most translations by going back to the original name. Whether this is a mistake on Tolstoy or Petya's part is unknown. And his Bedouin, his Cossack, and horse.)
Count Orlof-Denisof: Chapter 282. Mentioned: Chapter 283. (and his Cossacks. See chapter 30 for Denisof variations. See chapter 12 for variations on Orlof. He is also called "Count Orlof".)
A denshchik: Chapter 33. (as in Dole. “Officer’s servant” in Wiener, “military servant” in Bell. “Orderly” in Garnett, Mandelker, and Briggs.)
Dessaix: Mentioned: Chapters 214 and 220. (as in Dole, Dunnigan, and Mandelker. "Desaix" in
Garnett and Briggs.)
Mr. Dessalles: Chapters 172, 189, 191, 266, 274, 275, 315, 329, 330, 343, 348, and 350. ("tutor") Mentioned: Chapters 163, 190, 195, and 346. (Dunnigan and Edmonds use Monsieur. The Swiss tutor. Wiener spells it “Desalles”.)
Diderot: Mentioned: Chapter 354.
Eduard Karluitch Dimmler: Chapters 137, 139, 140, and 141. (the music-master. Edmonds and Briggs call him "Herr Dimmler." Just "Mr. Dimmler" in Maude and Mandelker. "Eduard Karlych" in Dunnigan and Wiener. "Edward Karlitch" in Garnett. "Edward Karlovitch" in Bell. And his wife, who is just mentioned in passing and is given no characteristics.)
A diplomat: Chapters 48 and 49. (“who had just arrived from Berlin”)
Zinaida Dmitrievna: Mentioned: Chapter 186. (as in Dole, Edmonds, and Dunnigan. “...Dmitriyevna” in Briggs.)
German doctor: Chapter 19.
The German doctor: Chapters 74 and 75. (or “accoucheur”)
Doctor: Chapter 39. (the man who is being beaten. He is the doctor of the “Seventh Jagers” in Dole. “surgeon of the seventh of chasseurs” in Wiener. “The doctor of the 7th chasseurs” in Bell, Dunnigan, (who spells out “seventh”) and Edmonds.)
General Dokhturof: Chapters 59 and 291. Mentioned: Chapters
Prince Dolgorukof: Chapters 56, 57, 58, 59, 60, and 64. Mentioned: Chapters 65, 68, and 69. (as in Dole. “Prince Dolgorukov” in Edmonds, Wiener, and Maude. Bell calls him “General Prince Dolgoroukow”.)
Prince Yuri Vladimirovitch Dolgoruky: Mentioned: Chapter 68. (“....Vladimirovich…” in Edmonds. “....Vladimirovich Dolgoruki” in Wiener. “Prince Yuri Dolgorukov” in Maude and Mandelker. “Prince Youry Vladimirovitch Dolgoroukow” in Bell. “Prince Yury Dolgoruky” in Briggs. “Prince Yury Vladimirovitch Dolgoruky” in Garnett. “Prince Yury Vladimirovich Dolgoruky” in Dunnigan.)
Prince Dolgorukof’s brother: Mentioned: Chapter 56. (has dined with Napoleon.)
Fedya Dolokhov: Chapters 7, 27, 28, 41, 46, 65, 69, 70, 71, 76, 77, 79, 80, 150, 151, 153, 158, 159,
209, 303, 304, 306, and 310. Mentioned: Chapters 8, 45, 47, 48, 68, 72, 78, 81, 82, 83, 84, 85, 88, 93, 97, 113, 134, 156, 162, 211, 235, 298, 299, 300, and 301. (as in Wiener, Mandelker, and Dunnigan, “Dolokhof” in Dole, “Dolohov” in Edmonds and Garnett. Also with Mr. as a prefix. Also “wife’s paramour”, “lover”, and “Fedka” in Dole. Bell provides the alternative “Fedia.” Also “Dolohoff le Persan”. For some reason Dole calls him “Lopukhof” once (in the Balaga description). The names “Feodor Ivanuitch” (and later “Feodor Ivanovitch”, the rest of the translations not giving a variation) are given in Dole. “Fiodr Ivanich” in Edmonds. “Fyodr Ivanych” in Dunnigan.”Theodore Ivanych” in Maude. “Fyodor Ivanovitch” in Garnett. “Fyodor Ivanovich” in Garnett. “Fyodor Ivanych” in Mandelker. “Fedor Ivanych” in Wiener. “Fedor Ivanovitch” in Bell. Described as "a private of militia". Also his Cossack, as well as his horse.)
Marya Ivanovna Dolokhova: Chapters 68, 71, and 76. Mentioned: Chapter 8. (as in Dole and Maude, and Garnett, the later using “Dolohov”. Dolokhov’s mother. Just “Marya Dolokhov” in Briggs. Also “elderly”, “old”, and Dolokhof’s “mother”.)
Dolokhof’s sister: Mentioned: Chapter 71. (“hunchbacked”)
The major-domo: Chapter 25. (“the butler” in Garnett, Briggs, and Bell, “head butler” in Mandelker.)
Donets: Chapter 133. (as in Dole, Maude, and Mandelker. Nikolai's "sorrel". "chestnut Don horse" in Garnett and Dunnigan (Mandelker and Maude also preface with "chestnut") Bell calls him "Donetz" in an alternate reading.)
Dorokhof: Mentioned: Chapters 291 and 293. ("Dorokhow" in Bell. "Dorokhov" in Wiener, Briggs, and Maude. "Dorohov" in Edmonds. And his band of "partisans" and the Cossacks of his division.)
Dozheiveik: Mentioned: Chapter 130. ("his quartermaster". "Dozhoyveyky" in Garnett. "Dozhoyveyko" in Mandelker and Maude. Briggs, Dunnigan, and Edmonds cut the name. It seems that the translations that reference Pani Borzjozowska a second time do not name Dozheiveik, probably demonstrating a textual variance. Wiener calls him "Sergeant-Major Dozhoyveyko".)
French Dragoon: Chapter 57. (who is captured, also his horse plays a role in the chapter. Also called “the Alsatian”.)
The driver: Chapter 35. (or “his driver”, as in Andrei’s.)
Princess Anna Mikhailovna Drubetskaya: Chapters 3, 4, 8, 9, 10, 12, 13, 14, 15, 16, 20, 21, 22, 53, 67, 68, and 147. Mentioned: Chapters 19, 23, 54, 88, 115, 131, 148, and 150. (“Mihalovna” in Garnett, “Mikhaylovna” in Wiener, Maude. Initially referred to as "an elderly lady". “old lady” in Bell, “middle-aged lady” in Wiener. Also "Princess Drubetskaya", "Annette", “matushka”, as in Dole, “ma’am” in Edmonds, Garnett, and Mandelker, “madam” in Briggs. Also referred to as “la tante en general” or “aunt in general” as in Bell, “universal aunt” in Wiener, Garnett, and Edmonds, “universal auntie” in Maude and Dunnigan. Also called “Aunty” as in Dole and Wiener. “Aunt” and “Auntie” in Bell. Mandelker, Garnett, and Briggs only use the latter. Also “his mother”.)
Princess Drubetskaya: Mentioned: Chapter 4. (as in Dole, Dunnigan, and Maude, “Drubetskoy” in Briggs, Garnett, “Droubetzkoi” in Bell)
The Elder Lady’s Father: Mentioned: Chapter 4. (as in Anna Mikhailovna's.)0
Boris Drubetskoi: Chapters 9, 10, 11, 12, 14, 16, 18, 54, 56, 64, 88, 89, 101, 103, 112, 115, 119, 120, 123, 124, 145, 146, 147, 151, 167, and 209. Mentioned: Chapters 4, 8, 15, 22, 53, 55, 67, 68, 102, 113, 114, 116, 118. 130, 131, 148, 150, 154, 189, and 217. (also "“Ensign Drubetskoi”. Garnett, Dunnigan, and Briggs use "Lieutenant". Also referred to as “Bory” in Maude and Edmonds, “Borenka” in Dole. Also "son" and “poor husband”.)
The Drummer: Chapter 28.
Grand duchess: Mentioned: Chapters 38. (as in Dole. “Archduchess” in Mandelker, Briggs, and Edmonds.)
Dunyasha: Chapters 116, 117, 141, 195, 197, 198, 199, 200, 201, 239, 243, 315, 316, and 317. Mentioned: Chapters 242 and 268. ("Douniacha" in Bell in an alternate reading. Also "the one in pink".)
Duport: Mentioned: Chapter 67. (“the celebrated dancer”)
Duroc: Chapter 170. Mentioned: Chapter 171.
Durosnel: Mentioned: Chapter 260.
Eckarsthausen: Mentioned: Chapter 348. ("Ecka'tshausen" in Edmonds, Maude, and Mandelker. "Eckartshausen" in Briggs and Garnett.)
Eichen: Chapter 281. (as in Dole, Wiener, and Garnett. An officer of the general staff. "Eykhen" in Mandelker.)
Major Ekonomof: Chapter 46. (as in Dole. “...Ekonomov” in Wiener, Garnett, and Maude. “...Ekonomow” in Bell.)
The Empress Elizabeth: Mentioned: Chapter 261. (as in Dole and Bell. See chapter 119. "Yelizavieta Alekseyevna" in the Dole footnote. "Empress Elizaveta Aleksyeevna" in Wiener. "The Empress Elisabeth" in Maude and Mandelker. "the younger Empress, Yelizaveta Alexeyevna" in Briggs. "The Empress Elizaveta Alexyevna" in Garnett. "the Empress Eliaveta Alexeyevna" in Edmonds. "The Empress Elizaveta Alekseyevna" in Dunnigan.)
Madame Elizabeth: Mentioned: Chapter 4. (as in Dole and Maude, “...Elisabeth” in Briggs, Garnett, and Dunnigan.)
Russian embassdador at the court of Vienna: Mentioned: Chapter 36. (as in Dole, “the ambassador at Vienna” in Bell. “Our ambassador in Vienna” in Mandelker, Dunnigan, and Briggs.)
Emissary: Mentioned: Chapter 40. (of Murat.)
Another Emissary: Mentioned: Chapter 40. (the one that goes to the Russian line instead of the Austrian.)
Empress of Austria: Chapter 166. Mentioned: Chapter 38. (“Queen of Austria” in Wiener. Also “her majesty”.)
Essen: Mentioned: Chapter 55.
Prince Eugene of Wurttemberg: Chapters 222 and 318. (as in Dole and Briggs. "...Wurtemberg" in
Wiener, Garnett, and Bell. "Duke of Wurtemberg" in Maude. Also referred to as "your highness". He also has an aide that rides back.)
Colonel Fabvier: Chapter 213.
M. Fain: Mentioned: Chapter 286. ("Mr. Fain" in Wiener.)
Fedeshou: Chapter 28. (as in Dole, Edmonds, and Garnett. “Fedeshov” in Wiener, “Fedeshon” in Mandelker, “Fedya” in Briggs, “Fedeshow” in Dunnigan. One of the soldiers.)
Fedosyushka: Chapter 129 (Bell gives "Fedociouchka" as an alternate reading.)
Feodor: Chapter 138. (the old man Natasha sends to get "a piece of chalk". "Fyodor" in Mandelker, Garnett, and Dunnigan. "Fedor" in Bell and Wiener.)
Prince Feodor: Mentioned: Chapters 345 and 348. (see chapter 69 for variations on "Feodor". Bell cuts the name.)
Anisya Feodorovna: Chapter 136. (as in Dole. "...Fyodorovna" in Garnett, Dunnigan, and Briggs. "...Fedorovna" in Maude and Wiener. "...Fiodorovna" in Edmonds. "Anicia Fedorovna" in Bell. Called "Anisyushya" by the little uncle in Dole. Maude, Edmonds, Wiener, and Briggs don't use this second name. Bell says "Aniciouchka".)
Empress Maria Feodorovna: Mentioned: Chapters 1, 48, 87, 117, 193, and 261. (Dole spells it both "Marya" and "Maria". Bell calls her "the Empress-mother" and "Empress Dowager". Wiener, Edmonds, and Dunnigan are consistent in their references.). (also “Empress Dowager”). (as in Dole, “Marya Fyodorovna” in Garnett, Briggs uses “Maria” but “Fyodorovna”, also “Dowager Empress” or “l’Imperatrice Mere” in Dole. “Her Most August Majesty the Empress Marya Fyodorvna” as in Dunnigan.)
Maria Feodorovna’s sister: Mentioned: Chapter 1.
Peter Feodorovitch: Mentioned: Chapter 196. (Dole footnotes “Peter III”, which is what Bell uses. “Tsar Peter Fyodorovich” in Briggs. “Peter Feodorovich” in Wiener. “Piotr Fiodorovich” in Edmonds. “Pyotr Fyodorovich” in Dunnigan and Mandelker. “Peter Fedorovitch” in Garnett. “Peter Fedorovich” in Maude.)
Feoktist: Chapter 68. (“the old cook of the English Club.” “Feoktista” in Garnett in an alternate reading. “Pheoctiste” in Bell.)
Ferapontof: Chapter 191. (“the dvornik” and “landlord” in Dole. “Ferapontov” in Maude, Dunnigan, and Briggs.)
Archduke Ferdinand: Mentioned: Chapters 27, 29, 36, and 55. (described as “commander of the army of the van” in Dole.)
Fichte: Mentioned: Chapters 335 and 352.
Figner: Mentioned: Chapter 291.
Filipp: Chapters 74 and 144. (though he seems to be “the butler” here, probably the same Filipp that was the “groom”. He’s a “footman” in Edmonds. Bell drops the name and calls him “man-servant”. “Philip” in Mandelker in an alternative reading.)
Baron Firhof: Chapter 119. ("...Firhoff" in Briggs, Dunnigan, and Edmonds. "...Firhow" in Bell. "...Furhof" in Wiener.)
Foka: Mentioned: Chapter 74. (the cook.)
Foka: Chapter 138. (the butler.)
Another Bezukhoi Footman: Chapter 14.
The Countess’s footman: Chapter 8.
Footman: Chapter 13. (elderly at the Bezukhoi residence)
Footman: Chapter 24. (at the Bolkonsky's)
General Fouche: Mentioned: Chapter 214.
Fothier: Mentioned: Chapter 335. ("Foti" in Wiener. Name appears to be dropped in Bell. "Photius" in Maude, Briggs, and Edmonds. "Foty" in Garnett.)
Emperor Franz: Chapters 38, 55 and 62. Mentioned: Chapters 29, 35, 36, 39, 54, 56, 58, 59, 88, 89, 104, 143, and 337. (as in Dole. “...Francis” in Briggs, Edmonds, and Maude. Also “his majesty.", "King Franz", and Emperor of Austria.)
Franz: Chapters 36 and 38. (“the valet who had admitted the visitor” in Dole.)
Frederick the Great: Mentioned: Chapters 25, 89, and 174. ("Friedrich" in Dole, “Frederick” in Maude, Dunnigan, and Edmonds.)
A newly promoted freilina, or maid of honor: Chapter 88. (“a newly appointed maid of honour and her mother” in Garnett and Edmonds. “A newly appointed lady-in-waiting and her mother” in Dunnigan.)
Another Frenchman: Chapter 41. (that joins the argument.)
Friant: Mentioned: Chapters 214 and 221.
Friese: Mentioned: Chapter 180. (“Friez” in Dunnigan, Briggs, and Garnett. “Frise” in Maude, Bell, and Mandelker.)
Baron Funke: Mentioned: Chapter 1. (Founcke in Bell.)
Fyedotof: Chapter 33. (as in Dole. “Fedotow” in Bell. “Fedotov” in Garnett, Mandelker, and Briggs.)
Gavrilo: Chapter 54. (as in Dole, Wiener, and Briggs. “Gavrila” in Garnett and Dunnigan. “Gabriel” in Edmonds.)
Gavrilo: Chapters 159 and 160. (“Marya Dmitrievna’s colossal footman”, so unlikely to be any of the previous Gavrilos. Bell doesn’t use the name.)
A general: Chapters 62 and 63. (that Kutuzof commands and argues with)
The General: Chapter 5 (“a general”. “Some general” in Dole.)
The Austrian general: Chapters 27 and 29. Mentioned: Chapter 31. (Also called “the Avstriak”, as in Dole, “an Austrian” in Garnett, “that Austrian” in Briggs, “the Austrian” in Dunnigan, Bell, and Maude, “that there Austrian” in Edmonds, “Austrish”.)
The general in command of the rearguard: Chapter 32. Mentioned: Chapter 34. (as in Dole, Mandelker, and Garnett (the latter hyphenating “rearguard”). Also “excellency”.)
Boris’s General: Chapter 101.
Old Russian General: Chapter 56. (with the purple face, that Andrei dismisses and tries to ignore. Bell doesn’t have the “old” and has him “red-faced”.)
The general in command of the foremost regiment: Chapter 62. (also “The regimental commander”. Edmonds has “The colonel at the head of the foremost regiment.” Maude, Dunnigan, and Mandelker have the same, except dropping “foremost.” “The commander of the regiment in the van” in Wiener. “The colonel of the regiment” in Bell. “The commander of the leading regiment” in Briggs. “The officer in command of the foremost regiment” in Garnett.)
Madame de Genlis: Mentioned: Chapters 12 and 203.
Mademoiselle Georges: Chapter 155. Mentioned: Chapter 3, 153, and 154. (as in Edmonds, Maude, and Mandelker. “Mlle. George” in Wiener, Dole, and Briggs. “Mlle. Georges” in Bell and Garnett.)
Gerard: Mentioned: Chapters 214 and 304. (assumedly not the painter since he is a general.)
Gerard: Mentioned: Chapter 213. (the painter.)
Gerasim: Chapters 83, 84, 244, 253, 254, and 255. Mentioned: Chapter 259. ("Gherassime" in Bell in an alternate reading. Osip's servant. Also called "old servitor" and "old man". Also the cook and two Frenchmen.)
The gardener: Mentioned: Chapter 73. (previously referenced in passing in chapter 23. Not to be confused with the gardener Maksimka in chapter 68.)
Gavrilo: Mentioned: Chapter 68.
A German: Chapter 33. (driving the Vorspann with the “handsome brindled cow, with an enormous udder”, as in Dole. Maude just calls the Vorspann a “cart”.)
The German who owned the house: Chapter 30.
German mistress of the house: Chapter 54. (as in Dole. “The German landlady” in Edmonds, Wiener, and Maude.)
Young healthy-looking German girl: Chapter 33. (as in Dole, Edmonds (omitting “looking”), and Wiener, “with flaming red cheeks.” Just “handsome, rosy-cheeked” in Bell, Garnett being the same, other than using “good-looking”. “Young, rather pretty” in Briggs. “Healthy” with no emphasis on attractiveness or youth in Mandelker and Dunnigan.)
Gervais: Chapter 121. (Dole's occasional, but not consistent, "Zhervais" is an alternative reading.)
Gervinus: Mentioned: Chapter 352.
Girchik: Mentioned: Chapter 133.
Glinka: Chapter 186.
Godfrey: Mentioned: Chapter 354.
Prince Aleksandr Nikolayevitch Golitsuin: Mentioned: Chapters 4, 184, 204, 335 and 347. (the Dole footnote spells it "Galitzin". "Prince Alexander Golitsin" in Maude. "Prince Alexander Nikolaevitch Golitsin" in Garnett. "Prince Aleksandr Nikolayevich Golitsyn" in Dunnigan. "Prince Alexander Golitsyn" in Edmonds, Mandelker, and Briggs. Also "Golitain" as in Dole, “Golitsyn” in Wiener, Mandelker, and Edmonds, “Galitzine” in Bell. Also “...Galitzin” in Garnett. “...Golitsyn” in Mandelker.)
The governess: Chapter 16 and 53.
Speransky's daughter's governess: Chapter 121. (Dole uses "guvernantka" later.)
The Governor: Chapters 264 and 267. (also a horse-dealer and landed proprietor he mentions.)
The Governor's Wife: Chapters 264, 265, 266, and 267. ("the governor's worthy wife" and "ma tante".)
Military Governor of Moscow: Chapter 19.
Grachik: Chapters 30, 34, and 45. (or “Young Rook”, Dole using both. “Rook” in Dunnigan, Maude, and Mandelker. “Little Rook” in Briggs and “Little Crow” in Bell. The horse Rostov purchased.)
Old granny: Chapter 33. (as in Dole and Edmonds, “older woman” in Briggs, “old woman” in Mandelker, Maude, and Dunnigan.)
Major-General Grekof: Chapter 282. ("...Grekov" in Garnett, Maude, and Wiener. "....Grekow" in Bell.)
French grenadier: Chapter 41. (with whom Dolokhof speaks. Also, “The Frenchman.”)
The count's groom: Mentioned: Chapter 133. (who actually takes Viflyanka. As with Viflyanka, this description makes it debatable whether they are just mentioned or an actual character in the chapter.)
Princess of Gruzia: Mentioned: Chapter 184. (“old Georgian princess” in Maude, Briggs, and Dunnigan.)
Prince Gruzinsky: Mentioned: Chapters 259 and 260. (as in Dole, Mandelker, and Garnett. His mansion is mentioned. "Gruzinski" in Wiener. The name is dropped in Bell.)
Gunner: Chapter 43. (of Tushin’s company. “Freckled, red-headed.” Speaks to Bagration. Maude, Edmonds, and Mandelker also call him an “artilleryman”. “Cannoneer” in Wiener.)
A gunner: Chapter 46. (who asks Tushin for orders. “An artilleryman” in Edmonds, Maude (who uses a hyphen), and Mandelker. “A cannoneer” in Wiener. “Man by his side” in Bell.)
Gunner number one: Chapter 43, 46, and 47. (in Dole and Garnett. “a huge soldier with broad shoulders.” “Number One” in Dunnigan, Mandelker, and Maude. “Number one gunner” in Briggs. “Soldier number one” in Wiener. “Gunner No. 1” in Bell. "his favourite gunner" in Dole.)
Hardenberg: Mentioned: Chapter 1. (Maude spells it Hardenburg, which the Maude edition lists as a misspelling.)
Haugwitz: Mentioned: Chapter 1.
Hayne: Chapter 102. (this is slightly confusing, as Dole, who calls him (as does Bell) "the equerry", says he is "the same one who had accompanied the sovereign at the battle of Austerlitz")
Marie Heinrichovna: Chapters 177 and 178. Mentioned: Chapter 176. (“Mary Hendrikhovna” in Maude. “Marya Genrikhovna” in Wiener and Briggs. “Marie Henrikovna” in Bell. “Marya Gendrikhovna” in Mandelker. “Marya Hendrihovna” in Garnett. “Maria Hendrihovna” in Edmonds. “Marya Hendrikhovna” in Dunnigan. Also “wife” and Dole uses “doktorsha”, which Wiener calls “wife” and Bell calls “lady”.)
Hendrikof: Mentioned: Chapter 90. (“Handrikov” in Edmonds. “Khandrikov” in Maude, Mandelker, and Wiener. “Hendrikow” in Bell.)
Polish Count Holuchowsky: Mentioned: Chapter 130. ("...Golukhovski" in Dunnigan and Maude. "....Goluchowski" in Mandelker, Wiener, Edmonds, and Briggs. "Goloukhovsky" in Bell.)
Hurief: Mentioned: Chapter 60. (“Guryev” in Edmonds, Mandelker, and Maude. “Gurev” in Wiener. Bell cuts the ramblings he appears in.)
Hosner: Mentioned: Chapter 347. ("Gossner" in Wiener, Mandelker, and Maude.)
A hussar: Chapter 33.
The hussar, by whom Rostof was passing: Chapter 60. (there are many references to hussars in the chapter, but this is the one who speaks to him.)
Another Hussar: Chapter 30. (too late to attend to the horse)
Vasili Ignatyitch: Chapter 69. (a “little old man”.)
Ilagin: Chapters 135 and 136. (Bell offers an alternative in "Ilaguine". And his whipper-in and his groom, who may or may not be the same person.)
Lelorme d’Ideville: Chapters 194 and 245. (“Lelorgne d’Ideville” in Bell in an alternate reading. “Napoleon’s interpreter”.)
Ignat: Chapter 248. (the "dvornik" and also called "old man". "Ignace" in Bell.)
Ignatka: Chapter 159. (another valet, the one that brings the coat. Dunnigan prints “Ignashka”.)
Ilyin: Chapters 176, 177, 178, 200, and 201. Mentioned: Chapter 194. (also “young cornet”)
Ilyushka: Mentioned: Chapters 68 and 79. (“the Tsigan” as in Dole. “the gipsy” in Edmonds, Wiener, and Maude.)
Infantry-man: Chapter 33. (as in Dole. No hyphen in Briggs, Dunnigan, and Mandelker. Verbally spars with the hussar.)
Iogel: Chapters 78, 81, and 137. Mentioned: Chapters 76, 77, and 138. (also “Vogel”)
Ipatka: Mentioned: Chapter 68. (“the coachman”.)
Iulner: Chapter 168. (the French colonel. “Julner” in Mandelker, Briggs, and Garnett.)
A young Italian: Chapter 327.
Ivan: Chapter 135. ("our Ivan", the "quarelling huntsman".)
Ivan IV: Mentioned: Chapter 354. (the Dole footnote calls him "Ioann or Ivan the Terrible." Briggs, Edmonds, and Dunnigan use the latter. Garnett, Bell, and Wiener call him "John IV" for some reason.)
Mikhail Ivanof: Chapters 25, 26, 50, 96, 189, 190, 197, 198, and 343. Mentioned: Chapters 23, 73, 128, and 172. (as in Dole, “Michael Ivanow” in Bell, “Michael Ivanovich” in Maude, “Mihail Ivanov” in Edmonds and Garnett, “Mikhail Ivanych” in Dunnigan, “Mikhail Ivanovich” in Briggs and Mandelker. The French has “Michel Ivanoff”. Also “Mikhail Ivanuitch”, "Mikhail Ivanovitch", and the “architect”.)
Nastasya Ivanovna: Chapters 133 and 138. Mentioned: Chapter 181. ("the buffoon who bore the woman's name". Bell offers an alternate reading in "Nastacia Ivanovna".)
Varvara Ivanovna: Mentioned: Chapter 205. (as in Dole, Dunnigan, and Wiener. "Barbara Ivanovna" in Bell.)
Gavrilo Ivanuitch: Mentioned: Chapter 236. ("...Ivanych" in Wiener, Briggs, and Dunnigan. "Gabriel Ivanovitch" in Bell. "...Ivanich" in Edmonds. "...Ivanitch" in Garnett.)
Ilya Ivanuitch: Mentioned: Chapter 65. (the emperor’s “coachmen”. “Ilya Ivanych” in Mandelker, Dunnigan, and Briggs. “...Ivanitch” in Garnett.)
Nikita Ivanuitch: Chapters 264 and 265. ("Nikita Ivanitch" in Bell and Garnett. "...Ivanovich" in Wiener. "....Ivanych" in Briggs, Maude, and Mandelker.)
Madame Jaquot: Mentioned: Chapter 14. (as in Dole, “...Jacquot” in Wiener, Garnett, and Briggs, “Mme. Jacquot” in Bell.)
M. de Jobert: Chapter 232 (Bell spells out "Monseiur". Also her "directeur de conscience".)
His (Anatol) French Valet Joseph: Chapters 158 and 159.
Marshal Junot: Mentioned: Chapter 307 (and his Westphalians.)
Andrei Sergeyevitch Kaisarof: Chapter 209. (Paisi's brother. See above for spelling variations.)
Paisi Sergeyitch Kaisarof: Chapters 209, 222, and 230. (one of Kutuzof's adjutants. "Paisy Sergeich Kaisarov" in Dunnigan (with Garnett differing on just the second name with "Sergeitch"). Just "Kaysarov" in Maude, Briggs, and Mandelker. Also called "his adjutant".)
Field-Marshal Kamiensky: Mentioned: Chapters 28, 68, 91, 172, and 203. (“...Kamenski” in Bell. “....Kamensky” in Mandelker, Garnett, and Briggs. "Father Kamensky". Also "Count".)
Kaptenarmus: Chapter 41. (“or sergeant” in Dole. Carries a wooden cupful of dinner. “Quarter-master sergeant” in Edmonds, Briggs, and Dunnigan (does not use hyphen).
Karabakh: Chapters 305 and 306. (Petya's Little Russian horse.)
Karai: Chapters 133 and 134. (as in Dole. "an aged, deformed, ugly-faced hound". "Karay" in Briggs, Wiener, Garnett, and Edmonds. "Karae" in Bell. Also called "Karaiushka" in Dole. Maude, Edmonds, Bell, Wiener, and Briggs do not use this alternate name.)
Platon Karatayef: Chapters 272, 273, 287, 289, 307, 308, and 309. Mentioned: Chapters 288, 310, 326, 329, 331, 346, and 350. (also "little man", "Platosha", "illiterate man--half an idiot!", and "sokolik". Called "Platoche" in the French. "...Karatayev" in Edmonds and Dunnigan. "...Karataev" in Maude, Mandelker, and Garnett. Also in Platon's story, another man, his father, his brother Mikhailo, and his children. Also his wife and dead daughter are mentioned in his story.)
Julie Karagina: Chapters 8, 9, 10, 16, 17, 18, 23, 147, and 204. Mentioned: Chapters 128, 137, 144, 146, 150, 153, 167, 189, 205, and 211. (Also Mademoiselle Julie Karaguine. Garnett, Wiener, and Maude keep “Karagin” while Briggs puts “Karagina”. Edmonds keeps “Karagin” but drops “Julie”. Bell uses “Mlle. Karaguine” and “Mlle. Julie”. Also "daughter", "Heloise", “now the Princess Drubetskaya”, and “his wife”.)
Julie Karagina's brother: Mentioned: Chapter 128.
Marya Lvovna Karagin: Chapters 8, 9, and 10. Mentioned: Chapters 23, 128, and 137. (as in Dole and Garnett, “...Karagina” in Maude, “Madame Marya Karagin” in Briggs. Also "guest", "mother", and "mamma".)
Archduke Karl: Mentioned: Chapter 36. (Bell provides an alternative reading in “Charles”.)
Karolina: Mentioned: Chapter 54. (as in Dole and Mandelker. “Vengerka” or “The Hungarian”. “Caroline” in Wiener, Dunnigan, and Briggs. “Caroline la Hongroise” in Bell and Garnett.)
Karp: Chapters 200 and 201. Mentioned: Chapters 196 and 296.
Katitchka: Chapters 259 and 260. (as in Dole, Garnett, and Wiener. Also "little daughter", "youngest daughter", "child" and "little girl". "Katie" in Maude. "Katya" in Edmonds. "Katia" in Bell. "Katechka" in Briggs. "Katyechka" in Mandelker.)
Katya: Chapters 50 and 52. (another maid. Bell offers alternative reading in “Katia”)
Khvostikof: Chapters 158 and 159. (“Hvostikov” in Edmonds and Garnett. “Khvostikov” in Dunnigan, Briggs, Wiener, and Maude. “Gvostikow” in Bell.)
General Kikin: Mentioned: Chapter 280.
King of Prussia: Mentioned: Chapters 1, 36, 48, 88, 91, 337, and 355. (also as “Le roi de Prusse”, "Friedrich", “Prussian king” as in Dole or “King of Prussia” as in Edmonds, Bell, and Wiener. And his wife. The last mention should be understood as a different king than the one mentioned in the narrative.)
The King of Rome: Mentioned: Chapters 213 and 225. (Napoleon's son, called this "for some reason". "the son and heir of their beloved monarch.")
Mikhail Kiriluitch: Mentioned: Chapter 150. (seen by Count Rostof. “Mihail Kirillich” in Edmonds. “Mikhail Kirilich” in Dunnigan. “Michael Kirilovich” in Maude. “Mihail Kirillitch” in Garnett. “Mikhail Kirillych” in Briggs. “Mikhail Kirilovich” in Mandelker. “Mikhail Kirillych” in Wiener. “Michael Kirilovitch” in Bell.)
Kiriyusha the Foolish: Mentioned: Chapter 95. (...the crazy pilgrim” in Garnett. Dunnigan drops pilgrim.)
Captain Kirsten: Chapters 31, 34, and 57. (as in Dole, Garnett, and Wiener. “Kirstein” in Bell. “the second captain” and his “steady-going mare”, as in Dole.)
Kiselef: Chapter 322. ("Kiselev" in Wiener, Maude, and Dunnigan. This section is cut in Bell. "Kiselyov" in Mandelker. "Kiselov" in Garnett and Edmonds.)
Klauzewitz: Chapter 212. ("Klausewitz" in Wiener. "Klauzevitz" in Bell. "Clausewitz" in Maude, Mandelker, and Dunnigan. Also a Cossack with him.)
Kliucharef: Mentioned: Chapters 231, 236, and 237. ("Klyucharev" in Maude, Wiener, and Dunnigan. The "venerable old postmaster" and "the director of posts". "Klyucharyov" in Briggs and Mandelker. "Klucharov" in Garnett and Edmonds.)
Komarof: Chapters 299 and 302. ("Komarov" in Wiener, Edmonds, and Maude. "Komarow" in Bell. Also "his Cossack".)
Piotr Petrovitch Konovnitsuin: Chapters 202, 230, 281, 292, 293, and 324. Mentioned: Chapters 280, 295, and 325. (the general with a portfolio under his arm that brings it to Kutuzof. "Konovnitsyn" in Maude, Edmonds, and Garnett. See chapter 16 for variations on "Piotr".)
Count Kotchubey: Chapter 108. Mentioned: Chapters 107, 109, and 193. (as in Dole and Garnett. "Kochubey" in Edmonds, Wiener, and Maude. "Kochubei" in Dunnigan.)
Prince Kozlovsky: Chapters 29, 39, and 103. (as in Dole, Dunnigan, and Mandelker. “Kozlovski” in Wiener. An adjutant, one of Prince Andrei’s “colleagues”.)
Monsieur Krouq: Chapter 88. (as in Dole and Wiener, with the latter using just the M. “Monsieur Kroucy” in Bell. “Monsieur Kroug” in Mandelker and Dunnigan. “M. Krug” in Briggs. Edmonds
(who uses Monsieur), and Garnett.)
Prince Anatol Vasilyitch Kuragin: Chapter 7, 49, 50, 51, 52, 119, 147, 151, 152, 153, 155, 158, 159, 161, 162, and 224. Mentioned: Chapters 1, 5, 6, 8, 23, 48, 72, 118, 150, 154, 156, 157, 160, 163, 164, 172, 173, 181, 182, 212, 235, 258, and 276. (as in Dunnigan, Dole, and Wiener. “Anatole” in Briggs, Edmonds, etc. Mandelker, Maude, Bell, and Edmonds don’t print the second name. It’s “Vasilyevich” in Dunnigan. “Vasilich” in Wiener. Also "brother", "he", "brother-in-law", and "enemy".)
Prince Ippolit Kuragin: Chapters 2, 3, 4, 5, 37, 88, 89, and 261. Mentioned: Chapters 1, 6, 48, and 51. (as in Dole and Dunnigan. “Hippolyte” in Edmonds, Bell, and Maude. Also with the nickname "Don Juan" and “Le Prince Hippolite Kouraguine”.)
Prince Vassily Kuragin: Chapters 1, 2, 3, 4, 8, 13, 14, 19, 20, 21, 22, 48, 49, 50, 51, 52, 87, 88, 193, 233, 261, and 262. Mentioned: Chapters 5, 6, 12, 23, 56, 72, 147, 153, 327, 333, and 347. (Vasili in Edmonds and Dole, “Basil” in Bell. Also referred to as "Basile". Also referred to as “Prince Vasili Sergeyevitch”, as in Dole. The second name, with the normal Vasili variations in the translations, is “Sergeyevich” in Dunnigan and Edmonds, just “Kuragin” in Briggs, “Sergyevitch” in Garnett, “Sergeevich” in Maude and Mandelker, “Sergyeevich” in Wiener, Bell doesn’t use the second name at all. Also called “excellency”, or “Serenity” as in Wiener.)
Princess Alina Kuragina: Chapters 49 and 233. Mentioned: Chapters 19, 48, 111, and 189. (as in Dole. “Aline” is her first name in Briggs, Edmonds, and Dunnigan. Vasili’s wife, "Ellen's mother", "maman", "old princess", and "his mother-in-law".)
Prince Kurakin: Mentioned: Chapters 167, 170, and 188.
Kutaisof: Mentioned: Chapter 262. (also "protege" and "commander-in-chief".)
Count Mikhail Ilarionovitch Kutuzof: Chapters 28, 29, 31, 39, 58, 59, 62, 63 172, 202, 203, 208, 209, 217, 222, 229, 230, 251, 279, 280, 281, 283, 291, 293, 320, 324, and 325. Mentioned: Chapters 1, 3, 4, 8, 25, 26, 27, 35, 36, 38, 40, 41, 42, 43, 47, 54, 55, 56, 61, 64, 65, 68, 69, 73, 193, 194, 205, 206, 207, 210, 212, 216, 228, 231, 236, 245, 249, 250, 262, 263, 264, 277, 278, 284, 285, 292, 294, 295, 296, 313, 314, 318 and 319. (as in Dole, Kutuzov in Garnett and Wiener. Full name Mikhail Illarionovitch Kutuzov according to Garnett note. “Koutouzoff” or "Koutouzov" in French. “Koutouzow” in Bell. "Ilarionovich Kutuzov” in Wiener and Mandelker, “Mihail Ilarionovich…” in Edmonds, “...Ilarionovitch…” in Garnett. Briggs just shortens it to “General Kutuzov”. “chief”, “highness”, “general-in-chief”, “his former general”, “old general”, “serene highness”, “chief of the Petersburg landwehr”, “prince of the empire”, "old man", "old actor", "serenity", "little grandfather", "the old gentleman", "His serene highness, the prince", "field-marshal", "chief commander", “commander-in-chief”, "old commander-in-chief", "deceitful courtier", and "father" to Andrei. “excellency” in Edmonds, Maude, and Dunnigan. Also called “General Field Marshal Kutuzof“ in Dole, Dunnigan, and Maude (with an extra hyphen). “General Prince…” in Bell. “Field-Marshal…” in Wiener. Called “Mikhail Larionovitch” by Alexander. Also has "Prince" as a title" before his name. He also has a courier, house-steward, and his "little bay cob". Also a Cossack that brings out a bench for him. Also a young calvary officer who is Kutuzof's orderly, his gray cob also called "stout white cob", and a messenger who comes to him.)
Pavel Ivanovitch Kutuzof: Mentioned: Chapters 69 and 70. (Bell and Mandelker call his first name “Paul”. Dole, Garnett, and Wiener use “Pavel.” Briggs full names him as “Pavel Ivanovich Golenishchev-Kutuzov.”)
Kurbsky: Mentioned: Chapter 354. (Wiener's "Kurbski" is an alternative reading. Bell puts "Courbsky")
Madame Kwudener: Mentioned: Chapter 348. (as in Dole and Maude. "...Krudner" in Garnett, Bell (who doesn't use Madame), and Wiener.)
Mavra Kuzminitchna: Chapters 239, 240, 243, and 248. (also "the former housekeeper", "the old woman", "little auntie", and "old keywoman". "...Kuzminishna" in Wiener, Edmonds, and Dunnigan. "...Kouzminichna" in Bell.)
The Lackey: Chapter 20.
Lackey: Chapter 20. ("loud, insolent")
A Lady: Chapter 19, 20, and 21. ("strange")
Le Comte de Langeron: Chapter 59. Mentioned: Chapters 58, 62, 65, and 68. (just “Count Langeron” in Bell in a variant reading. Also "Count de Langeron".)
Lanfrey: Mentioned: Chapter 352. (as in Dole, Edmonds, and Bell. "Lanvrey" in Wiener.)
Lannes: Chapter 65. Mentioned: Chapters 38 and 45.
Lanskoi: Mentioned: Chapter 277. ("Lanskoy" in Wiener, Maude, and Dunnigan. "Lauskoi" in Bell.)
Doctor Larrey: Mentioned: Chapter 66.
Count Lauriston: Mentioned: Chapters 167, 278, 291, 293, and 319. (also see Bromfield’s version of Chapter 144.)
Lavater: Mentioned: Chapter 1. (Lafater in Wiener.)
Lavrushka: Chapter 30, 97, 98, 130, 176, 177, 194, 200, 201, and 267. (as in Dole, Maude, and Briggs. Lavrushka is Denisof’s “rascally valet”, as in Dole, “orderly...rogue” in Maude, Dunnigan, and Edmonds. “Valet...rogue” in Garnett. “Lackey...rogue” in Wiener. Also “Cossack”, “Denisof’s Serf”, "Idiot-durak", and “enfant du Don”.)
Lazarchuk: Mentioned: Chapter 98.
Lazaref: Chapter 103. (as in Dole. "Lazarev" in Briggs, Edmonds, Dunnigan, and others.)
Lemarrois: Mentioned: Chapters 40, 41, and 43. ("Napoleon's aide." as in Dole. “The aide-de-camp who acted as courier” in Bell. “Adjutant” in Maude, Edmonds, and Dunnigan.)
Leppich: Mentioned: Chapters 205, 231, and 250.
Count Lichtenfels: Mentioned: Chapter 36. (as in Dole, Mandelker, and Wiener. “Lichtenfeld” in Bell.)
Likhatchef: Chapter 305. (a Cossack. "Lihachov" in Edmonds. "Lihatchev" in Garnett. "Likhachov" in Briggs and Mandelker. "Likhachev" in Maude, Dunnigan, and Wiener. "Likhatchow" in Bell.)
Liubim: Chapter 134. (as in Dole. "Lyubim" in Briggs, Dunnigan, and Edmonds. "Lyubin" in Wiener. "Lyubima" in Garnett. "Liubime" in Bell.)
Liubomirsky: Mentioned: Chapter 188. (“Lubomirsky” in Edmonds, Garnett, and Mandelker. “Lyubomirsky” in Briggs.)
Liza: Mentioned: Chapter 350. (or "Lisa")
Prince Lopukhin: Chapter 145. Mentioned: Chapter 193. (as in Dole, Mandelker, Wiener, and Briggs. “...Lopuhin” in Garnett and Edmonds. “...Lapoukhine” in Bell.)
Dr. Lorrain: Chapters 13, 19, 20, 21, and 22. Mentioned: Chapter 8. ("The French doctor")
Louis XIV: Mentioned: Chapters 351 and 354.
Louis XV: Mentioned: Chapters 3 and 354. (Louis Quinze in Dunnigan and Garnett.)
Louis XVI: Mentioned: Chapters 72, 83, and 354.
Louis XVIII: Mentioned: Chapters 4, 351, and 354. (as in Dole and Wiener, “Louis the Sixteenth” in Garnett, “Louis XVI” in Bell, Edmonds, and Dunnigan, “Louis XVII” in Maude.)
Empress Maria Louisa: Chapter 166. Mentioned: Chapter 143, 213, 216, 225, and 337. (as in Dole and Bell. “..Marie Louise” in Maude, Dunnigan, and Edmonds. “...Maria Theresa” in Wiener. Emperor Franz's daughter and Napoleon's wife. Also "Austrian emperor's daughter" and "daughter of the Kaisers".)
Louis Philippe: Mentioned: Chapter 354.
The Esaul Mikhail Feoklituitch Lovaiski: Chapters 299, 300, 301, 302, 303, and 306. (Mandelker calls him "Esaul Lovaysky the Third". Briggs calls him "Hetman Lovaysky the Third". "Esaul Lovaisky the Third" in Dunnigan. See chapter 23 for variations on "Mikhail". The second name is "Feoklititch" in Garnett. "Feoklitych" in Dunnigan, Edmonds, and Mandelker. Briggs drops this name. "Theoclititch" in Bell. "Feoklitich" in Wiener. And his Cossacks.)
Mlle. Luisa: Mentioned: Chapter 349. ("Mlle. Louise" in Wiener, Maude, and Garnett (the latter two use "Mademoiselle". The nurse is also mentioned by Marya, but it is unclear who this is supposed to be.
Ivan Lukitch: Chapter 41. (as in Dole. “Ivan Lukich” in Wiener, Edmonds, and Mandelker. “Ivan Loukitch” in Bell. Dolokhof’s captain.)
General Mack: Chapter 29. Mentioned: Chapters 27, 30, 31, 35, 36, 38, 39, 40, 174, and 337. (as in Dole and Briggs. Garnett, Wiener, and Mandelker just have “Mack”. When he arrives, is “the unknown general” temporarily.)
Mr. Magnitsky: Chapter 121. Mentioned: Chapter 108, 237, 348. (as in Dole and Dunnigan. Edmonds, Mandelker, and Maude (who spells it "Magnitski", as does Wiener, who drops the title before his name) use Monsieur, Garnett and Bell use M. He is the "chairman of the Commission for Revising the Military Statutes".)
A Maid: Chapter 20.
Rostova's Maid: Chapter 15.
An Old Maid: Chapter 140.
J. Maistre: Mentioned: Chapter 314 (as in Dole and Wiener. See Bromfield in post on chapter 88 and Pevear and Volkhonsky note in chapter 193. "Joseph de Maistre" in Maude, Edmonds, and Mandelker. Bell cuts the name.)
A stout major: Chapter 41. (who berates the man being punished)
Makarin: Chapters 158, 159, and 161. (also “Makarka”. “Makarine” is the first name in Bell.)
Anna Makarovna: Chapter 347. (since she knitted the stockings, I think it is likely that Tolstoy had already forgotten the second name for Byelova.)
Makayef: Chapter 322. (a red-haired soldier. "Makyeev" in Wiener. "Makeef" in Bell. "Makeev" in Mandelker and Maude. "Makeyev" in Dunnigan, Briggs, and Edmonds. "Makyev" in Garnett.)
Makeyef: Chapters 99 and 100 (“Makeiew” in Bell. “Makeev” in Mandelker and Garnett. “Makeyev” in Briggs, Edmonds, and Dunnigan. “Russian feldsher or assistant” as in Dole. “Russian trained assistant” in Garnett. “Russian feldsher” in Dunnigan. “Russian assistant” in Edmonds, Wiener, and Maude.)
Maksimka: Mentioned: Chapter 68. (as in Dole, Briggs, and Wiener. “Maxim” in Edmonds. “Maksim” in Maude and Mandelker. “the gardener”.)
Malasha: Chapter 230
Malvina: Mentioned: Chapter 343.
Anna Ignatyevna Malvintseva: Chapters 265 and 266. Mentioned: Chapter 274. (as in Dole, Mandelker, and Dunnigan. Edmonds and Garnett just remove the final e. "...Ignatevna Malvintsev" in Wiener. "Anna Ignatievna" and "Madame Malvintzew" in Bell. Princess Marya's aunt. Also "widow" and "auntie".)
Count Mamonof: Mentioned: Chapters 187, 204, 256, 257, and 264. (“...Mamonov” in Wiener, Garnett, and Maude. “...Mamonow” in Bell. His Cossacks are mentioned.)
Princess Katerina Semyonovna Mamontof: Chapters 13, 14, 19, 20, 21, 22, 48, 205, 326, 327, and 332. Mentioned: Chapter 204. (“........Mamontov” in Dunnigan, Briggs, and Garnett. “...Semenovna Mamontov” in Wiener. “Catherine Semenovna Mamontov” in Maude, the same in Bell except the last name not mentioned. “Katerina Semeonovna Mamontov” in Edmonds. The oldest princess or niece of Bezukhov. Prince Vasili calls her “Katish”, as in Dole, Garnett, and Dunnigan, “Katerina” in Wiener, “Katishe” in Edmonds, “Catiche” in Bell and Maude. Also “the lady” and “princess” in Dunnigan and Briggs. Vasili also calls her “cousin” consistently. Also called the “sharp-tempered elder sister”. She is described as "the one with the long waist". She also mentions servants and maids.)
The old man: Chapters 133, 134, 135, and 136. Mentioned: Chapters 139 and 181. (that Nikolai calls "little uncle", a neighbor and distant relative of the Rostofs. Also "Michael Niknorovitch".)
An old man of Catherine's time: Chapter 108.
Old man servant of the princesses: Chapter 20.
The man who was undergoing the punishment: Chapter 41. (as in Dole. just “the man” in Maude, Dunnigan, and Mandelker. “The punished man” in Wiener. “The victim” in Bell and Edmonds.)
A younger man: Chapter 42. (talking with Tushin. Just “a younger voice” in Bell, Maude, and Wiener.)
A young man, in a militia-uniform: Chapter 204. (whom Julie calls "Mon chevalier". Bell translates this as "My knight".)
a dear little old man: Mentioned: Chapter 310 (from Switzerland that taught Pierre geography, as remembered in Pierre's dream.)
Count Markof: Mentioned: Chapters 56 and 68. (as in Dole. “Markov” in Maude, Mandelker, and Wiener. “Markhow” in Bell.)
Mars: Chapter 130. (Nikolai's "roan stallion...terribly fiery steed." "extremely viscious grey stallion" in Maude and Edmonds. "a brute of a stallion" in Briggs.)
An old field marshal: Chapter 107. (as in Dole, Briggs, and Mandelker (the latter two use a hyphen), who helps Andrei get his plan to the sovereign and his appointment with Arakcheyef.
Masha: Chapters 50 and 52. (the little princess’s “maid”)
Mashenka: Chapter 346. (or "Masha". Natasha and Pierre's daughter.)
Grand Master of the Supreme Lodge: Chapter 86. Mentioned: Chapters 92, 110, and 113. (Garnett opts not to capitalize. Also “preceptor-brother”. “Brother-instructor” in Mandelker, Wiener (no hyphen), and Maude. “Brother and mentor” in Briggs. “Preceptor and brother” in Garnett. "brother-preceptor" in Dunnigan and Edmonds.)
The station master: Chapters 83 and 84. (Dole later adds a hyphen between “station” and “master”. “the post-master” in Bell, Maude, and Edmonds. “the inspector” in Wiener. “Postmaster” in Mandelker and Dunnigan. “Station-master” in Briggs. “Overseer” in Garnett.)
Fraulein Mathilde: Mentioned: Chapter 30. (though “Matilda” in Wiener.)
Prince Auersperg von Mautern: Mentioned: Chapter 36 and 48.
Matriona Matveyevna: Chapter 159. (as in Dole and Edmonds. the one that has the coat. “Matryona...” in Briggs and Garnett. “Matryona Matveevna” in Mandelker. “Matryona Matrevna” in Dunnigan. “Matrena Matrevna” in Maude. Also “Matrioshka”. “Matryosha” in Briggs and Mandelker. Edmonds, Maude, and Dunnigan do not use a second name. “Matrena Matfeievna” in Bell. “Matrena Matvyeevna” in Wiener.)
Kirill Matveyitch: Mentioned: Chapter 116. ("...Matveich" in Edmonds. "Kirilla Matveitch" in Garnett. "Cyril Matveich" in Maude. "Kiril Matveich" in Mandelker and Dunnigan. "Kirila Matveich" in Briggs. "Kirill Matveyeevich" in Wiener. "Cyril Matveevich" in Bell.)
Medvyedef: Chapter 43. (in Dole. “Medvedev” in Edmonds, Briggs, and Dunnigan. Also “Number Two”.)
Lisa Meinen's father: Mentioned: Chapter 25.
Pelagya Danilovna Melyukova: Chapter 140. Mentioned: Chapters 139 and 141. ("Madame Melyukov" in Edmonds, Wiener, and Briggs. "Mme. Melukow" in Bell. She appears to be who the count refers to as "Pasheta", as in Dole and Wiener. "Pashette" in Dunnigan, Maude, and Edmonds. Bell doesn't use this name. Dole offers a variant spelling of "Melyukovka" later in the chapter, as does Briggs, Wiener, and Edmonds. "Pelageya Danilovna Melyukova" in Maude, Dunnigan, and Mandelker (Wiener drops the final a, but is the same). "Pelagea Danilovna Melyukov" in Garnett. "Pelagueia Danilovna Melukow" in Bell. Also her undifferentiated daughters. Also "Mamasha" and "Mamma".)
Prince Meshchersky: Chapter 163. (as in Dole and Briggs. “Meshtchersky” in Garnett. “Meshcherski” in Wiener. “Mestchersky” in Bell.)
Metivier: Chapters 145 and 155. Mentioned: Chapters 180 and 184. (Bell adds M. to the front of his name for Monsieur.)
Metternich: Mentioned: Chapters 165, 352, and 354. (Dunnigan replaces reference to him with Napoleon.)
Colonel Michaud: Chapters 174, 175, and 263. (also "Mr. Michaud", "the Frenchman Michaud", and "colonel".)
Michelson: Mentioned: Chapter 24. (as in Dole and Bell, “Mikhelson” in Wiener, Dunnigan, and Briggs, “Mihelson” in Garnett, “Mikhelsen” in Mandelker.)
Mikhaila: Chapters 67 and 133. Mentioned: Chapter 132. (“Mihail” in Edmonds. “Michael” in Maude. “Mikhayla” in Wiener. “Michel” in Bell. “Mikhailo” in Mandelker. “Mikhaylo” in Briggs. “Mihailo” in Garnett. “Mikhail” in Dunnigan. Also Mikhaila. Wiener calls him "Mikhayla" and Bell calls him "Mikailo".)
Mikhailo Mitritch: Chapter 27. (as in Dole, “Mikhail Mitrich” in Dunnigan, Briggs, and Mandelker, “Michael Mitrich” in Maude. A major.)
Milka: Chapters 132, 134, and 135. Mentioned: Chapter 347. ("the black-spotted bitch" and "Milka I".)
Borzaya Milka; Chapter 347. ("Milka the swift". "Old greyhound Milka" in Wiener. "the old grey borzoi bitch" in Mandelker and Maude (Dunnigan just drops "grey").)
The little old miller: Mentioned: Chapter 65. (who used to fish where the battle was. Maude and Mandelker drop “little”, as does Wiener, who changes “the” to “an”. Bell changes “little” to “good”.)
His grandson: Mentioned: Chapter 65.
Miloradovitch: Chapters 59, 62, 283, and 318. Mentioned: Chapters 58, 206, 228, 280, 292, 295, and 333. (as in Dole and Bell. “Miloradovich” in Wiener, Briggs, and Mandelker. Also "chevalier sans peur et sans reproche".)
Mimi: Chapters 9 and 11. (the doll)
Minister of war: Chapters 35 and 48. Mentioned: Chapters 36, 37, and 39.
Mironof: Chapter 34. (as in Dole. “Mironov” in Wiener, Briggs, and Edmonds, “Mironow” in Bell. A “yunker”)
Misha: Chapter 138. (the lackey Natasha sends to get "some oats". "Micha" in Bell.)
Mishka: Chapter 7. Mentioned: Chapters 8, 14, 16, and 70. (as in Dole. Also "cub", "Young bear" in Garnett. "bear-cub" in Bell and Edmonds. "Bruin" in Pevear and Volokhonsky, Briggs, and Maude.)
Mishka: Chapters 248 and 256. (the groom and Vasilyitch's grandson. "Michka" in Bell. Called a Cossack in Wiener.)
Mitenka's Wife: Chapter 131.
Mitenka's Wife's Sister: Chapter 131.
Mitka: Chapter 133. (another "whipper-in" and "huntsman".)
Mitka: Chapter 136. (who plays the Ukrainian guitar.)
Ivan Mitrich: Mentioned: Chapter 61. (a sergeant mentioned in Tolstoy’s explanation of a soldier and his relation to where he is going. “Ivan Mitritch” in Garnett. Dunnigan adds “Sergeant Major”.)
Ilya Mitrofanuitch: Mentioned: Chapter 349. ("...Mitrofanych" in Briggs, Dunnigan, and Edmonds.)
Mitya: Mentioned: Chapters 349 and 350. (or "Mitenka")
Monk: Mentioned: Chapter 26.
Vicomte de Montemart: Chapters 2, 3, 4, 5, 88, and 89. Mentioned: Chapters 1 and 48. (“...Mortemart” in Wiener, Bell, Garnett, etc. Also "the viscount", "emigre", and "Royalist".)
General Morand: Mentioned: Chapter 214.
Moreau: Mentioned: Chapter 25.
Morel: Chapters 255 and 323 (the servant.)
Mortier: Mentioned: Chapters 35 and 36.
L’abbe Morio: Chapters 2, 3, and 86. Mentioned: Chapters 1 and 5. ("Abbe Morio" in Garnett, Bell, Edmonds, etc. Also "the Abbe" and “the Italian abbate”.)
General Mouton: Mentioned: Chapter 294.
Mudrof: Mentioned: Chapter 180. (“Mudrov” in Wiener, Dunnigan, and Maude. “Moudrow” in Bell.)
Prince Murat: Chapters 168, 221, and 252. Mentioned: Chapters 36, 38, 40, 41, 43, 169, 210, 213, 220, 223, 255, 277, 279, 282, 283, 285, 286, 291, 311, 312, and 321. (who is also called "the commander-in-chief", "Roi de Naples" or “the King of Naples”, "vice-king", "nachalnik", "tsar", and "viceroy". Gets the prefix “Marshal” in Bell and Dunnigan. “Messrs. Marshal” in Dole. “Messieurs les Marechaux” in Garnett, Edmonds, and Mandelker. Also called “Gascons”.And his aide or aide-de-camp. Also his wife is mentioned.)
Napoleon III: Mentioned: Chapters 353, 354, 355, and 359.
A Negro: Mentioned: Chapter 139. (that they believed they saw in their house when they were little. Briggs prints "black man".)
Alexander Naruishkin: Chapter 69. (“Naryshkin” in Dunnigan, Maude, and Edmonds.)
Marya Antonovna Naruishkina: Chapter 119. Mentioned: Chapters 118 and 347. (as in Dole, Wiener, Garnett, and Mandelker. "Maria Antonovna" in Edmonds, with an added parenthetical of "this was the Tsar's favourite." "Marie Antonovna" in Bell. Edmonds spells the last name "Naryshkin". Dunnigan, Mandelker, and Maude: "Naryshkina". "Narishkin" in Garnett. Wiener just uses "Mme. M. A. Naryshkin." "Marie Antonovna Naryschkine" in Bell.)
little Natasha: Chapters 343 and 347. (also "daughter")
Prince Nesvitsky: Chapters 28, 29, 32, 33, 34, 39, 56, 63, 69, 70, and 71. Mentioned: Chapters 59, 62, and 235. (as in Dole, Mandelker, and Bell. “Nesvitski” in Wiener. Also spelled “Nezvitsky" by Dole. Also referred to as “general”. and called “Mister Staff Officer”. And “on his Cossack’s horse”, called a “Bedouin”.)
Nevyerovsky: Mentioned: Chapter 188. (as in Dole and Dunnigan. “Neverovsky” in Bell, Mandelker, and Dunnigan.)
Ney: Chapters 214 and 221. Mentioned: Chapters 220, 290, 312, and 313. (also "Duke of Elchingen". Briggs adds Marshal prefix.)
Nikitenko: Chapter 45. (as in Dole, Mandelker, and Edmonds. “Nikolenko” in Dunnigan. “Nikitenka” in Bell. “a hussar”)
Nikita: Chapter 138. (the lackey Natasha makes get a "cock.")
Apollon Nikolayevitch: Mentioned: Chapter 143. ("....Nikolayevich" in Briggs, Dunnigan, and Edmonds. "....Nikolaevich" in Mandelker and Wiener. Bell cuts the name and just uses “a friend”.)
Marya Nikolayevna: Chapter 259. Mentioned: Chapter 260. (Also "the woman", "mother", and "wife". Has two little girls and a little boy, who has an old nurse, with her. Also the husband of the family, who is referenced as "chinovnik".)
Count Nostitz: Mentioned: Chapters 29 and 40. (Garnett provides “Nostits”.)
Novikof: Mentioned: Chapter 84. (“Novikov” in Briggs, Dunnigan, and Garnett.)
Novosiltstof: Chapter 62. Mentioned: Chapters 1 and 107. (Novosiltsov or Novosiltsev in Pevear and Volokhonsky, the former being in the text, the latter being in the endnote, the latter used by Dunnigan. Full name, as in Garnett endnote, Count Nikolay Nikolayevitch Novosiltsov. “Novosiltsov” in Edmonds and Wiener. "Novosiltsev” in Maude, Briggs, and Mandelker. "Novosiltsow” in Bell.)
Nurse: Chapters 18, 117, 127, 239, 345, 348, and 350. Mentioned: Chapters 53, 54, and 132. (as in Dole, Wiener, and Bell. “Nanny” in Pevear and Volokhonsky, usually has the prefix “old” in front.
“His old nurse” in Dole. Also "old nyanya". "the nanny" in Mandelker. "old nurse" in Briggs, Dunnigan, Bell, and Edmonds. Just "nurse" in Wiener.)
The wet nurse: Chapter 90.
Fedya Obolyensky: Mentioned: Chapters 184, 185, 204, and 238. (“Obolenski” in Maude and Wiener. “Obolensky” in Mandelker, Edmonds, and Garnett.)
Kitty Oduintsova: Mentioned: Chapter 24. (as in Dole, “....Odyntsova” in Dunnigan and Maude, “...Odyntsov” in Edmonds and Briggs, “...Odyntsev” in Wiener, “...Odintzow” in Bell, “...Odintsov” in Garnett, “...Ordyntseva” in Mandelker.)
Officer: Chapter 39. (the one who is beating the man.)
An officer, Tushin’s comrade: Chapter 46. (as in Dole. “.....companion” in Wiener. “Tushin’s companion officer” in Mandelker, Edmonds, and Maude. “The officer second in command to Tonschine” in Bell. “The other officer, Tushin’s comrade” in Garnett. “One of Tushin’s fellow officers” in Briggs. “Another officer, Tushin’s comrade” in Dunnigan.)
The Austrian officer: Chapters 61 and 62. (And has an adjutant)
Officer of his suite: Chapters 32 and 34. (as in Dole, Dunnigan, and Wiener. “one of his staff officers” in Briggs, “a staff-officer” in Maude and Bell (the latter not using the hyphen, but a space instead), “an officer of his staff” in Edmonds.)
An infantry officer: Chapter 42, 44, and 47. (who interrupts Tushin and the younger man’s conversation. Also "company commander")
An infantry officer: Chapter 33. (the one eating the apple.)
An officer on duty: Chapters 41, 43, 44, 46, and 47. Mentioned: Chapter 42. (as in Dole, Mandelker, and Bell. The latter two use “the” instead of “an”. “The detachment officer of the day” in Wiener. Also referred to as “the staff officer” and "colonel".)
The officer on guard: Mentioned: Chapter 38. (as in Dole and Bell. The one who lets the French cross the bridge. “Officer of the day” in Wiener. “Officer on duty” in Garnett.)
A non-commissioned officer: Chapter 33. (as in Dole and Dunnigan (no hyphen in the latter). “NCO” in Briggs. “A sergeant” in Mandelker, Maude, and Edmonds. “Under-officer” in Wiener. “Sub-altern” in Bell.)
The Police Officer: Mentioned: Chapters 8, 16,
The principal officer of the garrison of Glogau: Mentioned: Chapter 91. (“the head of the garrison…” in Maude. “The chief of the…” in Wiener. “The colonel….” in Bell.)
A Russian Officer: Chapter 35. (in Dole, Dunnigan, and Wiener (the last two choosing “the”), “the officer in command” in Bell.)
Subaltern Officer: Chapter 28.
A young officer: Chapter 41. (who turns away and looks at Andrei.)
An official: Chapter 35. (who sends Andrei to another entrance.)
Duke of Oldenburg: Mentioned: Chapters 145 and 165. (also “Duchy of Oldenburg (or "Oldenbourg")”. Bell uses “Grand Duchy of Oldenburg”. Also Prince as a title.)
Olga: Chapters 14, 19, 21, and 22. Mentioned: Chapter 48. ("the younger princess", "second niece", and "second sister")
Dmitri Onufriyitch: Mentioned: Chapter 19. (as in Dole. “...Onufriich” in Wiener. “...Onoufrievitch” in Bell. “...Onufrich” in Edmonds, Maude, and Dunnigan. “Dmitry Onufritch” in Garnett. He is the “count’s lawyer” in Dole, “the family solicitor” in Garnett, Briggs, and Mandelker.)
An Orderly: Chapter 43 and 59. (part of Bagration’s suite.)
Count Orlof: Mentioned: Chapters 12, 25, and 68. (as in Dole, “...Orlov” in Wiener, Mandelker, and Briggs, “Orlow” in Bell)
The other: Chapter 33. (as in Dole, Bell, and Garnett. “Another” in Wiener. “Another one” in Briggs)
Marshal Oudinot: Mentioned: Chapter 97.
The chief overseer: Chapters 92, 205, and 327. (both with and without a hyphen and also “head overseer” in Dole. “the head steward” in Dunnigan. “Chief steward” in Edmonds, Bell, and Maude. “Chief superintendent” in Wiener.)
Pahlen: Mentioned: Chapter 25.
Marchese Paulucci: Chapter 175. Mentioned: Chapters 173, 174, and 188. (general-adjutant and a Sardinian refugee. Wiener, Dunnigan, and Bell use “Marquis” as the title. Also “excited Italian”.)
Emperor Alexander Pavlovitch: Chapters 55, 57, 58, 62, 102, 103, 119, 166, 167, 168, 175, 176, 185, 187, 263, 279, 324, and 325. Mentioned: Chapters 1, 4, 6, 8, 16, 17, 19, 23, 26, 28, 29, 30, 36, 37, 40, 48, 49, 50, 51, 54, 56, 59, 60, 64, 65, 66, 68, 69, 87, 89, 90, 91, 93, 97, 98, 100, 101, 104, 107, 108, 112, 113, 117, 118, 120, 121, 128, 144, 145, 165, 169, 170, 171, 173, 174, 182, 183, 184, 186, 188, 189, 190, 192, 193, 194, 195, 204, 205, 228, 229, 245, 251, 261, 262, 278, 286, 293, 296, 300, 319, 320, 335, 336, 338, 348, 351, 352, 353, and 355. (as in Dole. “....Pavlovich” in Edmonds and Wiener. Also "tsar", "Russian tsar", and "the Tsar". Also “Emperor of Russia” and “his Highness” in Wiener. “the sovereign”, capitalized and uncapitalized in Dole. “the emperor”, obliquely referenced to as “the sun.” Also “gosudar-imperator” or “Sovereign the Emperor”, and “Alexander the First”. "angel", "majesty", and "his Majesty the Emperor” or “Czar”, as in Bell. Also in German, “Kaiser Alexander” and also “his most august majesty", "the grandson of the great Catherine", “an angel in the flesh”, as in Dole and Wiener. “angel incarnate” in Edmonds, Mandelker, and Maude. “Angel on Earth” in Bell. Napoleon calls him “my brother” and “Monsieur, mon Frere”. Also “monarch”, “our most devout autocrat and ruler, our great sovereign”, “l’Empereur Alexandre”, "Emperor Alexander the First", "friend and brother", “batyushka”, and “father”.)
Grand Duke Konstantine Pavlovitch: Chapters 55, 64, and 324. Mentioned: Chapters 53, 54, 168, 173, 188, 193, and 261. (as in Dole. “....Konstantin….” in Garnett. “.....Konstantin Pavlovich” in Wiener, Edmonds, and Dunnigan. “....Constantine Pavlovich” in Mandelker. Just “Grand Duke Constantine” in Bell. Just “Grand Duke Konstantin” in Briggs. “Tsesarevitch” as in Dole, with a footnote of “The crown prince.” “Czarevitch” in Bell. “Tsarevich” in Mandelker, Dunnigan, and Briggs. “Tsarevitch” in Garnett. Also "heir-apparent" and “any one”.)
Pelageyushka: Chapters 95 and 96. (the old woman. “Pelagueiouchka” in Bell provides an alternate reading. Also "the pilgrim woman".)
General Pernety: Mentioned: Chapter 214. ("...Pernetti" in Wiener, Edmonds, and Bell.)
Marya Ignatyevna Peronskaya: Chapters 117, 118, and 119. Mentioned: Chapter 114. (as in Dole, Mandelker, and Maude. "Madame Peronsky" in Garnett, Edmonds, and Briggs. "Peronski" in Wiener. "Peronnsky" in Bell. as in Dole, Garnett, and Dunnigan. "...Ignatievna..." in Mandelker. "...Ignatevna.." in Wiener, just "Marya..." with no second name in Briggs. "Maria Ignayevna..." in Edmonds. "Marie Ignatievna..." in Bell. "a freilina" in Dole. Also "a maid of honour".)
Peter the Great: Mentioned: Chapters 145 and 215. (Rostopchin mentions his “cudgel”. also "Peter I".)
Peter the Hermit: Mentioned: Chapter 354.
Petinka: Mentioned: Chapter 90. (“Petya” in Briggs. “Petenka” in Garnett, Edmonds, and Dunnigan.)
Petrof: Mentioned: Chapter 322. ("Petrov" in Garnett, Mandelker, and Dunnigan.)
Emperor Paul Petrovitch: Mentioned: Chapters 1, 23, 50, 186, 196, and 337. (this is Paul I, which is what Bell uses. “Paul Petrovich” in Wiener. “Tsar Pavel Petrovitch” in Garnett (Dunnigan uses the same, though removing the t in the last name). “Tsar Paul” in Edmonds, Maude, and Mandelker. Also "Late Emperor.")
Katerina Petrovna: Chapter 264. Mentioned: Chapter 265. (as in Dole, Edmonds, and Dunnigan. "Catherine Petrovna" in Maude.)
Petrusha: Chapters 90 and 189. (a valet who brings documents.)
Petrusha: Mentioned: Chapter 186. (the cook. I somewhat suspect that Tolstoy had forgotten that the cook of the English club is named Feoktist.)
Petrushka: Chapter 26. (as in Dole, Briggs, and Wiener. “Petroucha” in Bell. The valet.)
little Petya: Chapter 345. Mentioned: Chapter 350 (also "little son" and "baby")
Pfuhl: Chapters 174 and 175. Mentioned: Chapters 170, 173, 188, and 324. (as in Dole and Garnett. “Pfuel” in Maude, Briggs, and Mandelker. “the principal originator of the plan of the campaign”.)
Their own domestic physician: Mentioned: Chapter 90. (this is probably the Karl Ivanuitch mentioned later in the chapter. “Karl Ivanych” in Dunnigan and Wiener. “Karl Ivanich” in Edmonds, Mandelker, and Maude. “Carl Ivanitch” in Bell.)
Prince Piogorovsky: Mentioned: Chapter 229. ("...Prozorovski" in Maude. "Prozorovsky" in Briggs, Mandelker, and Garnett.)
Piotr: Chapter 104 Mentioned: Chapter 39. (as in Dole and Edmonds. Andrei’s “man”. Perhaps his driver from earlier. “Peter” in Maude and Wiener. “Pyotr” in Garnett, Dunnigan, and Mandelker. “Pierre” in Bell.)
M. Pitt: Mentioned: Chapter 14.
Matvyei Ivanuitch Platof: Mentioned: Chapters 97, 98, 101, 191, 194, 229, 236, 292, 295, and 322. (“Platov” in Dunnigan, Mandelker, and Wiener. “Platow” in Bell. The first two names are “Matvei Ivanych” in Mandelker and Dunnigan. “Matvey Ivanych” in Briggs and Edmonds. “Matvyey Ivanych” in Wiener. “Matvei Ivanovitch” in Bell. “Matyey Ivanitch” in Garnett. “Matthew Ivanych” in Maude.)
Old Pole: Chapter 97.
Polya: Chapter 139. (a chambermaid who tells Natasha "they have brought the cock". "Polia" in Bell.)
Poniatowski: Mentioned: Chapters 206, 213, 220, and 282. (this alternate spelling is used by Dole. Maude, Mandelker, and Edmonds do not use it.)
The pope: Mentioned: Chapters 145 and 337. (also “head of the Catholic religion”.)
The Postillion: Chapter 5. (as in Dole, Dunnigan, Garnett, and Edmonds, Bell spells it “postilion”, “outrider” in Wiener.)
Potemkin: Mentioned: Chapters 25 and 190. (“Potyomkin” in Garnett, Briggs, and Mandelker)
Countess Potocka: Mentioned: Chapter 167. (as in Dole, Dunnigan, and Mandelker. “...Pototsky” in Garnett.)
The powder-master: Chapter 46. (as in Dole, who loses a leg. “Munition-wagon driver” in
Mandelker, Dunnigan (who pluralizes “munition”), and Maude. “Caisson driver” in Wiener. “A gunner” in Bell and Garnett (who varies from other translations in having him only losing a foot). “Wagon driver” in Briggs.)
The predvodityel: Mentioned: Chapter 196. (see previous chapter. “The marshal” in Garnett, Briggs, and Maude (the latter capitalizing).)
A Priest: Chapters 19 and 20.
Priest: Chapter 75. (who baptizes Nikolai.)
The priest's wife: Chapter 203. (from chapter 202, with the priest (pope in Dole) obviously getting a mention as well.)
The Count's Priest: Chapter 20.
Le Prince de Hohenlohe: Mentioned: Chapter 58. (“...Hohenloe” in Dunnigan in a variant reading.)
Le Prince de Lichtenstein: Mentioned: Chapter 58. (“...Liechtenstein” in Briggs in a variant reading.)
Prince de Ligne: Mentioned: Chapter 112. ("Prince de Ligny" in Bell in an alternate reading.)
Prokofi: Chapter 67. (as in Dole and Wiener. “Prokofy” in Edmonds, Mandelker, and Maude. “Procopius” in Bell.)
Prosorovsky: Mentioned: Chapter 91. (as in Dole and Garnett. “Prozorovsky” in Mandelker, Dunnigan, and Briggs.)
Pryanitchnikof: Mentioned: Chapter 108. (as in Dole, mentioned by the old man. "Pryanichnikov" in Maude, Wiener, Briggs, and Mandelker. "Prianichnikow" in Bell.)
General Przebyszewski: Chapter 59. Mentioned: Chapters 58, 62, 65, and 68. (“Przebyszewski” in Maude, Dunnigan, and Wiener. “Prsczebichewsky” in Bell. Name comically mispronounced as “Prscz--Prscz--and all the rest of the alphabet” in Dole. “Prsh--et ainsi de suite” in Wiener, retaining the French as usual. “Prsch--Prsch…” in Bell. “Prshprschprsh-all-consonants-and-no-vowels” in Briggs. “Prishprshiprsh” in Garnett. “Prsch__ Prsch__ and so forth” in Dunnigan. “Prshprsh-plus-every-letter-in-the-alphabet-to-follow” in Edmonds. “Prishprish, and so on” in Maude.)
Pani Pscazdecska: Mentioned: Chapter 130. ("their favorite Polish belle, Madame Pshazdetsky" in Garnett. "Panna Przazdzieska" in Dunnigan. "Polish Mademoiselle Przazdziecka" in Mandelker and Maude. Briggs also spells it "Przazdziecka" but prefaces with "Polish belle, Madame...". "Polish Mademoiselle Przazdecki" in Edmonds. "Pani Pchasdetzka" in Bell. "Miss Przazdziecki" in Wiener.)
Pugachof: Mentioned: Chapters 348 and 354. ("Pougatchew" in Bell. "Pugachov" in Mandelker, Edmonds, and Briggs.)
Vasili Lvovitch Pushkin: Mentioned: Chapter 204. (see Bromfield in post on Chapter 143. "...Lvovich..." in Wiener, Edmonds, and Maude. "Vassily Lvovitch Pushkin" in Garnett. "Vasily Lvovich Pushkin" in Dunnigan. Only "Pouschkine" in Bell.)
The Queen: Mentioned: Chapter 4. (Marie Antoinette.)
Queen of Spain: Mentioned: Chapters 261 and 262 ("Reine d'Espagne" in the French.)
Monsieur Ramball: Chapters 254, 255, and 323. Mentioned: Chapters 259 and 270. (also "the officer", "Captaine Ramball", and "capitaine du 13me ledger". "M. Ramballe" in Bell, Dunnigan (who uses Monsieur), and Maude. Also the French soldiers with him.)
General Rameau: Mentioned: Chapter 197. (also "M. le general Rameau".)
Rapp: Chapter 216.
General Rayevsky: Chapters 222, 230, and 283. Mentioned: Chapters 176, 189, 210, 218, 234, 256, and 292. (as in Dole and Dunnigan. “Raevski” in Wiener and Maude. “Raievsky” in Bell. “Raevsky” in Edmonds, Mandelker, and Garnett. Also his two sons. His adjutant plays a large role. Also called "my hero".)
Razoumowsky: Mentioned: Chapters 8, 16, 182, 184, and 204. (as in Dole and Mandelker, “Razumovsky” in Dunnigan, Briggs, and Edmonds, “Razoumovsky” in Wiener, “Razoumosky” in Bell. As a family name where the Rostofs go.)
Colonel Prince Repnin: Chapter 66.
Robespierre: Mentioned: Chapter 72.
Rosenkampf: Mentioned: Chapter 109.
Count Feodor Vasilyevitch Rostopchin: Chapters 69, 145, 187, 229, 237, 250, and 251. Mentioned: Chapter 68, 182, 183, 204, 205, 231, 236, 238, 239, 241, 244, 249, 252, 262, 285, 319, 328, and 329. (as in Dole, Dunnigan, and Briggs. “....Rostoptchin” in Garnett. “...Rastopchin” in Mandelker. Bell spells it “...Rostopchine”. Also "Governor-General of Moscow", "the commander-in-chief of Moscow", and "illustriousness". Also referred to as "the pilot-administrator", as with the fictional ship pilot. Also his adjutant. See chapter 69 for variations on Feodor. See chapter 8 for variations on Vasilyevitch. "Rostopchine" in the French.)
Count Ilya Andreyitch Rostov: Chapters 8, 9, 10, 15, 16, 17, 18, 53, 67, 68, 69, 81, 82, 105, 114, 116, 117, 120, 122, 123, 124, 125, 126, 127, 131, 133, 134, 135, 137, 138, 139, 148, 149, 150, 151, 152, 154, 155, 156, 160, 163, 164, 184, 186, 187, 238, 239, 240, 241, 242, 243, 257, 274, 276, 315, 316, and 317. Mentioned: Chapters 13, 14, 60, 76, 79, 96, 97, 106, 115, 130, 136, 142, 157, 161, 180, 182, 183, 185, 201, 204, 248, 256, 264, 265, 268, 330, 339, 343, and 346. (Garnett, Mandelker, and Dunnigan use the first option. “Rostof” in Dole, “Rostow” in Bell. Also referred to as “Elie” in Dole and Garnett, “Ilya” in Briggs, Mandelker, and Maude. Also "old count", "barin", “the count”, “old Rostof”, "your illustriousness", "the chief of the family", "husband", "father", "papasha", "my love", "papa", "father-in-law", "old man", "mon cher", and "papenka". Also "Andreyavitch" as a second name.)
Countess Natalia Rostova: Chapters 8, 9, 10, 12, 13, 15, 16, 17, 18, 53, 67, 77, 81, 82, 115, 116, 117, 118, 119, 125, 126, 127, 130, 131, 137, 138, 139, 142, 180, 181, 182, 184, 238, 239, 240, 241, 242, 243, 257, 258, 268, 274, 275, 276, 315, 316, 317, 340, 341, 343, 345, 346, and 347. Mentioned: Chapter 65, 68, 80, 97, 132, 136, 141, 160, 161, 163, 164, 201, 204, 256, 264, 265, 267, 330, 339, 342, 344, and 349. (as in Dole, Mandelker, and Edmonds. “Nataly” in Maude, “Natalya” in Garnett, Wiener, and Dunnigan, “Natalie” in Bell. Also called “Nathalie”, as in Dole and Mandelker, “Natalie” in Wiener, Briggs, and Bell. Also referred to as “Nathalie Shinshina”, as in Dole and Dunnigan. “...Shinshin” in Edmonds and Garnett, “Natalya Shinshin” in Briggs. Also "little countess", “old countess”, "mother", "maman", "mamasha", "wife", "ma chere", "mamenka", "dearest little dove", "matushka", "Darling", and "mamma". Her maids are also mentioned)
Countess Natasha Ilyinishna Rostova: Chapters 9, 11, 12, 16, 17, 18, 53, 67, 76, 77, 78, 81, 82, 105, 115, 116, 117, 118, 119, 120, 122, 124, 125, 126, 127, 130, 132, 133, 135, 136, 137, 138, 139, 140, 141, 142, 148, 149, 150, 151, 152, 154, 155, 156, 157, 158, 160, 161, 163, 164, 180, 181, 182, 184, 238, 239, 240, 241, 242, 243, 257, 258, 268, 274, 275, 276, 315, 316, 317, 329, 330, 331, 332, 334, 339, 342, 343, 344, 345, 346, 347, 348, 349, and 350. Mentioned: Chapters 8, 10, 47, 60, 79, 88, 97, 114, 121, 128, 129, 143, 144, 146, 153, 162, 172, 176, 183, 200, 201, 202, 204, 211, 212, 224, 253, 255, 265, 267, 288, and 305. (also "Natalia", "the youngest daughter", “...Ilynichna” in Mandelker, “...Ilyinichna” in Maude, Bell using the same last name but “Natalie” as the first name, “...Ilishna” in Wiener, and "the Cossack". Also “Countess Rostova”, “prospective sister-in-law”, "future daughter-in-law", “future sister-in-law”, “Nathalie”, "little countess", "sister", "the little Rostova", "the little Rostof girl", and “little songstress”. Also “daughter” and the many insulting names Marya Dmitrievna lays on her. Called "Natalia Ilyinitchna" by her father, as in Dole. "Natalya Ilyinitchna" in Garnett. "Natalya Ilyinichna" in Dunnigan. Maude, Mandelker, and Edmonds just replace it with "young countess". Briggs just calls her "Natasha" there. Bell calls her "Natalie Ilinischna" and Wiener "Natalya Ilinichna". Also referenced as resembling "Diana". Also called a Tartar and "niece". Also “his betrothed", "sister", and "Mlle. Rostova". Also called, by the major, a variation of "mademoiselle", translated as "mamzel" in Dole, "mamzelle" in Wiener, "Ma'am'selle" in Maude, "Ma'moiselle" in Mandelker, "ma'mselle" in Garnett, "mam'selle" in Briggs. Called "baruishnya" by Mavra. Also "daughter", "the kompanyonka" or companion, "one woman", and "sudaruinya". Later "Countess Natasha Bezukhaya", "his bride", "matushka", and "wife". And the bee-hunter/old man she mentions in the story Andrei remembers.)
Nikolai Ilyitch Rostov: Chapters 9, 10, 11, 12, 16, 17, 18, 30, 31, 34, 45, 46, 54, 55, 57, 60, 64, 65, 67, 68, 69, 70, 71, 76, 77, 78, 79, 80, 81, 82, 97, 98, 99, 100, 101, 102, 103, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 176, 177, 178, 179, 200, 201, 204, 264, 265, 266, 267, 339, 340, 341, 342, 343, 345, 347, 348, and 349. Mentioned: Chapters 14, 23, 53, 56, 85, 114, 116, 127, 150, 157, 160, 161, 173, 181, 182, 183, 184, 188, 194, 238, 268, 274, 275, 305, 332, 334, 344, and 346. (as in Dole, Edmonds, and Mandelker. “Nikolay” in Wiener, Garnett, and Briggs, “Nicolas” in Bell, “Nicholas” in Maude. Also referred to as “Nikolinka”, as in Dole and Garnett, Nikolenka” in Mandelker. Also called “Nikolushka” (which Briggs reads as “Nicky”), as in Dole, Dunnigan, and Mandelker. Also “yunker…” in Dole and Wiener, “Cadet…” in Dunnigan, Maude, and Mandelker. “Ensign…” in Briggs. "junker" in Bell. Also called “illustriousness” and "count". Also "young Rostof", "my dear count", and "Nicolas". Also “Nikolenka”, Koko", "young count", "little nephew", "young", "barin", "brother", "son", “Dolokhof’s second”, "Nikolasha", "Nikolinka", "commander", "husband", "papenka", "papa", "father", "uncle", "brother-in-law", and "hero". Called “nobility and batyushka” by the doctor. See chapter 133 for variations on "Ilyitch". Also has a "lieutenant" prefix. Also his regiment and comrades. He also sends a hussar in advance and has a quartermaster.)
Petya Rostof: Chapters 9, 17, 53, 67, 130, 132, 133, 135, 136, 138, 139, 180, 184, 185, 238, 239, 240, 242, 243, 299, 300, 301, 302, 303, 304, 305, 306, 310, and 326. Mentioned: Chapters 79, 127, 181, 186, 187, 257, 315, 316, 317, 330, 339, and 346. ("Petrusha" in Dole and Wiener, “Petya” in Edmonds, Mandelker, and Briggs, “Petroucha” in Bell. Called "Piotr Ilyitch" by Semyon, as in Dole. "Pyotr Ilyitch" in Garnett. "Pyotr Ilyich" in Dunnigan. Just "Count Peter" there in Maude. "Master Petya" in Briggs. "Count Piotr" in Edmonds. "Count Pyotr" in Mandelker. "Peter Ilich" in Wiener. Just "her brother" in Bell. Mandelker also prints "Petka". Called "Durak! idiot!" by Natasha. He also calls himself “Count Rostof”. Called “barchuk” or “son of a barin” by a peasant woman. Bell also, for some reason, calls him "Benjamin". Also "monsieur", "barin", and "young fellow". Also his regiment and he mentions a general.)
Countess Vera Rostova: Chapters 8, 10, 12, 16, 53, 67, 81, 114, 119, 123, and 124. Mentioned: Chapters 18, 76, 204, and 242. (as in Maude, Edmonds, and Garnett. Viera in Dole but uses "Vera" in the French. Also "The Eldest Rostov daughter", "wife", and "Vierushka". Wiener uses "Vyera". "Vera" in Bell, Edmonds, and Maude (the latter two use "dear Vera"). "Verushka" in Garnett. Dole also uses "Vierotchka".)
Rugay: Chapters 135 and 136. (as in Garnett, Maude, Wiener, and Mandelker. "Rugai" in Dunnigan. "Rougai" in Bell. Also "Rugayushka" in Maude, Wiener, Briggs, and Garnett. Edmonds and Bell don't use this second name.)
Count Rumyantsof: Mentioned: Chapters 4, 12, 112, 165, 173, 193, and 261. (as in Dole, “Rumyantsev” in Briggs, Dunnigan, and Maude, “Rumyantsov” in Garnett. Later “Chancellor Rumyantsef”.)
Rurik: Mentioned: Chapter 25.
Rustan: Chapter 169. (Napoleon’s “Mameluke”. “His Egyptian bodyguard” in Briggs.)
Salomoni: Mentioned: Chapter 10.
Field-Marshal Prince Saltuikof: Chapter 167. Mentioned: Chapters 170 and 193. (“...Saltykov” in Garnett, Dunnigan, and Mandelker.)
King of Sardinia: Mentioned: Chapter 36. (as in Dole. “His Sardinian Majesty” in Mandelker, Dunnigan, and Briggs)
Savary: Chapter 58. (“a French officer”.)
Savelyitch: Chapters 327 and 332. Mentioned: Chapter 331. ("Savelich" in Wiener, Mandelker, and Dunnigan. Cut in Bell. He also mentions his children.)
Praskovya Savishna: Chapters 74, 75, 90, 91, 189, 195, 197, 198, 199, 200, and 274. Mentioned: Chapter 224. (Mariya’s “old nurse.” Also “Nyanya” or “nurse”. “nanny” in Mandelker later. Also "wet-nurse" in Briggs. Also three maids.)
Andrei Savostyanof: Mentioned: Chapter 230. (see early in book for variations on "Andrei". "...Savostyanov" in Wiener, Dunnigan, and Edmonds. "...Sevastianow" in Bell. And his family.)
Mr. Schelling: Mentioned: Chapters 53 and 335.. (mentioned in Nikolai’s letter. Edmonds,
Mandelker, and Maude use “monsieur…” Wiener uses “Mr. Shelling. Bell uses “M. Schelling.”)
Anna Pavlovna Scherer: Chapters 1, 2, 3, 4, 5, 48, 49, 88, 89, 193, and 261. Mentioned: Chapters 6, 8, 13, 51, 86, and 262. (also “the portly princess” and "Annette".)
Anna Pavlovna’s Aunt: Chapters 2, 3, 48, and 88. (or “ma tante”, also referred to as “Her Majesty”. Also "the little old aunt".)
Anna Pavlovna's Aunt's husband: Mentioned: Chapter 48.
Schlosser: Mentioned: Chapter 352.
Madame Maria Karlovla Schoss: Mentioned: Chapters 138, 139, 140, 141, 243, and 257. Mentioned: Chapters 53, 180, 240, and 241. (as in Dole. “...Schoss” in Briggs, Dunnigan, and Garnett. Also "Madame Chausse" in Dole. One of the two governesses. Also "Luiza Ivanovna" as in Dole and Wiener. "Louisa Ivanovna" in Briggs, Edmonds, and Mandelker. "Luisa Ivanovna" in Garnett and Dunnigan. Bell doesn't use this name. Wiener uses "Marya Karlovna" as the first two names. Bell, Mandelker, and Dunnigan do not use them.)
Austrian General Schmidt: Mentioned: Chapters 35, 36, 38, 39, and 174.
Schneider: Chapter 230
Colonel Schubert: Chapters 16, 17, 34, 45, and 98. Mentioned: Chapters 10, 31, 46, 47, 55, and 97. (Bell calls him a General. "The colonel of hussars" as in Dole, “a man to be made much of”. "Bogdanuitch", as in Dole. “Bogdanich” in Mandelker, Maude, and Edmonds. “Bogdanynch” in Briggs and Dunnigan. “regimental commander” and "colonel of cavalry")
Schwartz: Mentioned: Chapter 348.
Schwartzenberg: Mentioned: Chapters 56 and 89. (as in Dole, Briggs, and Mandelker. One of the old generals that agree with Kutuzof. “Schwarzenberg” in Bell.)
Scout: Mentioned: Chapter 40. (the one that brings Kutuzof the news that his army is in a helpless position. “Spy” in Wiener, Dunnigan, and Maude. Bell uses “spy” and “reporter” instead of using the same word both mentions.)
General Sebastiani: Chapter 285.
Sedmoretsky: Mentioned: Chapter 91.
Selivanof: Mentioned: Chapter 191. (“Selivanov” in Maude, Edmonds, and Garnett.)
Semyon: Mentioned: Chapter 18 (one of the musicians. “Simien” in Maude. “Simeon” in Edmonds. “Semen” in Wiener.)
Anna Semyonovna : Mentioned: Chapters 149 and 332. (as in Dole, Garnett, and Dunnigan. “...Semeonovna” in Edmonds. “...Semenovna” in Maude and Wiener. Bell drops the name.)
Katerina Semyonovna's dog: Chapter 19
A sentinel: Chapter 28. (as in Wiener, “the sentinel” in Garnett, “a signalman” in Briggs and Dunnigan, “one of the signal men” in Dole and Edmonds (no space in the latter), “one of the outposts” in Bell, “the signaller” in Mandelker and Maude.)
Sentry: Chapter 42. (as in Dole. “artillerist, doing sentinel duty” in Wiener. “Man on guard” in Bell. “artillery sentry” in Maude, Mandelker, and Dunnigan. “Artilleryman on sentry duty” in Briggs. “Artilleryman on sentinel duty” in Garnett and Edmonds.)
The sergeant: Chapter 321.
The sergeant: Mentioned: Chapters 38. (“who had charge of the cannon”.)
Dmitri Sergeyevitch: Chapter 230 Mentioned: Chapters 209 and 222. (this may or may not be Dokhturof from Chapter 35. "Dmitri Sergyeich" in Wiener. "Dmitri Sergeich" in Dunnigan and Edmonds. "Dmitry Sergeitch" in Garnett. "Dmitri Sergeevich" in Maude and Mandelker. "Dmitriy Sergeich" in Briggs. "Dmitri Serguéiévitch" in Bell.)
Prince Sergii: Mentioned: Chapter 350. ("Prince Sergi" in Wiener and Mandelker. "Prince Sergey" in Garnett, Briggs, and Maude.)
A servant: Chapter 20.
An old servant: Chapter 21.
Seslavin: Chapter 291. (as in Dole, Edmonds, and Wiener. "Seslavine" in Bell.)
Andrei Sevastyanuitch: Chapter 179. (“Andrey Sevastyanych” in Wiener and Briggs (Mandelker and Dunnigan have the same as the second name, but use “Andrei” for the first name). “Andre Sevastianovitch” in Bell. “Andrey Sevastianitch” in Garnett. “Andrei Sevastyanich” in Edmonds. A captain.)
Shapovalof: Chapter 279. (a Cossack. "Shapovalov" in Wiener, Briggs, and Dunnigan. "Schapovalow" in Bell. Also his comrades and the cornet who tells his commander. Also Cossack chiefs.)
Prince Shcherbatof: Mentioned: Chapters 270 and 271. ("Prince Stcherbatow" in Bell. "Prince Shcherbatov" in Wiener, Dunnigan, and Maude.)
Tikhon Shcherbatof: Chapters 298, 300, and 301. Mentioned: Chapter 302. ("...Shcherbaty" in Maude, Dunnigan, and Edmonds. "Tihon Shtcherbatov" in Garnett. "Tikhone Stcherbatow" in Bell. Also "our plastun". Also called "Tishka" in Dole. Bell, Maude, and Wiener do not use this variant name.)
Shcherbinin: Chapters 222 and 292. (Konovnitsyn's adjutant. Also his servant or denshchik.)
Piotr Nikolaitch Shinshin: Chapters 16, 17, 18, 68, 69, 81, 150, 151, and 184. Mentioned: Chapters 148, 153, and 204. (as in Dole, “...Nikolayevich…” in Edmonds, “Peter Nikolaevich…” in Maude, “Peter Nikolaich…” in Wiener, “Pyotr Nikolaich…” in Briggs, “Pyotr Nikolaitch…” in Garnett, “Pyotr Nikolaevich…” in Mandelker, “Pyotr Nikolayevich…” in Dunnigan, “Pierre Nicolaievitch Schinchine” in Bell. “the countess’s old cousin”, “the old bachelor”, “venomous tongue”. Also with prefix "Uncle".)
Shinshin's brother: Mentioned: Chapter 18.
Shinshin's cousin: Mentioned: Chapter 18.
Shishkin: Chapter 167. Mentioned: Chapters 173 and 335. (the imperial secretary. Also "Shishkof'". “Sishkov” in Garnett. “Shishkov” in Wiener, Mandelker, Briggs, and Maude. “Schischkow” in Bell.)
Sidorof: Chapter 41. (as in Dole. “Sidorov” in Wiener, Edmonds, and Mandelker. “Siderow” in Bell.)
Sierui: Chapters 272, 287, 307, 308, 309, and 310. Mentioned: Chapter 273. (what Dole calls the short-legged pink dog. Bell just calls it "the little dog". Wiener calls it "Gray". Also "the little bandy-legged pink dog", "rascal", "little slut", and "little pink puppy". "The French called her Azor; the wit of the company called her Femme-galka, or Jenny Daw; Karatayef and the others called her Serui or Gray; sometimes Vislui--the Hanger-on." Variations in Dunnigan: Femgalka or Floppy. Variations in Garnett: "Grey-coat". Variations in Edmonds: Grey. Variations in Briggs: Greycoat. Variations in Maude and Wiener: Flabby. Variations in Mandelker: "Flop-ear". Variations in Bell: "the grey one".)
Singer: Mentioned: Chapter 53. (as in Dole and Wiener. “Italian” and “giving Natasha singing lessons”. “Singing-master” in Bell, Briggs, and Mandelker.)
Monsieur Sitof: Chapters 88, 89, and 193. (“Mr Shutov” in Maude. “M. Shittoff” in Wiener and Dunnigan (the latter spelling out "monsieur"). “M. Schittrow” in Bell. The extremely unfortunate “Monsieur Shitoff” in Mandelker with the footnote reading “Mr. Shitov.” Briggs, Edmonds (who spells out monsieur), and Garnett have “M. Shitov.” Un homme de beaucoup de merite, “a man of great merit”, or as in Briggs, “a man of much merit.” “the very promising young man” in Bell. Also The man “of the profound mind”.)
Smolyaniof: Chapter 85. Mentioned: Chapter 86. (as in Dole. the “Rhetor” in Dole, Mandelker, and Maude. “Smolyaninov” (as also in Maude, Mandelker, and Wiener) the “tyler” in Edmonds. Wiener calls him the “conductor” but in a rare footnote also gives us “rhetor.” “Smolianinow” the “Steward” in Bell. Often just "The Mason", just as Osip was in Pierre’s conversation with him.)
Sokol: Chapter 243 (with the footnote "Hawk". "the off chestnut". "Falcon" in Edmonds, Mandelker, and Dunnigan.)
Sokolof: Chapter 287. Mentioned: Chapter 288. ("Sokolov" in Mandelker, Dunnigan, and Garnett. Also the "sick soldier".)
Soldier: Chapter 41. (who speaks with Sidorof.)
Soldier: Chapter 46. (who cries “Cut off!”)
The first soldier: Chapter 321. (who gets struck by the sergeant)
Another soldier: Chapter 33. (who wants to have the “little woman” sold to him.)
Soldier driving a baggage wagon: Chapter 33. (as in Dole and Dunnigan, “in charge of a wagon-load” in Garnett, “a driver...his wagon” in Briggs, “convoy-soldier with a wagon” in Mandelker, Maude, and Edmonds (no hyphen). The Cossack calls him “boy” in Dole, Edmonds, and Briggs, “friend” in Wiener, “there” in Bell, “lad” in Garnett and Dunnigan, “Brother” in Mandelker.)
jolly soldier in a torn overcoat: Chapter 33. (as in Dole. “.....coat” in Dunnigan. “merry….” in Wiener. “Wag in the ranks” in Bell. “Cheerful soldier in a torn coat” in Garnett. “Soldier in a torn coat...cheerfully” in Briggs. “Waggish soldier in a torn coat” in Mandelker and Maude. “Cheerful soldier in a torn great-coat” in Edmonds.)
Old Tambof soldier: Chapter 33. (as in Dole, no reference to “Tambof” in Wiener, Bell, or Garnett.)
Soldier riding on a baggage wagon: Chapter 33. (as in Dole. Briggs and Dunnigan omit “baggage.” “sitting on a cart” in Mandelker, Maude, and Edmonds.)
Soldier who wore the collar of his overcoat turned up: Chapter 33 (as in Dole. The one who mentions the hitting of the gun into the teeth. “His greatcoat well tucked up” in Dunnigan, Mandelker, and Maude, “tucked-up greatcoat” in Briggs, and “his greatcoat tucked up round his waist” in Edmonds. “His coat pulled out over his belt” in Wiener. “His hood was up” in Bell. Garnett just cuts the detail.)
A young soldier with a monstrous mouth: Chapter 33 (as in Dole. “....enormous…” in Wiener, Dunnigan, and Mandelker. “....huge…” in Garnett and Briggs. Mouth detail omitted in Bell.)
Sonya: Chapters 9, 10, 11, 12, 16, 17, 18, 53, 67, 76, 77, 78, 80, 81, 82, 105, 117, 118, 119, 120, 124, 125, 126, 127, 130, 138, 139, 140, 141, 142, 148, 149, 150, 151, 157, 158, 160, 161, 163, 164, 184, 238, 239, 240, 242, 243, 257, 268, 274, 276, 316, 317, 340, 341, 343, 345, 347 and 348. Mentioned: Chapter 47, 68, 79, 97, 115, 116, 132, 137, 152, 156, 176, 180, 182, 201, 265, 266, 267, 330, 339, 342, and 344. (as in Dole, Maude, and Dunnigan, “Sonia” in Bell. Also “Sonyushka”, "Mademoiselle Sophie", "baruishnya", "niece", and "cousin". Also "Sofya Aleksandrovna", as in Dole. "Sonya Aleksandrovna" in Wiener. "Sofia Alexandrovna" in Bell. Just "Miss Sonya" in Briggs, Maude, and Edmonds.)
Sophie: Chapters 14 and 21. Mentioned: Chapters 48 and 189. ("the younger princess with the mole")
General Sorbier: Mentioned: Chapter 214
Mikhail Mikhailovitch Speransky: Chapters 108, 109, and 121. Mentioned: Chapters 107, 118, 119, 163, and 237. (Maude and Wiener give an alternative reading with "Speranski". Maude: "Michael Mikhaylovich Speranski". Mandelker: "Mikhail Mikhailovich Speransky". Edmonds: "Mihail Mihailovich Speransky". Briggs uses "Mikhail Mikhaylovich". Dunnigan "Mikhail Mikhailovich". Garnett "Mihail Mihalovitch". Bell "Michael Mikailovitch Speransky". Wiener "Mikhail Mikhaylovich".)
Madame Stahl: Mentioned: Chapters 293, 319, 335, and 352. (Dole puts a footnote of "Mme. de Stael?" It is spelled this latter way in Mandelker, Wiener, and Maude.)
The station master’s wife: Chapter 83.
Chancellor Stein: Chapters 174 and 175. Mentioned: Chapters 170, 171, 173, 351, and 352. (“who had been Minister in Prussia”. Also “Count Stein” and “Baron Stein”)
Sterne: Mentioned: Chapter 26. (i.e. Laurence Sterne)
Stevens: Chapter 7.
Stioshka: Mentioned: Chapter 159. (“Styoshka” in Garnett, Mandelker, and Briggs. “Steshka” in Maude and Wiener. Bell cuts the reference.)
Stoluipin: Chapter 121. ("Stolypin" in Mandelker, Wiener, Edmonds, and Briggs. "Stolipine" in Bell.)
Strauch: Chapter 29. (an Austrian General in the Hofkriegsrath, attached to Kutuzof’s staff.)
Stroganof: Chapter 62. Mentioned: Chapter 107 (“Strogonov” in Maude and Mandelker. “Stroganov” in Wiener, Garnett, and Briggs. “Strogonow” in Bell.)
The subaltern: Chapter 60. (“a non-comissioned officer of hussars” that tells Rostof about the generals. “Sergeant” in Biggs, Dunnigan, and Garnett. “Fedchenko” in Edmonds, Mandelker, and Maude. Bell doesn’t provide the name.)
Lieutenant Sukhtelen: Chapter 66. (as in Dole, Maude, and Dunnigan. “...Suhtelen” in Edmonds. A nineteen year old officer of the cavalier guard that is wounded.)
The Russian military surgeon: Chapter 99. (as in Dole and Wiener. “a Russian army-doctor” in Bell, Briggs, and Mandelker (the latter two drop the hyphen.).)
The regimental surgeon: Chapter 98, 177, and 178. Mentioned: Chapter 176. (“the regimental doctor” in Mandelker, Garnett, and Briggs. Marie’s husband.)
Suvarof: Mentioned: Chapters 17, 25, 26, 29, 41, 43, 58, 62, 68, 69, 91, 136, and 173. (as in Dole, “Suvorov” in Maude, Briggs, and Garnett. Also “Souvara” as called by The Frenchman.)
The Swiss: Chapter 11. (“The servant” in Bell, “the porter” in Mandelker, Briggs, and Maude. “hall-porter” in Edmonds, “hall porter” in Dunnigan.)
The Swiss: Chapter 13. (at the Bezukhoi residence)
Talleyrand: Mentioned: Chapters 165, 351, and 352.
Taras: Mentioned: Chapters 12, 15, and 192. (“Tarass” in Bell)
Tatarinof: Mentioned: Chapters 347 and 348. ("Madame Tatarinov" in Garnett. Briggs and Mandelker use "Madame Tatawinova", but the endnotes makes it clear that it is "Tatarinova" and the w is because of Densiof's speech impediment. Dunnigan does have a note that corrects it. "Madame Tatawinov" in Edmonds.)
Natasha's Teacher: Mentioned: Chapter 130. (that she was in love with.)
Teller: Mentioned: Chapter 180. (“Feller” in Wiener, Edmonds and Bell.)
Lieutenant Telyanin: Chapter 30. Mentioned: Chapters 31, 34, 46, and 98. (as in Dole, Briggs, and Mandelker. “The quartermaster” (Dole, Bell, who puts a hyphen in it, and Edmonds) or “the squadron quartermaster” (Maude and Mandelker), “the sergeant” in Garnett, “the sergeant-major” in Wiener. As “worthless scamp” (to take a quote from Dole) and “scoundrel” (to take a quote from Wiener). Also spelled "Telyagin" by Dole.)
Telyanin’s man: Chapter 30. (as in Dole. “orderly” in Garnett, Wiener, and Edmonds.)
Terentii: Chapters 326 and 327. (the names are dropped in Bell. "Terenty" in Maude, Garnett, and Edmonds.)
Danilo Terentyitch: Chapters 256 and 257. (as in Dole and Garnett. possibly, but probably not Danilo from chapter 132. Called a "valet" or "Kammerdiener". "....Terentyich" in Edmonds. "...Terentich" in Mandelker and Wiener. "....Terentych" in Dunnigan. "Daniel Terentich" in Maude. "Daniel Terentitch" in Bell. Briggs drops the last name.)
Maria Theresa: Mentioned: Chapters 29. (a necklace with the order of her on Mack’s neck.)
Thiers: Mentioned: Chapters 194, 252, 285, 286, 352 and 353. (mentioned by name in the chapter 44 footnote.)
Tikhon: Chapters 23, 24, 25, 50, 52, 74. 172, 189, 190, 195, 197, and 274. Mentioned: Chapter 199. (also “Tishka”, as in Dole and Briggs. Wiener, Maude, and Bell do not use this name. Also "old valet", “old servant". “man-servant” in Dole and Bell. “Valet” in Wiener, Briggs, and Garnett. “Tihon” in Garnett. Also a young footman and a haiduk.)
Captain Prokhor Ignatyitch Timokhin: Chapters 27, 28, 46, 192, 211, 212, 224, 257, and 258. (“...Ignatych…” in Mandelker and Maude, “...Ignatich…” in Briggs, Wiener, and Dunnigan, “Proho Ignatitch Timohin” in Garnett, “Prohor Ignatich Timohin” in Edmonds. “Captain of the third company as in Dole, Briggs, and Bell, “...3rd…” in Edmonds, “Third company commander” in Dunnigan, “commander of the third company” in Maude. Also "good-natured battalion commander".)
Matriona Timovyevna: Chapter 241 (also "her former lady's maid". "Matrena Timofevna" in Wiener. "Matrona Timofevna" in Bell. "Matriona Timofyevna" in Edmonds. "Matryona Timofeevna" in Mandelker. "Matryona Timofeyevna" in Dunnigan. Only "Matryona" in Briggs. "Matrona Timofyevna" in Garnett. "Matrena Timofeevna" in Maude.)
Tit: Chapters 59 and 65. (“Kutuzof’s old cook”. Pevear and Volkhonsky, Briggs, and Bell use “Titus". “Tit" in Wiener, Mandelker, Dunnigan, Garnett, Edmonds, and Maude.)
Colonel Toll: Chapters 230, 280, 281, 282, 293, and 318. Mentioned: Chapters 174, 175, 188, 283, 292, and 325.
Captain von Toll: Chapter 65.
Barclay de Tolly: Chapters 173, 174, 202, and 230. Mentioned: Chapters 170, 172, 188, 191, 192, 193, 206, 212, 222, 242, 277, 279, 292, and 325. (also derisively called “minister”, "prudent", and “German”. Also "General Barclay".)
Count Ostermann-Tolstoi: Chapters 178, 179, 230, and 324. Mentioned: Chapters 24, 58, 65, and 91. (“Tolstoy” in Edmonds, Maude, and Wiener. “the Ober-hofmarshal, master of supplies” in Dole. “the grand marshal of the household” in Bell. “grand marshal of the court” in Wiener, Dunnigan (who uses capitalization), and Mandelker. “Grand marshal” in Briggs. “Ober-Hofmarschall” in Garnett. Later called just “Count Ostermann”. And his adjutant, and then his suite. as in Dole.)
Topcheyenko: Chapter 98. (“the quartermaster”.)
Tormasof: Mentioned: Chapters 173 and 314. (“Tormasov” in Wiener, Garnett, and Mandelker. “Tormassow” in Bell.)
Trunila: Chapter 133. (Natasha's favorite greyhound. Bell calls him "Trounila".)
Monsieur de Turenne: Chapters 169 and 170. (“the Imperial Chamberlain” or “one of Napoleon’s chamberlains”. (Wiener doesn’t use capitalization and changes “de” to “du”). “Count Turenne” in Briggs, the “Emperor’s gentleman-in-waiting” (as in also in Garnett, who has him as “Count de Turenne”). “M. de Turenne” in Bell.)
Captain Tushin: Chapters 41, 42, 43, 46, 47, and 100. Mentioned: Chapter 45. (“the artillery officer”.
Called “Tonshine” in Bell. Also, “artilleryman” and “little Tushin”.)
Tutchkof: Mentioned: Chapters 210, 213, 220, 245, and 262. (his corps are mentioned. "Tuchkov" in Wiener, Edmonds, and Briggs. "Tutchkov" in Garnett. "Toutchkow" in Bell.)
Tutolmin: Mentioned: Chapters 285 and 286.
The German Tutor: Chapter 16.
Brother Urusof: Mentioned: Chapter 113. ("...Urusov" in Briggs, Wiener, Dunnigan, and Edmonds. "Ouroussow" in Bell.)
Uvarka: Chapter 132. (Bell calls him "Ouvarka" in an alternative reading.)
Feodor Petrovitch Uvarof: Chapter 230. Mentioned: Chapters 64, 69, 220, and 222. (“Fedor Petrovich Uvarov” in Wiener. “Fedor Petrovitch Ouvarow” in Bell. “Fyodor Uvarov” in Mandelker and Briggs. “Fyodor Petrovitch Uvarov” in Garnett. “Fyodor Petrovich Uvarov” in Dunnigan. “Fiodr Petrovich Uvarov” in Edmonds. “Theodore Uvarov” in Maude.)
Vasilchikof: Mentioned: Chapter 236. ("Vasilchikov" in Wiener, Briggs and Maude. "Vassiltchikow" in Bell.)
Prince Vasili’s Valet: Chapter 52.
Pierre’s valet: Chapters 72 and 83.
Vasilisa: Mentioned: Chapter 298 (as in Dole, Maude, and Edmonds. the wife of a village starosta who killed hundreds of French. "Vassilisa" in Garnett.)
Valuyef: Chapters 69 and 185. Mentioned: Chapter 68. (“Valuyev” in Edmonds. “Valuev” in Maude, Mandelker, and Wiener. “Valouiew” in Bell.)
Vaska: Chapters 326 and 327.
Dmitri Vasilyevitch: Chapters 8, 15, 67, 68, 114, 131, and 139. Mentioned: Chapter 53, 130, 142, 242, and 339. (as in Dole, “Dmitry” with no last name in Briggs, “Vasilevich” in Maude, “Vassilyevitch” in Garnett, also called “Mitenka”, which Mandelker uses instead of Dmitri, preferring “Vasilievich” for the second name. Dunnigan and Edmonds use “Vasilyevich.” Also “the nobleman’s son” or “that son of the gentry” in Wiener. Also Rostof’s “valet”. Nikolai calls him all kinds of names like "brigand", "wretch", "villain" and "dog".)
Vasilyitch: Chapters 240, 241, and 243. Mentioned: Chapters 242 and 248. (the butler. The major-domo may or may not be the same person. "Vasilich" in Mandelker, Edmonds, and Dunnigan.)
Princess Irena Vasilyevna: Mentioned: Chapter 148. (“...Irina...” in Dunnigan, Edmonds, and Briggs. “...Irina Vasilevna...” in Maude, Wiener, and Mandelker. “...Irina Vassilyevna” in Garnett. Bell drops the name and replaces “a young lady”.)
Vereshchagin: Chapter 251. Mentioned: Chapters 236, 237, and 250. (as in Dole, Mandelker, and Wiener. The merchant and tavern-keeper, the father of the "traitor". "Verestchaguine" in Bell. "Vereshtchagin" in Garnett. Also "villain", "traitor", and often referred to as "young man".)
Viflyanka: Chapter 133. ("the old count's steed, a dun-colored gelding".)
Vignesse: Mentioned: Chapter 48. (as in Wiener, “a famous miniaturist”. Just “V…” in Bell. “Vinnes” in Dole. “Vinesse” in Maude, Dunnigan, and Briggs. “Vines” in Garnett.)
Marya Viktorovna: Mentioned: Chapter 49. (Bell offers an alternative reading in “Maria Victorovna” “Mary Viktorovna” in Maude.)
Count Villarsky: Chapters 85, 86, and 327. Mentioned: Chapters 84 and 110. (as in Dole and Bell. “...Willarski” in Maude, Mandelker, and Wiener. The rich Russian lady he married is mentioned.)
Villeneuve: Mentioned: Chapter 14.
Villiers: Mentioned: Chapter 58. (Alexander’s “body physician” or “physician in ordinary” in Wiener. “Willier” in Bell in an alternative reading, “chief physician”. Just “physician” in Mandelker, Dunnigan, and Briggs. “Medical attendant” in Garnett.)
Vintzengerode: Chapter 174. Mentioned: Chapters 1, 40. 170, 171, 173, 188, 279, and 328. (as in Dole, Winzingerode, which Dole uses later, in Mandelker, Dunnigan, Maude, Wiener, etc. Garnett and Garnett endnote write Wintsengerode and Wintzengerode respectively. Described here as “adjutant-general” as in Dole, Wiener, and Mandelker (the latter two capitalize both words). “general-adjutant” in Garnett. And his Cossacks.)
Vlas: Mentioned: Chapter 296
Vlotzky: Mentioned: Chapter 188. (“Wlocki” in Maude, Wiener, and Briggs.)
General-Quartermaster Prince Piotr Mikhailovitch Volkonsky: Chapters 62, 262, and 324. Mentioned: Chapters 173 and 175. (“Quartermaster-General...” in Briggs, Edmonds and Maude (who uses “Volkonski”). "...Bolkonsky” in Garnett in an alternative reading.)
Voltorn: Chapter 135. (one of Nikolai's favorite dogs. Bell appears to drop the name.)
Count Vrbna: Mentioned: Chapter 36. (“Urbna” in Garnett and Bell, providing an alternative reading)
Prince Vyazemsky: Mentioned: Chapter 68.
Sergyei Kuzmitch Vyazmitinof: Mentioned: Chapters 49 and 193. (as in Dole. “Sergei Kuzmich Vyazmitinov” in Edmonds, Dunnigan, and Mandelker. “Sergyey Kuzmich Vyazmitinov” in Wiener. “Serguei Kousmitch Viasmitinow” in Bell. “Sergey Kuzmich Vyazmitinov” in Maude and Briggs. “Sergey Kuzmitch Vyazmitinov” in Garnett. Pavlovna also calls him “Viazmitinof”, as in Dole. Garnett, Dunnigan, and Briggs do not differentiate between versions of his name, this latter one being the French one.)
General Weirother: Chapters 39 and 59. Mentioned: Chapters 56, 58, 62, 174, 215, and 282. (as in Dole, as is: “the Austrian general who had succeeded to the place of the Schmidt who had been killed,”. “Weyrother” in Maude, Wiener, and Mandelker. “Weierother” in Garnett and Briggs.)
The wife of one of the Government officials: Chapters 264 and 265. ("pretty blondinka". Also referred to as "Diana".)
His wife: Chapter 137.
Herr General Wimpfen: Mentioned: Chapter 58.
Count Wittgenstein: Mentioned: Chapters 205, 261, 314, and 324. (also "your excellency")
General-adjutant Woltzogen: Chapters 174, 175, 212, and 222. Mentioned: Chapters 173 and 192. (as in Dole, Garnett, and Bell. “Wolzogen” in Briggs. Pfuhl’s “interpreter” and “bridge”. With “the flugel-adjutant” as a title and “mr” as a prefix. Also called a field marshal.)
Woman: Chapter 33.
Woman: Chapter 39. (“all wrapped up in shawls” as in Dole. The wife of the doctor who is whipped.
Called a slut by the officer in Wiener and Dunnigan.)
An old woman who sold Torzhok embroidery: Chapter 83. (Wiener and Bell both drop “old” and Bell elaborates “gold and silver embroidery-- a specialty of the town..” Later “The Torzhok pedlar woman”.)
Yakof: Chapter 7. (as in Dole, “Jacob” in Maude and Edmonds, “Yakov” in Briggs and Wiener, “Jacques” in Bell.)
Captain Yakovlef: Mentioned: Chapters 285 and 286. ("...Yakovlev" in Edmonds, Garnett, and Mandelker. Also "this little old man".)
Yefim: Chapter 243 ("the old coachman". "Efim" in Wiener, Maude, and Garnett. "Yefime"in Bell.)
Matvyei Yermishin: Mentioned: Chapter 341. ("Matvyey Ermishin" in Wiener. The name is dropped in Bell. "Matvey Yermishin" in Briggs and Edmonds. "Matvey Ermishin" in Garnett. "Matvei Ermishin" in Mandelker. "Matvei Yermishin" in Dunnigan. "Matthew Ermishin" in Maude.)
General Yermolof: Chapters 222, 229, 230, 279, 280, and 291. Mentioned: Chapters 173, 202, 219, 247, 281, 283, 292, 295, 319, and 325. (“Ermolov” in Mandelker, Wiener, and Maude. “Yermolov” in Dunnigan and Edmonds. Also "Aleksei Petrovitch" in Dole. "Aleksyey Petrovitch" in Wiener. Bell drops the name. "Aleksei Petrovich" in Dunnigan. "Alexey Petrovitch" in Garnett. "Alexei Petrovich" in Mandelker and Edmonds. "Alexey Petrovich" in Briggs and Maude. Also his servant.)
Yevstafyevitch: Chapters 205 and 207. (Pierre's coachman. "Yevstafitch" in Garnett. "Evstafey" in Maude and Mandelker. "Yevstafievich" in Edmonds and Dunnigan. "Yevstafyevich" in Briggs. "Evstafevich" in Wiener. Bell drops the name.)
Yorza: Chapter 135. (as in Dole. "Yerza" in Dunnigan, Edmonds, and Briggs. "Erza" in Maude, Bell, Wiener, and Mandelker. Also "Yorzanka" in Dole. "Yerzynka" in Briggs. "Yerzinka" in Dunnigan and Garnett. Edmonds, Maude, Bell, Wiener, and Mandelker don't use this second name.)
Yusupof: Mentioned: Chapter 242. (see Chapter 123. Also their manager.)
Princess Yusupovaya: Mentioned: Chapter 123. ("...Yusupov" in Edmonds, Wiener, and Garnett. "...Yusupova" in Dunnigan, Mandelker, and Maude. "Princess Youssoupow" in Bell.)
Zakhar: Chapters 67, 139, and 141. (Garnett provides “Zahar” as an alternative reading. Called “the izvoshchik” in Dole. “cabman” in Wiener, Dunnigan, and Mandelker. “Sledge-driver” in Garnett. Bell and Briggs have no title for him. Also, his horse (though Briggs words it to sound like Rostof is calling him a horse). Rostof’s ramblings insinuate that he actually sees him, thus making him a character in the chapter even though we don’t see him.)
Sergeant Zakharchenko: Mentioned: Chapter 43. (as in Dole, Wiener, and Maude. “Zaharchenko” in Garnett.)
Dron Zakharych: Chapters 196, 197, 198, 200, and 201. Mentioned: Chapter 342. (as in Wiener, Mandelker, and Maude. The second name being "Zakharovitch" in Bell. "Zaharitch" in Garnett. "Zakaruitch" in Dole. Briggs and Edmonds don't give the second name, only calling him Mr Dron". Also "former elder", “Dronushka”, the "starosta" or "bailiff", "Village Elder", and “minister”. Bell gives an alternative reading in “Drone”.)
Zaletayef: Chapter 323. ("Zaletayev" in Briggs and Dunnigan. "Zaletaev" in Wiener, Garnett, and Mandelker. "Zaletaiew" in Bell.)
Zdrzhinsky: Chapter 176. (as in Dole, Edmonds, and Briggs. “Zdrzhinski” in Wiener and Dunnigan. “Zdrginsky” in Bell. An officer of their regiment with long mustaches who relates the story of Rayevsky.)
Zherkof: Chapters 28, 29, 31, 34, 43, 45, and 47 (as in Dole. The Hussar Officer who keeps making faces. “Zherkov” in Dunnigan, Edmonds, and Maude. “Gerkow” in Bell. And his horse.)
Count Zhilinsky: Chapters 101 and 103. (“...Zhilinski” in Maude, Briggs, and Mandelker. “Zylinksi” in Wiener. “Gelinski” in Bell.)
Zhutchka: Mentioned: Chapter 62. (“the same company dog.” Amazingly “Nigger” in Edmonds. “Jack” in Maude. “Zhuchka” in Wiener, Briggs, and Mandelker. The name, as is the name of Ivan above, is cut in Bell.)
Zikin: Chapter 33. (a “little soldier” who seems to be having a hard time carrying his “knapsack.”)
Zubof: Mentioned: Chapter 190. (“Zubov” in Garnett, Dunnigan, and Mandelker.)
Countess Zubova: Mentioned: Chapter 26. (as in Dole, Maude, and Mandelker, “Zubov” in Garnett and Briggs, “Zuboff” in the French.)
Subscribe to:
Posts (Atom)